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Cameron wrote Avatar, says Podhoretz, “not to be controversial, but quite the opposite: He was making something he thought would be most pleasing to the greatest number of people.” What would have been controversial is if — somehow — Cameron had made a movie in which the good guys accepted Jesus Christ into their hearts. Of course, that sounds outlandish and absurd, but that’s the point, isn’t it? We live in an age in which it’s the norm to speak glowingly of spirituality but derisively of traditional religion. If the Na’Vi were Roman Catholics, there would be boycotts and protests. Make the oversized Smurfs Rousseauian noble savages and everyone nods along, save for a few cranky right-wingers. I’m certainly one of those cranky right-wingers, though I probably enjoyed the movie as cinematic escapism as much as the next guy. But what I find interesting about the film is how what is “pleasing to the most people” is so unapologetically religious.

If you consider a wide sampling of the reactions to Bill Maher's and Larry Charles' Religulous, two distinct themes emerge. On the one hand, reviewers consistently note that the filmmakers were deliberately manipulative in their survey of religion: in whom they chose to interview and feature, in asking baited questions, and finally, in their merciless splicing and dicing in the editing room. And so, not surprisingly, religious people come off as goofy, gullible, and worse. On the other hand, a number of reviewers note what they take to be an earnest search by Maher to understand people of faith. As Maher puts it himself at the outset, his quest is to understand how otherwise intelligent and rational people can continue to believe in fantasies like talking snakes and a virgin birth. It's a worthwhile question, and there are moments in the film when Maher displays some genuine curiosity about it. Nonetheless, these two observations about Religulous seem to be incompatible. And regrettably, by the end, it is clear that Maher and Charles set out not on a quest for understanding, but rather to proof-text their presumptions. Religulous is funny enough, and at times thought provoking. On the whole, however, Religulous is a "mockumentary". A hit-piece. It is a quest that begins with a predetermined destination in mind and manages to arrive there by scrupulously avoiding any detours that might have derailed the script.