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Nathan Jacobson » Reflections on Richard Dawkins' The God Delusion .
I know I'm late to the party, but I've finally gotten a chance to begin reading Dawkins' celebrated best-seller, The God Delusion. It's been a very engaging and enjoyable read so far and I'm hoping to post a number of reflections here as I stumble across provocative passages. In the first chapter, Dawkins aims to embolden beleaguered atheists who have been cowed into silence by societal and familial pressures. I second his call to transparency, to being our authentic selves in the public square. Along the way, he paints a picture of the plight of atheists in the Western world, and in America in particular, that to me seems off. He suggests that, "the status of atheists in America today is on a par with that of homosexuals fifty years ago." And, it is only "slightly exaggerating" to say that "making fun of religion is as risky as burning a flag in an American Legion Hall". Dawkins makes some good observations about real prejudices that atheists do face, but this claim is absurd. I know Dawkins is a Brit, looking in from afar, but has he ever: 1) Watched The Simpsons, The Family Guy, or The Daily Show; 2) Read The Onion, a college newspaper, or a big city's "independent" paper; 3) Hung out in the Humanities department of any major American university; 4) Opened a Bible in West Hollywood, or in a local high school, for that matter? Ironically, many Christians also complain that it is they who are persecuted and prevailed upon to keep their beliefs in the closet. And the truth is, they're both right.
"The Brave New World Wide Web," National Review Online
My conservative instinct says there's really nothing new under the sun. Technology almost by definition is developed to solve problems (necessity, recall, is invention's mommy). But, as conservative philosophy teaches us, the "problems" of the human condition are permanent. So while technology is ever changing, the human desires we try to satisfy with technology remain constant. For example, every innovation in mass media has been a boon to the porn industry. You can be sure that when we finally create holographic technology, it'll be put to good triple-X use long before we have a chance to see Hamlet in digital 3-D.
Clipped by Nathan Jacobson  »  June 04, 2006
The recent release of Ron Howard's movie "The Davinci Code" has provoked a renaissance in the controversy that surrounded the publication of Dan Brown's best-selling novel. It is tempting to be dismissive of all the handwringing. Dan Brown's claims are really just a knock-off of parts of the seemingly perpetual parade of novel theories about the life of Christ that make their debut each Christmas and Easter on the covers of Time and Newsweek. One might be surprised that Christians are so easily scandalized by unorthodox claims about the object of their faith when similar claims are such standard fare. And, after all, it's just a novel. On the other hand, in a historically and biblically illiterate culture, Brown's claims do have purchase on the hearts and minds of believers and non-believers alike. To boot, Brown has refused to let his book be dismissed as mere fiction, insisting instead that, "all of the art, architecture, secret rituals, secret societies — all of that is historical fact". Brown's novel wouldn't be the first to leave an indellible imprint on the course of history. So, I, for one, welcome the cottage industry of critical analysis that has accompanied the release of the film. As usual, LeaderU.com is featuring a roundup of essays and interviews including Ron Rhodes' "Crash the Da Vinci Code", Ben Witherington III's "Mary, Mary, Extraordinary", and Sandra Miesel's merciless "Dismantling the Da Vinci Code." Envoy Magazine offers Carl E. Olsen's critique from a Catholic perspective. J.P. Holding at Tektonics.org offers yet another comically titled "review and critique", "Not InDavincible". The New Age Center reprints an article from the New York Times by Bruce Boucher quibbling with Brown's art history, ending with this fabulous quote from Voltaire: "If it's too silly to be said, it can always be sung." There are many more for the Googling. Additionally, Amazon.com is hawking a multitude of books piggy-backing on the success of the Davinci Code. Here are some critical ones.
The Ragamuffin Gospel, (Questar Publishers, 1993), 54.
The scribes were treated with excessive deference in Jewish society because of their education and learning. Everyone honored them because of their wisdom and intelligence. The "mere children"(napioi in Greek, really meaning babes) were Jesus' image for the uneducated and ignorant. He is saying that the gospel of grace has been disclose to and grasped by the uneducated and ignorant instead of the learned and wise. For this Jesus thanks God... The babes (napioi) are in the same state as the children (paidia). God's grace falls on them because they are negligible creatures, not because of their good qualities. They may be aware of their worthlessness, but this is not the reason revelations are given to them. Jesus expressly attributes their good fortune to the Father's good pleasure, the divine eudokia. The gifts are not determined by the slightest personal quality or virtue. They were pure liberality. Once and for all, Jesus deals the death blow to any distinction between the elite and the ordinary in the Christian community.
The Divine Conspiracy (San Francisco: Harper Collins, 1998), p. 273.
Anyone who is not a continual student of Jesus, and who nevertheless reads the great promises of the Bible as if they were for him or her, is like someone trying to cash a check on another person's account. At best, it succeeds only sporadically.
The Divine Conspiracy (San Francisco: Harper Collins, 1998), p. 134.
Here is a profoundly significant fact: In our culture, among Christian and non-Christians alike, Jesus Christ is automatically disassociated from brilliance or intellectual capacity. Not one in a thousand will spontaneously think of him in conjunction with words such as "well-informed," "brilliant," or "smart." Far too often he is regarded as hardly conscious. He is looked on as a mere icon, a wraithlike semblance of a man, fit for the role of sacrificial lamb or alienated social critic, perhaps, but little more.
The Divine Conspiracy (San Francisco: Harper Collins, 1998), p. 56.
Historically, conservative Christians became suspicious of any talk of Jesus as "teacher" because liberals, or "Modernists," used it as a way of saying that he was not the divine Son and supernatural savior but "just a good man." In addition, their understanding of salvation by grace alone cut off from the "essentials" in Christian faith his teachings about life and God’s kingdom. As we have seen, being a Christian then comes to have nothing to do with the kind of person one is. The Modernists, by contrast, professed to regard him as a great teacher. But then they presented him as fundamentally mistaken about major elements of his own message, such as when his kingdom would come, and they explained away all his sayings and deeds that required supernatural interaction, his teachings and practice of prayer, for example. Thus they made it impossible in practice to take him seriously as a teacher.
The Divine Conspiracy (San Francisco: Harper Collins, 1998), p. 15.
Our hunger for Jesus is a signal of who we are and why we are here, and it also is the basis of our humanity's enduring response to Jesus. For he always takes individual human beings as seriously as their shredded dignity demands, and he has the resources to carry through with his high estimate of them.
The Divine Conspiracy (San Francisco: Harper Collins, 1998), p. xiii.
My hope is to gain a fresh hearing for Jesus, especially among those who believe they already understand him. In his case, quite frankly, presumed familiarity has led to unfamiliarity, unfamiliarity has led to contempt, and contempt has led to profound ignorance.
The sexual impulse... next to the love of life... shows itself the strongest and most powerful of motives; constantly lays claim to half the powers and thoughts of the younger portion of mankind, to the ultimate goal of almost all human efforts, interrupts the most serious occupations every hour, sometimes embarrasses for a while even the greatest minds, does not hesitate to intrude with its trash, interfering with the negotiations of statesmen and the investigations of men of learning, knows how to slip its love letters and locks of hair even into ministerial portfolios and philosophical manuscripts, and no less devises daily the most entangled and the worst actions, destroys the most valuable relationships, breaks the firmest bond, demands the sacrifice sometimes of life or health, sometimes of wealth, rank, and happiness, nay, robs those who are otherwise honest of all conscience, makes those who have hitherto been faithful, traitors; accordingly on the whole, appears as a malevolent demon that strives to pervert, confuse and overthrow everything.
The Divine Conspiracy (San Francisco: Harper, 1998), p. 13
I think we finally have to say that Jesus' enduring relevance is based on his ability to speak to, to heal and empower the individual human condition. He matters because of what he brought and what he still brings to ordinary human beings, living their ordinary lives and coping daily with their surrounding. He promises wholeness for their lives. In sharing our weakness he gives us strength and imparts through his companionship a life that has the quality of eternity.
Craig Blomberg of The Da Vinci Code: A Novel. by Dan Brown (Doubleday: 2003) in The Denver Journal: An Online Review of Current Biblical and Theological Studies
The most important word in this entire book is the noun in the subtitle; this is a "novel"-a work of fiction. That is important to remember, especially after the statements on page 1, which move the work slightly into the arena of historical fiction, but only slightly. It is true that there are such organizations as the Priory of Sion and Opus Dei. It is true that the author has worked hard to describe accurately the contemporary European locations, including city layouts, buildings, and artwork, in which the plot is set. The statement that "all descriptions of... documents... in this novel are accurate" is, however, highly inaccurate!
"Confessions of a Cuban Housewife", Salon.com (April 30, 2002)
Another woman on the block, a ranking government official, told me, "You know, the one thing we really have to thank ... [here she tugged at an imaginary beard; those less kindly disposed toward El Jefe of the Long Wind massage imaginary horns but similarly do not speak his name] ... for is that he relieved us of the Catholic curse, and so we have fewer sexual hang-ups than anyone in the Latin world. We use birth control like happy whores and we can divorce with the drop of a jockstrap." Some 82 percent of married Cuban women 15 to 49 regularly use birth control, compared with 70 percent in the U.S. Abortions are free of stigma and charge, and they are readily available and volubly defended by government officials. Divorce, my neighbor tells me, is so common in Cuba that the joke is that the child who actually lives at home with both biological parents will surely require psychotherapy.
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