However all this may be, some might think that the resurgence of natural theology in our time is merely so much labor lost. For don't we live in a postmodern culture in which appeals to such apologetic arguments are no longer effective? Rational arguments for the truth of theism are no longer supposed to work. Some Christians therefore advise that we should simply share our narrative and invite people to participate in it. This sort of thinking is guilty of a disastrous misdiagnosis of contemporary culture. The idea that we live in a postmodern culture is a myth. In fact, a postmodern culture is an impossibility; it would be utterly unlivable. People are not relativistic when it comes to matters of science, engineering, and technology; rather, they are relativistic and pluralistic in matters of religion and ethics. But, of course, that's not postmodernism; that's modernism! That's just old-line verificationism, which held that anything you can't prove with your five senses is a matter of personal taste. We live in a culture that remains deeply modernist.

[P]ostmodernism leads to the institutionalization of anger. Postmodernists are preoccupied with power struggles that surround language use and social practice, and they see themselves as part of a missionary movement to liberate powerless, oppressed victims from dominance. They often practice a "hermeneutics of suspicion" in which they interpret body language, speech, and written communication not in terms of the communicators' own intentions but in terms of their attempt to victimize and dominate "the other" as understood according to the postmodernists' interpretive agenda (e.g. feminism, gay rights, and so forth). To be sure, power issues are a legitimate aspect of language, though one hardly needs postmodernism to see this. But by making power struggles and victimization a central focus of the postmodern crusade, the movement dignifies anger by institutionalizing it and placing it on ideological high ground, and it creates anger by fostering relational suspicion according to which there is a victimizer under every linguistic tree.

Put simply, postmodernism is self-refuting. Postmodernists appear to claim that their own assertions about the modern era, about how language and consciousness work, and so forth are true and rational; and they write literary texts and protest when people misinterpret the authorial intent in their own writings. In these and other ways postmodernism seems to be self-refuting. ¶ Sometimes postmodernists respond by denying that they take their own assertions and writing to be true, rational, constituted by their own authorial intent, and so forth. If these claims are correct, then they would, indeed, save postmodernism from self-refutation. But this response must be rejected. When one actually reads carefully postmodernist writings, it is hard to avoid the impression that they do, indeed, present themselves as true, rational, and so on. In this sense, though on the defensive, postmodernists may deny that their writings exhibit these features; nevertheless an examination of those writings seems to undermine those denials.

Postmodernism is both a historical, chronological notion and a philosophical ideology. Understood historically, postmodernism refers to a period of thought that follows and is a reaction to the period called modernity. Modernity is the period of European thought that developed out of the Renaissance (1300-1550) and flourished in the Enlightenment (c. 1650-1800) in the ideas of people like Descartes, Locke, Berkeley, Hume, Leibniz, and Kant. In the chronological sense, postmodernism is sometimes called "post modernism." So understood, it is fair to say that postmodernism is often guilty of a simplistic characterization of modernity because the thinkers in that period were far from monolithic. Indeed, Descartes, Hume, and Kant have elements in their thought that are more at home in postmodernism than they are in the so-called modern era. Nevertheless, setting historical accuracy aside, the chronological notion of postmodernism depicts it as an era that began in and, in some sense, replaces modernity.¶ As a philosophical standpoint, postmodernism is primarily a reinterpretation of what knowledge is and what counts as knowledge. More broadly, it represents a form of cultural relativism about such things as reality, truth, reason, value, linguistic meaning, the self, and other notions. On a postmodernist view there is no such thing as objective reality, truth, value, reason, and so forth. All these are social constructions, creations of linguistic practices and, as such, are relative not to individuals but to social groups that share a narrative. Roughly, a narrative is a perspective such as Marxism, atheism, or Christianity that is embedded in the group's social and linguistic practices.

We must not confuse dissent with disloyalty. When the loyal opposition dies, I think the soul of America dies with it.

The politician in my country seeks votes, affection and respect, in that order. With few notable exceptions, they are simply men who want to be loved.

Most truths are so naked that people feel sorry for them and cover them up, at least a little bit.

Just because your voice reaches halfway around the world doesn't mean you are wiser than when it reached only to the end of the bar.

Deconstruction's recognition that everything is interpretation opens a space of questioning — a space to call into question the received and dominant interpretations that often claim not to be interpretations that have been silenced. This is the constructive, yea prophetic, aspect of Derrida's deconstruction: a concern for justice by being concerned about dominant, status quo interpretations that silence those who see differently. Thus, from its inception, deconstruction has been, at root, ethical — concerned for the paradigmatic marginalized described by the Old Testament as "the widow, the orphan, and the stranger." To put it differently: Wall Street and Washington both want us to think that their rendering of the world is "just the way things are." Deconstruction, by showing the way in which everything is interpretation, empowers us to question the interpretations of trigger-happy presidents and greedy CEOs — in a way not unlike the prophets' questioning of the dominant interpretations of the of the world.

What is postmodernism? The answer to this question is sometimes offered as a historical thesis: postmodernism has been variously described as a kind of post- (after-) modern condition and is sometimes even linked to particular historical events such as student riots in 1968, the abandonment of the gold standard, the fall of the Berlin Wall, or, to be specific, 3:32 p.m. on July 15, 1972! Each candidate for the advent of postmodernism relies on an account of the supposed collapse of modernity. Trying to pinpoint the advent of the postmodern condition by linking it to a historical epoch, particular event, or even a particular cultural sphere (architecture, literature, music, visual arts) seems counterproductive, given the widespread disagreement about such historical claims. Further, it seems naïve to think that a Zeitgeist like postmodernism could be spawned by a single event. Instead of trying to pinpoint its historical origin or essence, I want to unpack an assumption that most commentators on postmodernism seem to share in common: postmodernism, whether monster or savior, is something that has come slouching out of Paris.