A leading evangelical thinker offers this brand–new way of addressing life’s most important questions: Does God exist, and can we know Him? J.P. Moreland, distinguished professor of philosophy at Talbot School of Theology, abandons traditional didactic apologetics and entices skeptics and dissatisfied believers into a conversation about the emptiness and anxiety so many feel today. He invites them to the abundant life Jesus offers but that so few seem to be experiencing. Moreland shows that people are created by a benevolent God and given a life–enhancing purpose. He empowers readers to... overcome obstacles to faith, including questions about science and religion; embrace an enticing view of Jesus and the kingdom of God; and, replace unhelpful images of God with the truth. Readers will find practical and effective ways to experience intimacy with God, an effective life of prayer, and a confident hope in life after death. ~ Product Description

What, if anything, does Jesus of Nazareth have to do with philosophy? This question motivates this collection of new essays from leading theologians, philosophers, and biblical scholars. Part I portrays Jesus in his first-century intellectual and historical context, attending to intellectual influences and contributions and contemporaneous similar patterns of thought. Part II examines how Jesus influenced two of the most prominent medieval philosophers. It considers the seeming conceptual shift from Hebraic categories of thought to distinctively Greco-Roman ones in later Christian philosophers. Part III considers the significance of Jesus for some prominent contemporary philosophical topics, including epistemology and the meaning of life. The focus is not so much on how "Christianity" figures in such topics as on how Jesus makes distinctive contributions to such topics. ~ Product Description

In the spring of 1672, the German philosopher and mathematician Gottfried Wilhelm Leibniz arrived in Paris on a furtive diplomatic mission. That project was abandoned quickly, but Leibniz remained in Paris with a singular goal: to get the most out of the city’s intellectual and cultural riches. He benefited, above all, from his friendships with France’s two greatest philosopher-theologians of the period, Antoine Arnauld and Nicolas de Malebranche. The interactions of these three men would prove of great consequence not only for Leibniz’s own philosophy but for the development of modern philosophical and religious thought.  Despite their wildly different views and personalities, the three philosophers shared a single, passionate concern: resolving the problem of evil. Why is it that, in a world created by an allpowerful, all-wise, and infinitely just God, there is sin and suffering? Why do bad things happen to good people, and good things to bad people?  This is the story of a clash between radically divergent worldviews. But it is also a very personal story. At its heart are the dramatic—and often turbulent—relationships between three brilliant and resolute individuals. In this lively and engaging book, Steven Nadler brings to life a debate that obsessed its participants, captivated European intellectuals, and continues to inform our ways of thinking about God, morality, and the world.

Siedell likens Christians' encounter with modern and contemporary fine art to St. Paul's discovery of the altar to an unknown god on Mars Hill (Acts 17:23). Responding to those who have called for a separate Christian art (particularly Francis Schaeffer and H.R. Rookmaaker), he strives to reveal what modern art is only able to point to, not to name. Siedell uses his in-depth knowledge as former art curator and current assistant professor of art history at the University of Nebraska at Omaha to argue that perceptions of this legitimate cultural practice can be nourished by a robust Nicene Christianity. These disparate essays tackle subjects both ambitious (a history of modern art) and esoteric (a single work by artist Enrique Martínez Celaya; the conflict between art critics Harold Rosenberg and Clement Greenberg). Siedell's love of contemporary art is obvious, but his sometimes abstruse writing doesn't always clarify his formidable subject; indeed, it may reinforce some Christians' view of modern art as unapproachable. His primary audience is clearly art specialists, whether students or professionals; Siedell's interesting thesis may not reach the larger audience it deserves.

How can Christians live faithfully at the crossroads of the story of Scripture and postmodern culture? In Living at the Crossroads, authors Michael Goheen and Craig Bartholomew explore this question as they provide a general introduction to Christian worldview. Ideal for both students and lay readers, Living at the Crossroads lays out a brief summary of the biblical story and the most fundamental beliefs of Scripture. The book tells the story of Western culture from the classical period to postmodernity. The authors then provide an analysis of how Christians live in the tension that exists at the intersection of the biblical and cultural stories, exploring the important implications in key areas of life, such as education, scholarship, economics, politics, and church.

In the history of philosophical thought, few themes loom as large as skepticism. Skepticism has been the most visible and important part of debates about knowledge. Skepticism at its most basic questions our cognitive achievements, challenges our ability to obtain reliable knowledge; casting doubt on our attempts to seek and understand the truth about everything from ethics, to other minds, religious belief, and even the underlying structure of matter and reality. Since Descartes, the defense of knowledge against skepticism has been one of the primary tasks not just of epistemology but philosophy itself. The Oxford Handbook of Skepticism features twenty-six newly commissioned chapters by top figures in the field. Part One contains articles explaining important kinds of skeptical reasoning. Part Two focuses on responses to skeptical arguments. Part Three concentrates on important contemporary issues revolving around skepticism. As the first volume of its kind, the articles make significant contributions to the debate on skepticism. ~ Product Description

This book reproduces an insightful and spirited recent debate between Christopher Hitchens and Douglas Wilson over what Dostoevsky called the Eternal Questions: What is the real nature of the universe in which we find ourselves? What are the ultimate bases of reason and ethics? Are there any ultimate sanctions governing human behavior? Though Hitchens is always worth reading for his quick wit and frequently surprising arguments, unfortunately in this debate he does not come off at his best. While graciously conceding that Hitchens has clean hands, Wilson wielding a very fine knife shows that Hitchens, sad to say, doesn't have any hands to begin with. Hitchens is of the view that the universe is the accidental consequence of swirling particles, claiming that his reason has led him to this conclusion. Wilson, in the style of C.S.Lewis, points out that if the world outside Hitchen's head is given over wholly to such irrational chemical processes, the world inside Hitchens' head can be no differently composed, and that what Hitchens refers to as "rational argument" has been "arbitrarily dubbed" so. ~ Stanley H. Nemeth

It is not enough to condemn culture. Nor is it sufficient merely to critique culture or to copy culture. Most of the time, we just consume culture. But the only way to change culture is to create culture. Andy Crouch unleashes a stirring manifesto calling Christians to be culture makers. For too long, Christians have had an insufficient view of culture and have waged misguided "culture wars." But we must reclaim the cultural mandate to be the creative cultivators that God designed us to be. Culture is what we make of the world, both in creating cultural artifacts as well as in making sense of the world around us. By making chairs and omelets, languages and laws, we participate in the good work of culture making. Crouch unpacks the complexities of how culture works and gives us tools for cultivating and creating culture. He navigates the dynamics of cultural change and probes the role and efficacy of our various cultural gestures and postures. Keen biblical exposition demonstrates that creating culture is central to the whole scriptural narrative, the ministry of Jesus and the call to the church. He guards against naive assumptions about "changing the world," but points us to hopeful examples from church history and contemporary society of how culture is made and shaped. Ultimately, our culture making is done in partnership with God's own making and transforming of culture. A model of his premise, this landmark book is sure to be a rallying cry for a new generation of culturally creative Christians. Discover your calling and join the culture makers.

Morality and religion: intimately wed, violently opposed, or something else? Discussion of this issue appears in pop-culture, the academy, and the media-often generating radically opposed views. At one end of the spectrum are those who think that unless God exists, ethics is unfounded and the moral life is unmotivated. At the other end are those who think that religious belief is unnecessary for-and even a threat to-ethical knowledge and the moral life. This volume provides an accessible, charitable discussion that represents a range of views along this spectrum. The book begins with a lively debate between Paul Kurtz and William Lane Craig on the question, Is goodness without God good enough? Kurtz defends the affirmative position and Craig the negative. Following the debate are new essays by prominent scholars. These essays comment on the debate and advance the broader discussion of religion and morality. The book closes with final responses from Kurtz and Craig.

Christopher Hitchens is recognized by just about everyone as a master rhetorician. His wit and command of the English language are things to behold. The American Heritage Dictionary offers a number of definitions of the term rhetoric, including: 1) The art or study of using language effectively and persuasively, 2) Language that is elaborate, pretentious, insincere, or intellectually vacuous. No doubt Hitchens' rhetoric has been persuasive in many quarters, but the more I read, the more clear it becomes that the second definition is also apt, that what we have here is as much style as substance. At Afterall.net we host The Illogic Primer, a catalog of common logical fallacies and rhetorical chicanery. We can all be forgiven a slip or two into illogic, but Hitchens' god is not Great is an unending cascade of this kind of rhetorical mischief. Is it merely empty rhetoric, or is there reason beyond the rhetoric? I'll leave that judgment till I turn the last page. In the meantime, allow me to enumerate some concerns about Hitchens' style of argumentation and why I think it impedes getting to the truth of the matter.