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Nothing about Taxes or The Hiddennes of God
We cannot foreclose on the question of God's willingness to disclose himself and his purposes in some concrete, particularized way without first looking into the evidence for the authenticity of an alleged revelation from him; even if a quest for some particular truth of the matter is scandalous by today's ephemeral standards, It will hardly do to accuse God of hiding from us if we have not sincerely sought him in appropriate ways, or if we have insisted on prescribing for God the conditions under which we would approve a revelation of himself.
Is Jesus the Only Way? in Jesus Under Fire, eds. Michael J. Wilkins and JP Moreland (Grand Rapids: Zondervan Publishing House, 1995), 194.
They had already seen children die — for many months now death had shown no favoritism — but they had never yet watched a child's agony minute by minute, as they had now been doing since daybreak. Needless to say, the pain inflicted on these innocent victims had always seemed to them to be what in fact it was: an abominable thing. But hitherto they had felt its abomination in, so to speak, an abstract way; they had never had to witness over so long a period the death throes of an innocent child. In the small face, rigid as a mask of grayish clay, slowly the lips parted and from them rose a long, incessant scream, hardly varying with his respiration, and filling the ward with a fierce, indignant protest, so little childish that it seemed like a collective voice issuing from all the sufferers there. Paneloux gazed down at the small mouth, fouled with the sores of the plague and pouring out the angry death-cry that has sounded through the ages of mankind. He sank on his knees, and all present found it natural to hear him in a voice hoarse but clearly audible across that nameless, never ending wail: "My God, spare this child!" But the wail continued without cease.
The Plague, (New York: Vintage International, 1948, 1975) 214-7.
The life of Man is a long march through the night, surrounded by invisible foes, tortured by weariness and pain, towards a goal that few can hope to reach, and where none may tarry long. One by one, as they march, our comrades vanish from our sight, seized by the silent orders of omnipotent Death. Very brief is the time in which we can help them, in which their happiness or misery is decided. Be it ours to shed sunshine on their path, to lighten their sorrows by the balm of sympathy, to give them the pure joy of a never-tiring affection, to strengthen failing courage, to instill faith in hours of despair. Let us not weigh in grudging scales their merits and demerits, but let us think only of their need — of the sorrows, the difficulties, perhaps the blindnesses, that make the misery of their lives; let us remember that they are fellow-sufferers in the same darkness, actors in the same tragedy as ourselves.
"A Free Man's Worship", in Why I Am Not A Christian, (New York: Simon & Schuster, 1957) 115.
I've seen too much of hospitals to relish any idea of collective punishment. But, as you know, Christians sometimes say that sort of thing without really thinking it. They're better than they seem. [Father] Paneloux is a man of learning, a scholar. He hasn't come in contact with death; that's why he can speak with such assurance of the truth — with a capital T. Bet every country priest who visits his parishioners and has to hear a man gasping for breath on his deathbed thinks as I do. He'd try to relieve human suffering before trying to point out its excellence. If [I] believed in an all-powerful God [I] would cease curing the sick and leave that to Him. But no one in the world believed in a God of that sort; no, not even Paneloux, who believed that he believed in such a God. And this was proved by the fact that no one ever threw himself on Providence completely. [S]ince the order of the world is shaped by death, mightn't it be better for God if we refuse to believe in Him and struggle with all our might against death, without raising our eyes toward the heaven where He sits in silence?
The Plague, (New York: Vintage International, 1948, 1975) 125-8.

