This lack of a sense of history has allowed us a kind of romance with race and ethnicity that is fanciful. I did a documentary some years ago about America and teenagers and the past and all these kids who were announcing themselves as wanting to recover their history, as though it was some reassurance, when everything I've ever read about American history is an embarrassment. It's filled with tragedies of all kinds. The notion that we would study history in order to feel better about ourselves is just ludicrous. But we have this romantic sense because we know it so little, our past really seems noble. I don't look to Aztec Mexico for any reassurance about my identity. I'm aware that Aztec Mexico was a decadent society; its bloodlust was so extreme that its ultimate sexual energy was its pursuit of death. There's nothing in that history for me that leads me to the romantic calendars that you see in Mexican restaurants with the Aztec, almost naked with the feathers coming out of his head, and the Aztec princess at his knees. Nothing of that is convincing to me. History is a terrible, terrible burden which we need to confront, but I don't think the search for authenticity begins there.

Noting that we're all human beings can be worthwhile, but it can also be a verbal white flag for abject moral surrender. Put another way: All the great political and moral conflicts have been between human beings. To date, civilization's greatest battles — rhetorical or otherwise — have not been with Styrofoam, dog hair, gerbils, or toe jam. Nazis are human beings. Murderers and pedophiles are human beings. To say that humanity somehow exonerates rather than confers accountability is to say that humanity is in fact meaningless. Joe Blow killed a child? Well, he's just a human being — cut him some slack. Sure, Jack the Ripper was a rough chap, but he was a carbon-based life form.

Because I believe in original sin, because I know that I'm capable of craving a cold beer in a village of starving kids, because I know that selfishness vies for space in our hearts with compassion, I believe we need government. A government that forces us to care about the common good even when we don't feel like it, a government that helps channel our better instincts and check our bad ones. I don't think government is good, just necessary.

Window down, transmission in neutral, he was gliding along, exhausted, under stars and sinking moon, driving at swimming speed, otter speed, watching the same moon-silvered riffles and silent glides she'd navigated moments before. And when he pictured again the way she'd watched him — one small, rounded ear up, listening to his babble, the other ear down, listening to the world beneath the asphalt, crushed and alive, two worlds at once — it touched something in him, unlocked something, and he felt himself fall through a kind of false bottom, felt he was driving now, down, into a vast, dark pool. A pool of sorrows, it seemed at first. And not just his own, not just crushed otters and lost Tashas. The stuff of small and large losses, and of recent and ancient ones — poxed kakiutl and napalmed Asians, leveled cities and leveled minds, lost tribes and understandings, broken bridges between worlds — it was all somehow suspended here. Immense sadness on all sides, yet immense depth -- there was room down here for all of it. And in his exhaustion he didn't panic, didn't try to escape, didn't close his mind around any one hurt. He just kept easing the Olds down through it all, thrashing on a gurney, Natasha laughing in a cloudburst, the one good paw scrabbling at the road. No matter how much he saw, more kept coming. Sorrows were endless; he'd always known this. But so, he discovers as he kept sinking and sinking, was the spaciousness of this great black pool.

Anyone with sensitivity and concern for the world can see that man is in a great dilemma. Man is able both to rise to great heights and to sink to great depths of cruelty and tragedy. Modern man is desperately struggling with the concept of man in his dilemma.