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Sin, Evil, Inhumanity
Mark Galli on Being Sick or Dead said...
"The Troubled State of Christian Preaching", ChristianityToday.com (Jan 21, 2013).
In the New Testament era, by contrast, the big problem was the scandal of the Cross. It's not hard to see why. Among the many things the Cross says is this: We're as dead as Jesus. He hangs there as the true human, the sign of all humanity, dead to the world, dead to the future, and especially dead to God, who it seems has forsaken us. The situation is so bad that only the sacrifice of Another—again Jesus, who hangs there as true God — can remedy it. For people like us, who imagine we're not so much dead as suffering a cold, and that if we take our vitamin C and will ourselves out of bed, we can make a go of it — well, this verdict can sound unnerving. Worse, to be told we can do nothing to revive ourselves, that we are left completely at the mercy of this Other—well, this doesn't sit well in any culture, let alone in a culture that prizes individual initiative and heroic effort.
"Idea for a Universal History from a Cosmopolitan Point of View" in “On History” (The Bobbs-Merrill Co: 1963; orig. 1784).
The difficulty which the mere thought of this problem puts before our eyes is this. Man is an animal which, if it lives among others of its kind, requires a master. For he certainly abuses his freedom with respect to other men, and although as, a reasonable being he wishes to have a law which limits the freedom of all, his selfish animal impulses tempt him, where possible, to exempt himself from them. He thus requires a master, who will break his will and force him to obey a will that is universally valid, under which each can be free. But whence does he get this master? Only from the human race. But then the master is himself an animal, and needs a master. Let him begin it as he will, it is not to be seen how he can procure a magistracy which can maintain public justice and which is itself just, whether it be a single person or a group of several elected persons. For each of them will always abuse his freedom if he has none above him to exercise force in accord with the laws. The highest master should be just in himself, and yet a man. This task is therefore the hardest of all; indeed, its complete solution is impossible, for from such crooked wood as man is made of, nothing perfectly straight can be built.
"Epistle II" in An Essay On Man (T. Tegg: 1811), pp. 61-2.
Know then thyself, presume not God to scan, ¶ The proper study of mankind is Man. ¶ Plac'd on this isthmus of a middle state, ¶ A being darkly wise, and rudely great: ¶ With too much knowledge for the sceptic side, ¶ With too much weakness for the stoic's pride,
He hangs between; in doubt to act, or rest; ¶ In doubt to deem himself a god, or beast; ¶ In doubt his mind or body to prefer; ¶ Born but to die; and reas'ning but to err: ¶ Alike in ignorance, his reason such, ¶ Whether he thinks too little or too much; ¶ Chaos of thought and passion, all confus'd; ¶ Still by himself abus'd or disabus'd; ¶ Created half to rise and half to fall; ¶ Great lord of all things, yet a prey to all; ¶ Sole judge of truth, in endless error hurl'd; ¶ The glory, jest, and riddle of the world!
He hangs between; in doubt to act, or rest; ¶ In doubt to deem himself a god, or beast; ¶ In doubt his mind or body to prefer; ¶ Born but to die; and reas'ning but to err: ¶ Alike in ignorance, his reason such, ¶ Whether he thinks too little or too much; ¶ Chaos of thought and passion, all confus'd; ¶ Still by himself abus'd or disabus'd; ¶ Created half to rise and half to fall; ¶ Great lord of all things, yet a prey to all; ¶ Sole judge of truth, in endless error hurl'd; ¶ The glory, jest, and riddle of the world!
The Consequences of Ideas (Good News Publishers: 2009), p. 29.
Protagoras, probably the most influential Sophist in Athens, is frequently described by modern historians as the "father of humanism." His famous maxim, "Homo mensura," declares that "man is the measure of all things," of the existence of things that are and of the nonexistence of things that are not. ¶ From a biblical perspective, of course, the honor of being the first humanist does not belong to Protagoras. Indeed, it is accorded not to a man, but to a serpent whose maxim was "Sicut erat Dei," "You will be like God" (Gen. 3:4).
Time for Truth: Living Free in a World of Lies, Hype & Spin (Baker Books: 2002), pp. 69-71.
Prisoner 174517 was thirsty. Seeing a fat icicle hanging just outside his hut in the Auschwitz extermination camp, he reached out of the window and broke it off to quench his thirst. But before he could get the icicle to his mouth, a guard snatched it out of his hands and dashed it to pieces on the filthy ground. "Warum?" the prisoner burst out instinctively — "Why?" "Hier ist kein warum," the guard answered with brutal finality — "Here there is no why." ¶
That for Primo Levi, the Italian Jewish scientist and writer, was the essence of the death camps — places not only of unchallengable, arbitrary authority but of absolute evil that defied all explanation. In the face of such wickedness, explanations born of psychology, sociology, and economics were pathetic in their inadequacy. One could only shoulder the weight of such an experience and bear witness to the world. "Never again" was too confident an assertion. You never know was the needed refrain.
"Battlestar Galactica Episodes 421-423 Commentary" (March 23, 2009: 1:27:00)
And this is the key moment of the finale, [Baltar] realizing the connections. Baltar is the man who has been thinking about and talking about God from the very beginning. Since the moment that Caprica Six said "God is Love" and Baltar dismissed her belief and mocked her belief. There is a direct connection between that moment and here where Baltar in the finale realizes, truly realizes, there is a different, there is another hand at work here, that there is something else going on, that there is a greater truth, that there is really something to this idea of destiny, that there is really something to this notion that he is a player in a grander play, and that he has to fill that role. I was really intrigued by that and I really wanted that to be a part of what happened at the end...
Philip Yancey on Pain said...
"That Hurts", Books and Culture: A Christian Review (May/June 2008, p. 32)
Theologians blithely attribute pain to the Fall, ignoring the marvelous design features of the pain system. Every square millimeter of the body has a different sensitivity to pain, so that a speck of dirt may cause excruciating pain in the vulnerable eye whereas it would go unreported on the tough extremities. Internal organs such as the bowels and kidneys have no receptors that warn against cutting or burning—dangers they normally do not face — but show exquisite sensitivity to distention. When organs such as the heart detect danger but lack receptors, they borrow other pain cells ("referred pain"), which is why heart attack victims often report pain in the shoulder or arm. The pain system automatically ramps up hypersensitivity to protect an injured part (explaining why a sore thumb always seems in the way) and turns down the volume in the face of emergencies (soldiers often report no pain from a wound in the course of battle, only afterwards). Pain serves us subliminally as well: sensors make us blink several times a minute to lubricate our eyes and shift our legs and buttocks to prevent pressure sores. Pain is the most effective language the body can use to draw attention to something important.
"A Beautiful Mess", We Sing. We Dance. We Steal Things. (March 18, 2008) track 12.
And what a beautiful mess this is ¶ It's like picking up trash in dresses ¶ Through timeless words, and priceless pictures ¶ We'll fly like birds, not of this earth ¶ And times they turn, and hearts disfigure ¶ But that's no concern when we're wounded together ¶ And we tore our dresses, and stained our shirts ¶ But it's nice today, oh the wait was so worth it.
James K.A. Smith on Original Sin said...
"Lost in Translation: Versions of the Fall", in Books and Culture (Nov/Dec 2007).
Mulhall persistently takes it that the doctrine of original sin
specifies that the desires of humans are sinfully perverted "by virtue
of their very condition as human." In a favorite turn of phrase,
Mulhall repeatedly emphasizes that humans are "always already" errant,
corrupted, and misdirected. To be human, then, is to be "essentially"
sinful, "sinful simply by virtue of being human." But this is decidedly
not the orthodox doctrine of original sin. Rather, what Mulhall
give us is an all-too-common Gnostic rendition of it (one which,
admittedly, evangelical Protestants are sometimes prone to confuse with
the real thing). This is to read the Bible as if it began with the
third chapter of Genesis. The paradox is that an orthodox understanding
of original sin does not posit sin as properly "original"; that is, it
does not regard sinfulness as coincident with being human and finite.
And when such a misunderstanding of original sin is coupled with some
hope of redemption, we find the contorted philosophical acrobatics that
Mulhall finds in Heidegger and Wittgenstein: redemption from this
condition of fallenness requires redemption from being human. What is
consistently lacking in these secularized or formalized versions of the
Fall is the distinct nuance of the Christian vision, viz., the
ability to imagine the world otherwise. Without the prior goodness of
creation, there is no Fall. Our present condition is "not the way it's
supposed to be," as Cornelius Plantinga so aptly put it.
"The Brave New World Wide Web," National Review Online
My conservative instinct says there's really nothing new under the sun. Technology almost by definition is developed to solve problems (necessity, recall, is invention's mommy). But, as conservative philosophy teaches us, the "problems" of the human condition are permanent. So while technology is ever changing, the human desires we try to satisfy with technology remain constant. For example, every innovation in mass media has been a boon to the porn industry. You can be sure that when we finally create holographic technology, it'll be put to good triple-X use long before we have a chance to see Hamlet in digital 3-D.
