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"Science's Alternative to an Intelligent Creator: the Multiverse Theory", in Discover (Nov. 10, 2008).
A sublime cosmic mystery unfolds on a mild summer
afternoon in Palo Alto, California... The day seems ordinary enough.
Cyclists maneuver through traffic, and orange poppies bloom on dry
brown hills near Linde’s office on the Stanford University campus. But
everything here, right down to the photons lighting the scene after an
eight-minute jaunt from the sun, bears witness to an extraordinary fact
about the universe: Its basic properties are uncannily suited for life.
Tweak the laws of physics in just about any way and — in this universe,
anyway — life as we know it would not exist. ¶ Consider just two
possible changes. Atoms consist of protons, neutrons, and electrons. If
those protons were just 0.2 percent more massive than they actually
are, they would be unstable and would decay into simpler particles.
Atoms wouldn’t exist; neither would we. If gravity were slightly more
powerful, the consequences would be nearly as grave. A beefed-up
gravitational force would compress stars more tightly, making them
smaller, hotter, and denser. Rather than surviving for billions of
years, stars would burn through their fuel in a few million years,
sputtering out long before life had a chance to evolve. There are many
such examples of the universe’s life-friendly properties—so many, in
fact, that physicists can’t dismiss them all as mere accidents. ¶ Physicists don’t like coincidences. They like even less the notion that
life is somehow central to the universe, and yet recent discoveries are
forcing them to confront that very idea. Life, it seems, is not an
incidental component of the universe, burped up out of a random
chemical brew on a lonely planet to endure for a few fleeting ticks of
the cosmic clock. In some strange sense, it appears that we are not
adapted to the universe; the universe is adapted to us. ¶
Call it a fluke, a mystery, a miracle. Or call it the biggest problem
in physics. Short of invoking a benevolent creator, many physicists see
only one possible explanation: Our universe may be but one of perhaps
infinitely many universes in an inconceivably vast multi verse. Most of
those universes are barren, but some, like ours, have conditions
suitable for life.
"Address to the Pontifical Science Academy" (Libreria Editrice Vaticana: Oct 31, 2008).
To "evolve" literally means "to unroll a scroll", that is, to read a book. The imagery of nature as a book has its roots in Christianity and has been held dear by many scientists. Galileo saw nature as a book whose author is God in the same way that Scripture has God as its author. It is a book whose history, whose evolution, whose "writing" and meaning, we "read" according to the different approaches of the sciences, while all the time presupposing the foundational presence of the author who has wished to reveal himself therein. This image also helps us to understand that the world, far from originating out of chaos, resembles an ordered book; it is a cosmos. Notwithstanding elements of the irrational, chaotic and the destructive in the long processes of change in the cosmos, matter as such is "legible". It has an inbuilt "mathematics". The human mind therefore can engage not only in a "cosmography" studying measurable phenomena but also in a "cosmology" discerning the visible inner logic of the cosmos. We may not at first be able to see the harmony both of the whole and of the relations of the individual parts, or their relationship to the whole. Yet, there always remains a broad range of intelligible events, and the process is rational in that it reveals an order of evident correspondences and undeniable finalities: in the inorganic world, between microstructure and macrostructure; in the organic and animal world, between structure and function; and in the spiritual world, between knowledge of the truth and the aspiration to freedom. Experimental and philosophical inquiry gradually discovers these orders; it perceives them working to maintain themselves in being, defending themselves against imbalances, and overcoming obstacles. And thanks to the natural sciences we have greatly increased our understanding of the uniqueness of humanity’s place in the cosmos.
"Stephen King's God Trip" by John Marks, at Salon.com (October 23, 2008), p3.
It's a mystery. That's the first thing that interests me about the idea of God. If there is one, it's mysterious and powerful and awesome to even consider the concept, and you have to take it seriously. I understand where Bill Maher is coming from when he says, basically, the world is destroying itself over a bunch of fairy tales about talking snakes and men who are alive inside fishes. I'm very sympathetic to it, but at the same time, given the cosmos that we're living in, it's very persuasive, the idea that there is some kind of first cause that's running things. It might not be the god of Jerry Jenkins and Tim LaHaye, it might not be the god of al-Qaida, and it might not be the god of Abraham, but something very well could be running things. The order of the universe as we see it, the interlocking nature, and the way things work together, are persuasive of the idea that there may be some overarching first cause.
Site Description: In its own words: "The New Criterion, now co-edited by the art critic Hilton Kramer and Roger Kimball, was founded in 1982 by Mr. Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion began as an experiment in critical audacity—a publication devoted to engaging, in Matthew Arnold’s famous phrase, with “the best that has been thought and said.” This also meant engaging with those forces dedicated to traducing genuine cultural and intellectual achievement, whether through obfuscation, politicization, or a commitment to nihilistic absurdity. We are proud that The New Criterion has been in the forefront both of championing what is best and most humanely vital in our cultural inheritance and in exposing what is mendacious, corrosive, and spurious. Published monthly from September through June, The New Criterion brings together a wide range of young and established critics whose common aim is to bring you the most incisive criticism being written today."
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Site Description: From the site: "Our worldview impacts all areas of life including the arts. The arts also reflect philosophical and cultural trends in human societies. If philosophical and scientific concepts of intelligent design (ID) are valid, we believe they will both inspire, and be reflected in, our art, music, literature and film. Much of the focus of the ID movement to date has been on left-brain activities (logical, sequential, rational, analytical, objective, focused on parts). We believe there is also a right-brain approach to the issues (more intuitive, focused on the creative process, standing back looking at the whole and not just the parts) that may speak to an even wider audience through the arts. Some people, who might never crack a science book, will grasp ID concepts through image, lyric, or prose." Rate / Comment
"That Hurts", Books and Culture: A Christian Review (May/June 2008, p. 32)
Theologians blithely attribute pain to the Fall, ignoring the marvelous design features of the pain system. Every square millimeter of the body has a different sensitivity to pain, so that a speck of dirt may cause excruciating pain in the vulnerable eye whereas it would go unreported on the tough extremities. Internal organs such as the bowels and kidneys have no receptors that warn against cutting or burning—dangers they normally do not face — but show exquisite sensitivity to distention. When organs such as the heart detect danger but lack receptors, they borrow other pain cells ("referred pain"), which is why heart attack victims often report pain in the shoulder or arm. The pain system automatically ramps up hypersensitivity to protect an injured part (explaining why a sore thumb always seems in the way) and turns down the volume in the face of emergencies (soldiers often report no pain from a wound in the course of battle, only afterwards). Pain serves us subliminally as well: sensors make us blink several times a minute to lubricate our eyes and shift our legs and buttocks to prevent pressure sores. Pain is the most effective language the body can use to draw attention to something important.
Antony Flew (HarperOne, October 2007)
A wave of modern atheists have taken center stage and brought the long standing debate about the existence of God back into headlines. Spearheaded by Richard Dawkins, Sam Harris, and Christopher Hitchens, this "new atheism" has found a powerful place in today's culture wars. Although this movement has been billed as "new" the foundation of its argument is indebted to philosopher Anthony Flew and his groundbreaking paper "Theology and Falsification," the most widely reprinted philosophical publication of the last half century. Flew built his highly acclaimed academic career publicly debunking the existence of God. But now the renowned philosopher has arrived at the opposite conclusion and officially joined the other side. ~ From the Publisher
Geoffrey Simmons M.D. (Harvest House: Feb 15, 2007), 288 pages.
Dr. Geoffrey Simmons focuses on the millions of structures and systems on the Earth that came about all at once, entire... with no preceding links, no subsequent links, no “sideways” links. To illustrate, he surveys examples like... the hummingbird and its circulatory system, insects and insect–eating plants, the role of the thousands of species of viruses, chemical signals and the sensory apparatus that detects them, the self–regulating capacity of the Earth’s ocean/air/soil system. It’s clear: Nature contains only leaps, not links. Only the intelligence and purpose of an all–powerful Designer can explain the intricate creatures, connections, and “coincidences” everywhere.
Site Description: In its own words: "The misreporting of the evolution issue is one key reason for this site. The newsmedia in the U.S. seem to have rediscovered the evolution controversy recently. Unfortunately, much of the news coverage has been sloppy, inaccurate, and in some cases, overtly biased." Evolution News' raison d'être is to remedy these innacuracies by noting and commenting on references to Intelligent Design in the news. Evolution News is a publication of the Discovery Institute's Center for Science and Culture, the undisputed leading proponent of Intelligent Design, and thereby a good place to hear it from the horse's mouth. The site is updated almost daily. Rate / Comment
"Face-Off: Darwinians vs. Anti-Darwinians" in Time (Aug 7, 2005).
Who Designed the First Eye? The eye couldn't possibly be the product of accidental mutations, say Darwin's critics. Sure, a bird with sharper eyes might catch more prey and have more offspring, but where did the first eye come from? How could a process of gradual improvements produce a complex organ that needs all its parts—pinhole, lens, light-sensitive surface—in order to work? It's no accident, says Michael Behe, author of Darwin's Black Box, that the eye resembles a camera, which everybody instantly recognizes as a product someone designed. "If it looks, walks and quacks like a duck," Behe writes, "then absent compelling evidence to the contrary, we have warrent to conclude it's a duck." ¶ Who Needs a Designer? Nonsense, says biologists. It's easy to imagine how a random mutation might have produced a path of light-sensitive cells that helped a primitive creature tell day from night. You can also imagine how another mutation might have bent this patch of cells into a concave shape that could detect the direction a light or shadow was coming from—helping creatures with the mutation stay clear of predators. Simple structures that enable an organism to do one thing—follow the light—can easily get co-opted for a different and more complex function, like sight. The fact that there is no fossil evidence of the interim steps cannot be taken as proof that a designer—intelligent or otherwise—deliberately skipped them.
The Image Journal
In selecting books for this list, Image Journal decided to list an author only once to end up with 100 different writers. Moreover, only creative writing was considered: fiction, poetry, drama, and creative nonfiction. The works selected manifest a genuine engagement with the Judeo-Christian heritage of faith, rather than merely using religion as background or subject matter.
Alexander R. Pruss, Dep. of Philosophy, Georgetown University (Nov. 2004). Referenced images absent.
I will sketch an argument that if we follow St. Augustine in seeing the
cosmos—i.e., the sum total of all created existence—as a work of art,
then we have good reason to be sceptical of the judgment that there are
gratuitous evils. I will do so by stating several features of works of
art each of which, when transferred to the case of the cosmos, makes it
difficult to conclude that any evil we see is gratuitous. However this
account does not undercut the religious claims that from the goodness
of things in the universe we can tell something about God’s goodness.
Paradoxically, evil does not give a strong argument against the
existence of God, but good might give a strong argument in favor of it.
Richard Swinburne in The Existence of God (Oxford University Press, 2004).
I understand by an argument from design
one which argues from some general pattern of order in the universe or
provision for the needs of conscious beings to a God responsible for
these phenomena. An argument from a general pattern of order I shall
call a teleological argument. In the definition of ‘teleological
argument’ I emphasize the words ‘general pattern’; I shall not count an
argument to the existence of God from some particular pattern of order
manifested on a unique occasion as a teleological argument.
The Ragamuffin Gospel (Questar Publishers : 1993), 32.
The slant of the earth, for example, tilted at an angle at 23 degrees,
produces our season,. Scientists tell us that if the earth had not been
tilted exactly as it is, vapors from the oceans would move both north
and south, piling up continents of ice. If the moon were only
50,000 miles away from earth instead of 200,000 the tides might be so
enormous that all continents would be submerged in water, even the
mountains would be eroded. If the crust of the earth had been only ten feet thicker, there would be no oxygen, and without it all animal life would die. Had the oceans been a few feet deeper, carbon dioxide and oxygen would have absorbed and no vegetable life would exist. The
earth's weight has been estimated at six sextillion tons (that's a
six with 21 zeros). Yet it is perfectly balanced and turns easily on
its axis. It revolves daily at the rate of more than 1,000 miles per
hour or 25,000 miles each day. This adds up to nine million miles a
year. Considering the tremendous weight of six sextillion tons rolling
at this fantastic speed around an invisible axis, held in place by
unseen bands of gravitation, the words of Job 26:7 take on unparalleled
significance: "He poised the earth on nothingness." The earth
revolves in its own orbit around the sun, making the long elliptical
circuit of six hundred million miles each year — which means we are
traveling in orbit at 19 miles per second or 1,140 miles per hour. Job
further invites us to meditate on "the wonders of God" (37:14).
Consider the sun. Every square yard of the sun's surface is emitting
constantly an energy level of 130,000 horse power (that is,
approximately 450 eight-cylinder automobile engines), in flames that
are being produced by an energy source much more powerful than coal. The
nine major planets in our solar system range in distance from the sun
from 36 million to about 3 trillion, 6,664 billion miles; yet each
moves around the sun in exact precision, with orbits ranging from 88
days for Mercury to 248 years for Pluto. Still, the sun is
only one minor star in the 100 billion orbs which comprise our Milky
Way galaxy. if you were to hold out a dime, a ten-cent piece, at
arm's length, the coin would block out 15 million stars from your
view, if your eyes could see with that power.
The Soul of Science (Wheaton, IL: Crossway Books, 1994), p. 157-8.
At the time of the scientific revolution the reliability of human
knowledge was grounded in the belief that God had created humanity in
His image, to reflect His rationality. But the success of the
mathematical approach to science was so intoxicating that Western
intellectuals no longer felt that the need for any external guarantee
of knowledge. They regarded mathematics itself and the axiomatic method
derived from it as an independent means of gaining indubitable,
infallible knowledge. They set human reason up as an autonomous power,
capable of penetrating to ultimate truth. Mathematics, as the crown of
human reason, was essentially worshiped as an idol. ¶ But then
something unexpected happened. With no grounding in divine creation,
human knowledge was cut adrift. If the universe is the product of
blind, mechanistic forces, how do we know it has any intelligible
structure at all? If there is no Designer, how can we be confident
there is a design? If human beings are not created in the image of God,
how can we be sure the design we think we detect is really there? Where
is the guarantee that the concepts in our minds bear any relation to
the world outside?


