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Progressivism

Damon Linker on the Left and Right

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To a remarkable extent, American political and cultural thinking takes place within well-worn, familiar grooves. The right is religious; the left is secular. The right frets about sexual liberation; the left cheers it. The right valorizes markets; the left views them with suspicion. The right praises individualism; the left longs for solidarity. The right defends nations and borders; the left longs for universalism. The right worries about the collapse of authority and the rise or moral and cultural decadence; the left does not.

What Price Utopia?

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This volume brings together for the first time more than two dozen of Daphne PataiOs incisive and at times satirical essays dealing with the academic and intellectual orthodoxies of our time. Patai draws on her years of experience in an increasingly bizarre academic world, where a stifling politicization threatens genuine teaching and learning. Addressing the rise of feminist dogma, the domination of politics over knowledge, the shoddy thinking and moralizing that hide behind identity politics, and the degradation of scholarship, her essays offer a resounding defense of liberal values. Patai takes aim at the unctuous and also dangerous posturing that has brought us restrictive speech codes, harassment policies, and a vigilante atmosphere, while suppressing plain speaking about crucial issues. But these trenchant essays are not limited to academic life, for the ideas and practices popularized there have spread far beyond campus borders. Included are two new pieces written especially for this volume, one on the

John Horner on the Church

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No, to find real blasphemy, we have to look to ourselves and our forebears — those of us who have taken upon ourselves the name of Christ, and then, in the name of Christ, perform acts that make him weep. When our Christian forbears used the name of Christ to justify slavery, used the name of Christ to justify the history of anti-semitism and the long line of pogroms. When we used the name of Christ as the reason for apartheid and Jim Crow. When we use the name of Christ to kill the Irish Catholic or the Irish Protestant. Or the Serb or the Croatian or the Bosnian. When we use the name of Jesus as the banner under which we picket the funeral of President Clinton’s mother, or someone who has died of AIDS. When we get upset because the homeless are littering the sidewalk that leads to our church. When we expend more political effort toward getting a cut in our taxes than we do in making sure that the children of our country have decent food and shelter, and do it in the name of Christianity. When we do these things ? that’s when we should raise the cry of “Blasphemy.”

PJ O’Rourke on Conservatism at Worst and Best

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In its worse forms, conservatism is a matter of “I hate strangers and anything that’s different.” But in its better forms, conservatism simply says that the structures of society, both civil and political, religious and so on, are the result of a long series of trial-and-error experiments by millions of human beings, not only all over the world, but through time. And that you should toss out received wisdom only very carefully. Obviously there are some ideas that were around for centuries that were not good (slavery comes to mind). But when people have been doing something for a millennium or two, there is probably a reason. And you better be pretty careful before you just throw it out.

Camille Paglia on the Truly Subversive in Art

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Although I’m an atheist who believes only in great nature, I recognize the spiritual richness and grandeur of the Roman Catholicism in which I was raised. And I despise anyone who insults the sustaining values and symbol system of so many millions of people of different races around the world. An authentically avant-garde artist today would show his or her daring by treating religion sympathetically. Anti-religious sneers are a hallmark of perpetual adolescents. When will artists climb out of the postmodernist ditch and accept their high mission to address a general audience? An art of chic coteries, whether in rococo aristocratic France or in drearily ironic, nervously posturing New York, ends up in a mental mousehole.

The Coercive Utopians

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After reading this book, the reader will have a solid base to make judgement upon those who believe THEY (the Utopians) are better suited (intelligence, benevolence) to take control of everybody else’s lives (the DAILY living decisions). The “everybody else” are those who don’t fit into their ruling crowd. ~ Darrell G. Eson @amazon.com