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Os Guinness on the Crucifixion as Comedy


The dynamics of the cross of Jesus are closer to those of comedy than tragedy. Both tragedy and comedy turn on the deep contradiction and discrepancies between the world as it is and the world as we humans wish that it would be — in other words, on present aspects of the world that are incongruous or ludicrous, and that defy the best pretensions of humanity. But whereas tragedy only reminds us of the iron bars of the prison of reality from which not one of us can ever escape, comedy shows a way to break out. In comedy, the pratfall and the setback are not the end, and in the Christian faith even death, the ultimate setback, is not the end. Because of the cross and the resurrection there is always a way out. Which means of course that when the contradictions are subverted and reality is turned right way up, the outcome can be gratitude, joy and hope, rather than pity and fear. Needless to say, the dynamic of the resurrection and a God who cannot be buried for long is the dynamic of a child’s jack-in-the-box writ large in golden cosmic letters.


Os Guinness on the Incongruities of Being Human


Almost all the world’s greatest philosophers and poets have faced up to the paradox and incongruities that confront us when we consider ourselves and our humanity. From Psalm 8 to Shakespeare’s great soliloquy in Hamlet, many of the world’s most beautiful and profound reflections have focused on the paradox of man and woman. As part of humanity, we humans are so small and so great, so strong and so weak. We rise so high and we sink so low. We are body and we are spirit. We are mortal and we are immortal. We have a grandeur and we have a pathos. Sometimes our little lives seem like a momentary fleck on the heaving ocean, yet we are all always the center of our own universe while we live, and together as humanity we are the most powerful and influential creatures in the whole animal kingdom. We can see things as they are; we also know the way things ought to be, and sometimes the difference makes us laugh and sometimes it makes us cry. What other beings in the universe are like us in these ways? What explains this paradox and these incongruities, and even more, how can we hope to reconcile them in a way that makes life meaningful?

William Hazlitt on the Animal that Laughs and Weeps


Man is the only animal that laughs and weeps, for he is the only animal that is struck with the difference between what things are and what they ought to be. We weep at what thwarts or exceeds our desires in serious matters; we laugh at what only disappoints our expectations in trifles. We shed tears from sympathy with that which is unreasonable and unnecessary, the absurdity of which provokes our spleen or mirth, rather than any serious reflections on it.

Scott McCloud on the Hostility in Humor


The piece is an attempt to explain Freudian humor theory, especially the idea that humor stems from disguised hostility. “Most humor is a refined form of aggression and hatred,” Spiegelman writes. “Our savage ancestors laughed with uninhibited relish at cripples, paralytics, amputees, midgets, monsters, the deaf, the poor and the crazy.” I’ve taken this idea as a jumping-off point in my own work. Whenever I’m considering why something’s funny or not, I always tell myself: find the victim. Humor is targeted. It may be aimed at an individual, at an institution, or the entire superstructure of rational thinking. But something is always being skewered. ¶ The leadoff joke of “Cracking Jokes” is one case in point — finding the victim helps us articulate why the joke is funny. We’re laughing at the patient. Despite the doctor’s well-meaning (and self-assured) intervention, the patient can’t escape his delusions. It’s a vision of humanity as impervious to logic, impervious to rational thinking, impervious to progress. That’s a pretty bleak notion. And yet the depiction of humanity as this series of malfunctioning bumper cars, forever careening about and crashing into each other and failing to make any kind of progress—well, it’s delightful. It skewers the very idea of progress as the natural order, of learning as the natural order. What better target for one’s disguised hostility than the whole institution of education and progress? These normalizing societal forces constrain us, keep our ids forever hamstrung. And so — through humor — we fight back.

PJ O’Rourke on Types of People


The source of the word “humorist” is one who regards human beings in terms of their humors, you know, whether they’re sanguine or full of yellow bile, or whatever the four classical humors are. You stand back from people and regard them as types. And one finds, especially by the time one reaches one’s fifties, that there are a limited number of types of people in the world, and you went to high school with every single one of them. You can visit the Eskimos, you can visit the Bushmen in the Kalahari, you can go to Israel, you can go to Egypt, but everybody you meet is going to be somebody you went to high school with.

PJ O’Rourke on Humanity


Of course the answer to my question about Middle Easterners is that all people are crazy and always have been. Just look at the pyramids, which are as crazy a structure as anybody would ever care to realize. The ancient Egyptians weren’t Middle Easterners in our modern terms. They were a civilization all on their own with a different language and a different culture a gazillion years ago. But they acted as perfectly mad as anything modern. There’s a deep streak of psychosis that runs through human beings, no matter what their culture.

Thomas Carlyle on Irony and Sarcasm


Often, notwithstanding, was I blamed, and by half-strangers hated, for my so-called Hardness, my Indifferentism towards men; and the seemingly ironic tone I had adopted, as my favorite dialect in conversation. Alas, the panoply of Sarcasm was but a buckram case, wherein I had striven to envelope myself; that so my own poor Person might live safe there, and in all friendliness, being no longer exasperated by wounds. Sarcasm I now see to be, in general, the language of the Devil; for which reason I have long since as good as renounced it. But how many individuals did I, in those days, provoke into some degree of hostility thereby! An ironic man, with his sly stillness, and ambuscading ways, more especially a young ironic man, from whom it is least expected, may be viewed as a pest to society.