However all this may be, some might think that the resurgence of natural theology in our time is merely so much labor lost. For don't we live in a postmodern culture in which appeals to such apologetic arguments are no longer effective? Rational arguments for the truth of theism are no longer supposed to work. Some Christians therefore advise that we should simply share our narrative and invite people to participate in it. This sort of thinking is guilty of a disastrous misdiagnosis of contemporary culture. The idea that we live in a postmodern culture is a myth. In fact, a postmodern culture is an impossibility; it would be utterly unlivable. People are not relativistic when it comes to matters of science, engineering, and technology; rather, they are relativistic and pluralistic in matters of religion and ethics. But, of course, that's not postmodernism; that's modernism! That's just old-line verificationism, which held that anything you can't prove with your five senses is a matter of personal taste. We live in a culture that remains deeply modernist.

[P]ostmodernism leads to the institutionalization of anger. Postmodernists are preoccupied with power struggles that surround language use and social practice, and they see themselves as part of a missionary movement to liberate powerless, oppressed victims from dominance. They often practice a "hermeneutics of suspicion" in which they interpret body language, speech, and written communication not in terms of the communicators' own intentions but in terms of their attempt to victimize and dominate "the other" as understood according to the postmodernists' interpretive agenda (e.g. feminism, gay rights, and so forth). To be sure, power issues are a legitimate aspect of language, though one hardly needs postmodernism to see this. But by making power struggles and victimization a central focus of the postmodern crusade, the movement dignifies anger by institutionalizing it and placing it on ideological high ground, and it creates anger by fostering relational suspicion according to which there is a victimizer under every linguistic tree.

Put simply, postmodernism is self-refuting. Postmodernists appear to claim that their own assertions about the modern era, about how language and consciousness work, and so forth are true and rational; and they write literary texts and protest when people misinterpret the authorial intent in their own writings. In these and other ways postmodernism seems to be self-refuting. ¶ Sometimes postmodernists respond by denying that they take their own assertions and writing to be true, rational, constituted by their own authorial intent, and so forth. If these claims are correct, then they would, indeed, save postmodernism from self-refutation. But this response must be rejected. When one actually reads carefully postmodernist writings, it is hard to avoid the impression that they do, indeed, present themselves as true, rational, and so on. In this sense, though on the defensive, postmodernists may deny that their writings exhibit these features; nevertheless an examination of those writings seems to undermine those denials.

Postmodernism is both a historical, chronological notion and a philosophical ideology. Understood historically, postmodernism refers to a period of thought that follows and is a reaction to the period called modernity. Modernity is the period of European thought that developed out of the Renaissance (1300-1550) and flourished in the Enlightenment (c. 1650-1800) in the ideas of people like Descartes, Locke, Berkeley, Hume, Leibniz, and Kant. In the chronological sense, postmodernism is sometimes called "post modernism." So understood, it is fair to say that postmodernism is often guilty of a simplistic characterization of modernity because the thinkers in that period were far from monolithic. Indeed, Descartes, Hume, and Kant have elements in their thought that are more at home in postmodernism than they are in the so-called modern era. Nevertheless, setting historical accuracy aside, the chronological notion of postmodernism depicts it as an era that began in and, in some sense, replaces modernity.¶ As a philosophical standpoint, postmodernism is primarily a reinterpretation of what knowledge is and what counts as knowledge. More broadly, it represents a form of cultural relativism about such things as reality, truth, reason, value, linguistic meaning, the self, and other notions. On a postmodernist view there is no such thing as objective reality, truth, value, reason, and so forth. All these are social constructions, creations of linguistic practices and, as such, are relative not to individuals but to social groups that share a narrative. Roughly, a narrative is a perspective such as Marxism, atheism, or Christianity that is embedded in the group's social and linguistic practices.

What characterizes the postmodern condition, then, is not a rejection of grand stories in terms of scope or in the sense of epic claims, but rather an unveling of the fact that all knowledge is rooted in some narrative or myth... The result, however... is what Lyotard describes as a "problem of legitimation"... since what we thought were universal criteria have been unveiled as just one game among many. If we consider, for instance, the reality of deep moral diversity and competing visions of the good, postmodern society is at a loss to adjudicate the competing claims. There can be no appeal to a higher court that would transcend a historical context or a language game, no neutral observer or "God's-eye view" that can legitimate or justify one paradigm or moral language game above another. If all moral claims are conditioned by paradigms of historical commitment, then they cannot transcend those conditions; thus every moral claim operates within a "logic" that is conditioned by the paradigm. In other words, every language game has its own set of rules. As a result, criteria that determine what constitutes evidence or proof must be game relative: they will function as rules only for those who share the same paradigm or participate in the same language game. The incommensurability of language games means that there is a plurality of logics that precludes any demonstrative appeal to a common reason. Recognition of the incommensurability of langauge games and the plurality of competing myths means that there is no consensus, no sensus communis. Many — especially Christians — lament this state of affairs... But is the problem as bad as we think? ... In the face of this problem, we must not lose sight of the fact that what constitutes the postmodern condition is precisely a plurality of language games — a condition in which no one story can claim either universal auto-legitimation (because of the plurality of "the people") nor appeal to a phantom universal reason (because reason is just one myth among others, which is itself rooted in a narrative). And this plurality is based on the fact that each game is grounded in different narratives or myths (i.e. founding beliefs).

Deconstruction's recognition that everything is interpretation opens a space of questioning — a space to call into question the received and dominant interpretations that often claim not to be interpretations that have been silenced. This is the constructive, yea prophetic, aspect of Derrida's deconstruction: a concern for justice by being concerned about dominant, status quo interpretations that silence those who see differently. Thus, from its inception, deconstruction has been, at root, ethical — concerned for the paradigmatic marginalized described by the Old Testament as "the widow, the orphan, and the stranger." To put it differently: Wall Street and Washington both want us to think that their rendering of the world is "just the way things are." Deconstruction, by showing the way in which everything is interpretation, empowers us to question the interpretations of trigger-happy presidents and greedy CEOs — in a way not unlike the prophets' questioning of the dominant interpretations of the of the world.

What is postmodernism? The answer to this question is sometimes offered as a historical thesis: postmodernism has been variously described as a kind of post- (after-) modern condition and is sometimes even linked to particular historical events such as student riots in 1968, the abandonment of the gold standard, the fall of the Berlin Wall, or, to be specific, 3:32 p.m. on July 15, 1972! Each candidate for the advent of postmodernism relies on an account of the supposed collapse of modernity. Trying to pinpoint the advent of the postmodern condition by linking it to a historical epoch, particular event, or even a particular cultural sphere (architecture, literature, music, visual arts) seems counterproductive, given the widespread disagreement about such historical claims. Further, it seems naïve to think that a Zeitgeist like postmodernism could be spawned by a single event. Instead of trying to pinpoint its historical origin or essence, I want to unpack an assumption that most commentators on postmodernism seem to share in common: postmodernism, whether monster or savior, is something that has come slouching out of Paris.

Is is worth considering the strange media landscape in which political talk radio is a salient. Never before have there been so many different national news sources — different now in terms of both medium and ideology. Major newspapers from anywhere are available online; there are the broadcast networks plus public TV, cable's CNN, Fox News, CNBC, et al., print and Web magazines, Internet bulletin boards, The Daily Show, e-mail newsletters, blogs. All this is well known; it's part of the Media Environment we live in. But there are prices and ironies here. One is that the increasing control of U.S. mass media by a mere handful of corporations has — rather counterintuitively — created a situation of extreme fragmentation, a kaleidoscope of information options. Another is that the ever increasing number of ideological news outlets creates precisely the kind of relativism that cultural conservatives decry, a kind of epistemic free-for-all in which "the truth" is wholly a matter of perspective and agenda. In some respects all this variety is probably good, productive of difference and dialogue and so on. But it can also be confusing and stressful for the average citizen. Short of signing on to a particular mass ideology and patronizing only those partisan news sources that ratify what you want to believe, it is increasingly hard to determine which sources to pay attention to and how exactly to distinguish real information from spin.

I also detest the tendency of Americans, Westerners, or "Moderns" to boast of how they've customized their religious views to fit their lifestyles. "I don't believe in organized religion, but I'm a very spiritual person." Yuck. It simply strikes me as intellectually offensive to pretend that the engineer of it all goes out of his way to let individual people order off-menu their religious preferences in just such a way so as pretty much everything they do is exactly how God wants it. And, even if that were the case, even if God customizes the heavens, space, and time so as to make every personal indulgence divinely inspired, the trend of people being their own priests is not one I celebrate. I'd hate to sound like I'm lending my voice to that chorus — I'm not. Indeed, my belief that religion is important depends on it being a social institution. If everyone has his own church, each designating himself a personal messiah, we've slipped out of the realm of faith and, ultimately, into the arena of the úbermensch where whoever has the religion which condones the most barbarity, wins.

Over the years I've seen Christians shaping God in their own image — in each case a dreadfully small God. Some Roman Catholics still believe only they will gaze on heaven's green pastures... There is the God who has a special affection for capitalist America, regards the workaholic, and the God who loves only the poor and the underprivileged. There is a God who marches with victorious armies, and the God who loves only the meek who turns the other cheek. Some like the elder brother in Luke, sulk and pout when the Father rocks and rolls, serves surf-and-turf for a prodigal son, who has spent his last cent on whores. Some, tragically, refuse to believe that God can or will forgive them: "My sin is too great".