Creating to the Glory of God
"Steve Taylor on Blue Like Jazz and Christian Art", Interview by Josh Larsen at thinkchristian.net (April 12, 2012).
A lot of the church’s art in the last 50 years has become very sentimental and very earnest. And of course there’s nothing wrong with being earnest, but I don’t see that as a particularly Biblical way of communicating. We certainly don’t see that in the stories of the parables of Christ and even in the Old Testament prophets and how they communicated. … I don’t know what it is. It’s almost like … we’re defenders of the faith, like Christianity is going to come falling down unless we’re careful with how we present it. That’s not really how it works, you know? In fact, that’s really kind of arrogant. So yeah, we can afford to create movies that ask questions and certainly don’t have all the answers and use satire and all the different communication tools at our disposal.
Intellectuals Don't Need God and Other Modern Myths (Zondervan: 1993), pp. 178-9.
If the world seems attractive, the Christian must ensure that God, as its creator, is seen to be even more attractive. The world reflects the attractiveness of its creator, as the moon reflects the light of the sun. ¶ Two incidents from classical Greek mythology suggest themselves here. Homer introduces us to the Sirens, a group of women whose singing was so seductive that they caused sailors to crash their vessels through inattention to their duties. When Ulysses was attempting to sail his ship past the Sirens, he prevented the Sirens from causing any difficulties by the simple expedient of blocking his sailors' ears so that they could not hear the captivating Siren song. Orpheus, on the other hand, was a skilled lyre player. His method of dealing with this kind of threat was rather indifferent. He played his lyre, the music of which proved so enchanting and fascinating that its beauty totally outweighed anything else.