Dallas Willard
[
Goodness
]
Jesus' good news about the kingdom can be an effective guide for our lives only if we share his view of the world in which we live. To his eyes this is a God-bathed and God-permeated world. It is a world filled with a glorious reality, where every component is within the range of God's direct knowledge and control ?¢‚Ǩ‚Äù though he obviously permits some of it, for good reasons, to be for a while otherwise than as he wishes. It is a world that is inconceivably beautiful and good because of God and because God is always in it. It is a world in which God is continually at play and over which he constantly rejoices. Until our thoughts of God have found every visible thing and event glorious with his presence, the word of Jesus has not yet fully seized us.
Source > The Divine Conspiracy (San Francisco: Harper Collins, 1998), p. 61. (403 reads)
By Craig Blomberg (Broadman & Holman: Jun 1, 1997)
The intertestamental and first-century background information alone is worth the price of the book. Blomberg offers a concise treatment of critical methodologies (Historical Criticism and Literary Criticism), and then an eminently readable and interesting intro to the four gospels. Blomberg's survey of the life of Christ is as good or better than anything I have seen. What sets Blomberg's work on Jesus slightly ahead of that of Robert Stein (Jesus the Messiah) is, again, readability. Blomberg offers a chapter on the external evidence for the reliability of the gospels which seems to be basically a summary of his work from 1987 (Historical Reliability of the Gospels). He sums up this great work with a challenging look at the theology of Jesus. ~ Buddy Boone
CS Lewis
Then comes the real shock. Among these Jews there suddenly turns up a man who goes about talking as if He was God. He claims to forgive sins. He says He has always existed. He said He is coming to judge the world at the end of time. Now let us get this clear. Among Pantheists, like the Indians, anyone might say that he was a part of God, or one with God: there would be nothing very odd about it. But this man, since He was a Jew, could not mean that kind of God. God in their language, meant that Being outside the world Who had made it and was infinitely different from anything else. And when you have grasped that, you will see that what this man said was, quite simple, the most shocking thing that has ever been uttered by human lips.
Source > Mere Christianity, (New York: Simon and Schuster, 1996) (375 reads)
David James Duncan
It's funny how everybody has their own pet notion about Jesus and nobody's pet notion seems to agree with anybody else's. Grandawma, for instance, says He's "just a defunct social reformer." Then there's Papa, who once said he's God's Son all right, and that He survived the crucifixion just fine, but that the two-thousand-year-old funeral service his cockeyed followers call Christianity probably made Him sorry he did. Meanwhile there's Freddy, who's six now, and who told me she saw Christ hiding under her bed one night, but that all He'd say to her was "Psst! Shhh! Pharisees!"
Source > The Brothers K (Bantam Books: July 1996), p. 61. (372 reads)
This article originally appeared in the Fall 1994
Christian Research Journal, 1994 Christian Research Institute International.
A major new work of scholarship is raising eyebrows in many quarters:
The Five Gospels: What Did Jesus Really Say?1 This is the product of six years of extensive consultation by a group of scholars known as the Jesus Seminar (hereafter JS), who have set out to determine the authentic words of Jesus. The result is a book that (1) provides a fresh, colloquial, and at times racy translation of the
five gospels (Matthew, Mark, Luke, John,
and the noncanonical Gospel of Thomas); (2) colors every saying attributed to Jesus in these Gospels as either red, pink, gray, or black (
red means Jesus said it;
pink means it's close to what He said;
gray means He didn't say it in this form but there are echoes of His teaching in it; and
black means the saying didn't come from Him at all); and (3) provides passage-by-passage commentary explaining the JS's rationale for its decisions. As the book jacket and popular press releases emphasize, only 20 percent of all the sayings of Jesus are colored red or pink and a good number of these come from Thomas! >
Read More
(5206 words)
William Lane Craig
The Christian religion, he [Pascal] claims, teaches two truths: that there is a God who men are capable of knowing, and that there is an element of corruption in men that renders them unworthy of God. Knowledge of God without knowledge of man's wretchedness begets pride, and knowledge of man's wretchedness without knowledge of God begets despair, but knowledge of Jesus Christ furnishes man knowledge of both simultaneouosly.
Source > Reasonable Faith (Wheaton: Crossway Books, 1994) (361 reads)
William Lane Craig
The origin of Christianity owes itself to the belief of the earliest disciples that God had raised Jesus from the dead. That belief cannot be accounted for in terms of either Christian, pagan, or Jewish influences. Even if we grant, for the sake of argument, that the tomb was somehow emptied and the disciples saw hallucinations ?¢‚Ǩ‚Äù which we have seen to be false anyway ?¢‚Ǩ‚Äù the origin of the belief in Jesus' resurrection still cannot be explained. Such events would only have led the disciples to say that Jesus had been translated, not resurrected. The origin of the Christian faith is therefore inexplicable unless Jesus really rose from the dead.
Source > Reasonable Faith (Wheaton: Crossway Books, 1994) (360 reads)
Brennan Manning
But the answer seems too easy, too glib. yes, God saved us because he loved us. But he is God. He has infinite imagination. Couldn't he have dreamed up a different redemption? Couldn't he have saved us with a pang of hunger, a word of forgiveness, a single drop of blood? And if he had to die, then for God's sake — for Christ's sake — couldn't he have died in bed, died with dignity? Why was he condemned like a criminal? Why was his back flayed with whips? Why was his head crowned with thorns? Why was he nailed to wood and allowed to die in frightful, lonely agony? Why was the last breath drawn in bloody disgrace, while the world for which he lay dying egged on his executioners with savage fury like some kind of gang rape by uncivilized brutes in Central Park? Why did they have to take the very best? One thing we know — we don't comprehend the love of Jesus Christ. Oh, we see a movie and resonate to what a young man and woman will endure for romantic love. We know that when the chips are down, if we love wildly enough we'll fling life and caution to the winds for the one we love. But when it comes to God's love in the broken, blood-drenched body of Jesus Christ, we get antsy and start to talk about theology, divine justice, God's wrath, and the heresy of universalism.
Source > The Ragamuffin Gospel, (Questar Publishers, 1993). (376 reads)
Brennan Manning
Perhaps the real dichotomy in the Christian community today is not between conservatives and liberals or creationist and evolutionists but between the awake and the asleep. The Christian ragamuffin acknowledges with MacBeth: "Life is but a poor player that struts and frets his hour upon the stage, and then is heard no more." Just as a smart man knows he is stupid, so the awake Christian knows he/she is a ragamuffin. Although truth is not always humility, humility is always truth: the blunt acknowledgment that I owe my life, being, and salvation to Another. This fundamental act lies at the core of our response to grace. The beauty of the ragamuffin gospel lies in the insight it offers into Jesus: the essential tenderness of his heart, his way of looking at the world, his mode of relating to you and me.
Source > The Ragamuffin Gospel, (Questar Publishers, 1993), 69. (373 reads)
John Meier
A tweedy poetaster who spent his time spinning out parables and Japanese koans, a literary aesthete who toyed with 1st-century deconstructionism, or a bland Jesus who simply told people to look at the lilies of the field — such a Jesus would threaten no one, just as the university professors who create him threaten no one.
Source > A Marginal Jew: Rethinking the Historical Jesus 1. The Roots of the Problem and the Person (New York: Doubleday, 1992) (334 reads)
CS Lewis
[
The Bible
]
I was by now too experienced in literary criticism to regard the Gospels as myths. They had not the mythical taste. And yet the very matter which they set down in their artless, historical fashion — those narrow, unattractive jews, too blind to the mystical wealth of the Pagan world around them — was precisely the matter of great myths. If ever a myth had become a fact, had been incarnated, it would be just like this. And nothing else in all literature was just like this. Myths were like it in one way. Histories were like it in another, but nothing was simply alike. And no person was like the Person it depicted; as real, as recognizable, through all that depth of time... yet also so luminous, lit by a light from beyond the world, a god. But if a god — we are no longer polytheists — then not a god, but God. Here and here only in all time the myth must have become fact; the Word, flesh; God, Man. This is not "a religion," nor "a philosophy." It is the summing up and actuality of them all.
Source > Surprised by Joy (Harcourt Brace Jovanovich: 1955), 236. (401 reads)
Francis A. Schaeffer
[
Christianity
]
[P]eople in our culture in general are already in the process of being accustomed to accept nondefined, contentless religious words and symbols, without any rational or historical control. Such words and symbols can be filled with the content of the moment. The words Jesus and Christ are the most ready for the manipulator. The phrase Jesus Christ has become a contentless banner which can be carried in any direction for sociological purposes. In other words, because the phrase Jesus Christ has been separated from true history and the content of Scripture, it can be used to trigger religiously motivated sociological actions directly contrary to the teaching of Christ.
Source > The God Who Is There, (Downers Grove, IL: InterVarsity Press, 1968), p110. (443 reads)
The recent release of Ron Howard's movie "The Davinci Code" has provoked a renaissance in the controversy that surrounded the publication of Dan Brown's best-selling novel. It is tempting to be dismissive of all the handwringing. Dan Brown's claims are really just a knock-off of parts of the seemingly perpetual parade of novel theories about the life of Christ that make their debut each Christmas and Easter on the covers of Time and Newsweek. One might be surprised that Christians are so easily scandalized by unorthodox claims about the object of their faith when similar claims are such standard fare. And, after all, it's just a novel. On the other hand, in a historically and biblically illiterate culture, Brown's claims do have purchase on the hearts and minds of believers and non-believers alike. To boot, Brown has refused to let his book be dismissed as mere fiction, insisting instead that, "all of the art, architecture, secret rituals, secret societies — all of that is historical fact". Brown's novel wouldn't be the first to leave an indellible imprint on the course of history. So, I, for one, welcome the cottage industry of critical analysis that has accompanied the release of the film. As usual, LeaderU.com is featuring a roundup of essays and interviews including Ron Rhodes' "Crash the Da Vinci Code", Ben Witherington III's "Mary, Mary, Extraordinary", and Sandra Miesel's merciless "Dismantling the Da Vinci Code." Envoy Magazine offers Carl E. Olsen's critique from a Catholic perspective. J.P. Holding at Tektonics.org offers yet another comically titled "review and critique", "Not InDavincible". The New Age Center reprints an article from the New York Times by Bruce Boucher quibbling with Brown's art history, ending with this fabulous quote from Voltaire: "If it's too silly to be said, it can always be sung." There are many more for the Googling. Additionally, Amazon.com is hawking a multitude of books piggy-backing on the success of the Davinci Code. Here are some critical ones.
>
Read More
(139 words)
