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Sin, Evil, Inhumanity
Theologians blithely attribute pain to the Fall, ignoring the marvelous design features of the pain system. Every square millimeter of the body has a different sensitivity to pain, so that a speck of dirt may cause excruciating pain in the vulnerable eye whereas it would go unreported on the tough extremities. Internal organs such as the bowels and kidneys have no receptors that warn against cutting or burning—dangers they normally do not face — but show exquisite sensitivity to distention. When organs such as the heart detect danger but lack receptors, they borrow other pain cells ("referred pain"), which is why heart attack victims often report pain in the shoulder or arm. The pain system automatically ramps up hypersensitivity to protect an injured part (explaining why a sore thumb always seems in the way) and turns down the volume in the face of emergencies (soldiers often report no pain from a wound in the course of battle, only afterwards). Pain serves us subliminally as well: sensors make us blink several times a minute to lubricate our eyes and shift our legs and buttocks to prevent pressure sores. Pain is the most effective language the body can use to draw attention to something important.
"That Hurts", Books and Culture: A Christian Review (May/June 2008, p. 32)
Mulhall persistently takes it that the doctrine of original sin specifies that the desires of humans are sinfully perverted "by virtue of their very condition as human." In a favorite turn of phrase, Mulhall repeatedly emphasizes that humans are "always already" errant, corrupted, and misdirected. To be human, then, is to be "essentially" sinful, "sinful simply by virtue of being human." But this is decidedly not the orthodox doctrine of original sin. Rather, what Mulhall give us is an all-too-common Gnostic rendition of it (one which, admittedly, evangelical Protestants are sometimes prone to confuse with the real thing). This is to read the Bible as if it began with the third chapter of Genesis. The paradox is that an orthodox understanding of original sin does not posit sin as properly "original"; that is, it does not regard sinfulness as coincident with being human and finite. And when such a misunderstanding of original sin is coupled with some hope of redemption, we find the contorted philosophical acrobatics that Mulhall finds in Heidegger and Wittgenstein: redemption from this condition of fallenness requires redemption from being human. What is consistently lacking in these secularized or formalized versions of the Fall is the distinct nuance of the Christian vision, viz., the ability to imagine the world otherwise. Without the prior goodness of creation, there is no Fall. Our present condition is "not the way it's supposed to be," as Cornelius Plantinga so aptly put it.
"Lost in Translation: Versions of the Fall", in Books and Culture (Nov/Dec 2007).
My conservative instinct says there's really nothing new under the sun. Technology almost by definition is developed to solve problems (necessity, recall, is invention's mommy). But, as conservative philosophy teaches us, the "problems" of the human condition are permanent. So while technology is ever changing, the human desires we try to satisfy with technology remain constant. For example, every innovation in mass media has been a boon to the porn industry. You can be sure that when we finally create holographic technology, it'll be put to good triple-X use long before we have a chance to see Hamlet in digital 3-D.
"The Brave New World Wide Web," National Review Online
In Rwanda and the Balkans, neighbors often killed neighbors. How did they turn on people they'd known all their lives? And in the Holocaust you had incidences of this, too — I'm thinking of Jan Gross' book, entitled "Neighbors," about a small village in Poland named Jedwabne where the Catholic half of the village killed the Jewish half simply because they were given permission to do so. You realize how thin this veneer of civilization is that we put up. We say we live as neighbors and in a community, but when something happens structurally that says now you have permission to persecute, to take from, to even kill people that you've lived with for years, the relative ease with which people can do that is incredible.
"Ordinary People, Extraordinary Evil", Salon.com (August 2002).
This lack of a sense of history has allowed us a kind of romance with race and ethnicity that is fanciful. I did a documentary some years ago about America and teenagers and the past and all these kids who were announcing themselves as wanting to recover their history, as though it was some reassurance, when everything I've ever read about American history is an embarrassment. It's filled with tragedies of all kinds. The notion that we would study history in order to feel better about ourselves is just ludicrous. But we have this romantic sense because we know it so little, our past really seems noble. I don't look to Aztec Mexico for any reassurance about my identity. I'm aware that Aztec Mexico was a decadent society; its bloodlust was so extreme that its ultimate sexual energy was its pursuit of death. There's nothing in that history for me that leads me to the romantic calendars that you see in Mexican restaurants with the Aztec, almost naked with the feathers coming out of his head, and the Aztec princess at his knees. Nothing of that is convincing to me. History is a terrible, terrible burden which we need to confront, but I don't think the search for authenticity begins there.
"The Browning of America", an Interview with Richard Rodriquez, (Salon.com)
Noting that we're all human beings can be worthwhile, but it can also be a verbal white flag for abject moral surrender. Put another way: All the great political and moral conflicts have been between human beings. To date, civilization's greatest battles — rhetorical or otherwise — have not been with Styrofoam, dog hair, gerbils, or toe jam. Nazis are human beings. Murderers and pedophiles are human beings. To say that humanity somehow exonerates rather than confers accountability is to say that humanity is in fact meaningless. Joe Blow killed a child? Well, he's just a human being — cut him some slack. Sure, Jack the Ripper was a rough chap, but he was a carbon-based life form.
Biology & Ideology: Do the Muslims love their children, too?, National Review, March 18, 2002
Jonathan Glover (Yale Nota Bene: Sep 1, 2001)
English ethicist Jonathan Glover begins with the now commonplace observation that the last 100 years were perhaps the most brutal in all history. But the problem wasn't that human nature suddenly took a sharp turn for the worse: "It is a myth that barbarism is unique to the twentieth century: the whole of human history includes wars, massacres, and every kind of torture and cruelty," he writes. Technology has made a huge difference, but psychology has remained the same — and this is what Glover seeks to examine, through discussions of Nietzsche, the My Lai atrocity in Vietnam, Hiroshima, tribal genocide in Rwanda, Stalinism, Nazism, and so on. There is much history here, but Humanity is fundamentally a book of philosophy. In his first chapter, for instance, Glover announces his goal "to replace the thin, mechanical psychology of the Enlightenment with something more complex, something closer to reality." But he also seeks "to defend the Enlightenment hope of a world that is more peaceful and more humane, the hope that by understanding more about ourselves we can do something to create a world with less misery." The result is an odd combination of darkness and light — darkness because the subject matter of the 20th century's moral failings is so bleak, light because of Glover's earnest optimism, which insists that "keeping the past alive may help to prevent atrocities".
It's that experience of utter hopelessness, or moments of clarity, or hitting bottom, at which some sufferers typically call out to a higher power for help and others seek the aid of psychiatrists, healers and scientists. The common paradox in all these experiences is that personal powerlessness is twinned with personal responsibility: You suddenly realize that while no one can cure you, neither can you cure yourself on your own. You need God, or friends, or an institution, or a belief system, or something -- anything -- not yourself. And thus begins, in myriad forms, the archetypal untangling of epistemological knots that results, ultimately, in an unaddicted ego that knows it is both profoundly free and profoundly interdependent. And that's the basis of a healthy society. For that reason, many recovered addicts view with suspicion systems of government aid that seem to prolong dependency and/or to shield sufferers from the fundamental hopelessness of their situation. Thus we would expect Bush, not just as a political conservative, but as somebody who's experienced deep hopelessness, aloneness in the universe and the need for God, to view welfare and other government attempts to eliminate suffering as simply, and wrongly, shielding people from their true problems, the recognition of which alone could catalyze deep change.
"My name is George, and I'm an alcoholic", Salon.com (July 26, 2001).
I have lost many friends, and I've seen many more wounded — by snipers, by mortar shells, by land mines, and by crazed, Kalashnikov-wielding druggies at checkpoints. It has occurred to me that I have spent almost every working day of the past ten years living in a state of repressed fear... And then there's the nightmare of what we see: in Rwanda, piles of bodies being lifted by bulldozers after a genocide and dumped into mass graves — and the toughest of soldiers, supervising this, in tears. In Bosnia, little children being shot in the head. In Somalia and Ethiopia, the walking skeletons heralding those terrible famines. I remember once doing a live shot from a so-called famine camp in Somalia, in which I showed a man, told his story, and explained how ill he was. I suddenly realized that he was dying at that very moment. And I didn't know what to do — I didn't know how to move the camera away, how not to sully what was happening in real life. These images and these sounds will never leave me.
"Why Do I Do It?'", Brill's Content (December, 2000)
Because I believe in original sin, because I know that I'm capable of craving a cold beer in a village of starving kids, because I know that selfishness vies for space in our hearts with compassion, I believe we need government. A government that forces us to care about the common good even when we don't feel like it, a government that helps channel our better instincts and check our bad ones. I don't think government is good, just necessary.
All Too Human (Back Bay Books: 2000)
Window down, transmission in neutral, he was gliding along, exhausted, under stars and sinking moon, driving at swimming speed, otter speed, watching the same moon-silvered riffles and silent glides she'd navigated moments before. And when he pictured again the way she'd watched him — one small, rounded ear up, listening to his babble, the other ear down, listening to the world beneath the asphalt, crushed and alive, two worlds at once — it touched something in him, unlocked something, and he felt himself fall through a kind of false bottom, felt he was driving now, down, into a vast, dark pool. A pool of sorrows, it seemed at first. And not just his own, not just crushed otters and lost Tashas. The stuff of small and large losses, and of recent and ancient ones — poxed kakiutl and napalmed Asians, leveled cities and leveled minds, lost tribes and understandings, broken bridges between worlds — it was all somehow suspended here. Immense sadness on all sides, yet immense depth -- there was room down here for all of it. And in his exhaustion he didn't panic, didn't try to escape, didn't close his mind around any one hurt. He just kept easing the Olds down through it all, thrashing on a gurney, Natasha laughing in a cloudburst, the one good paw scrabbling at the road. No matter how much he saw, more kept coming. Sorrows were endless; he'd always known this. But so, he discovers as he kept sinking and sinking, was the spaciousness of this great black pool.
The Brothers K (Bantam Books: July 1996), p. 529.
Marylin McCord Adams, in The Problem of Evil, Adams and Adams (eds.) (Oxford: Oxford University Press): 217. For a fuller, revised treatment, see: Horrendous Evil and the Goodness of God.
I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diptheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand proping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentary which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the post mortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tatooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.
An extract from the diary of Lieutenant Colonel Mervin Willett Gonin DSO who was among the first British soldiers to liberate Bergen-Belsen in 1945. Source: Imperial War museum.
It seems that there is a general rule in the moral universe which may be formulated "The higher, the more in danger". The "average sensual man" who is sometimes unfaithful to his wife, sometimes tipsy, always a little selfish, now and then (within the law) a trip sharp in his deals, is certainly, by ordinary standards, a "lower" type than the man whose soul is filled with some great Cause, to which he will subordinate his appetites, his fortune, and even his safety. But it is out of the second man that something really fiendish can be made; an Inquisitor. "It is great men, potential saints, not little men, who become those who are readiest to kill for it". For the supernatural, entering a human soul, opens to it new possibilities both of good and evil. From that point the road branches: one way to sanctity, love, humility, the other to spiritual pride, self-righteousness, persecuting zeal. And no way back to the mere humdrum virtues and vices of the unawakened soul. If the Divine call doe not make us better, it will make us very much worse. Of all bad men religious bad men are the worst.
Reflections on the Psalms, (146, 147)
Anyone with sensitivity and concern for the world can see that man is in a great dilemma. Man is able both to rise to great heights and to sink to great depths of cruelty and tragedy. Modern man is desperately struggling with the concept of man in his dilemma.
The God Who Is There, (Downers Grove, IL: InterVarsity Press, 1968), p127.


