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Fyodor Dostoevsky (as Ivan Karamazov) on Creative Evil

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A Bulgarian I met lately in Moscow,” Ivan went on, seeming not to hear his brother’s words, “told me about the crimes committed by Turks and Circassians in all parts of Bulgaria through fear of a general rising of the Slavs. They burn villages, murder, outrage women and children, they nail their prisoners by the ears to the fences, leave them so till morning, and in the morning they hang them — all sorts of things you can’t imagine. People talk sometimes of bestial cruelty, but that’s a great injustice and insult to the beasts; a beast can never be so cruel as a man, so artistically cruel. The tiger only tears and gnaws, that’s all he can do. He would never think of nailing people by the ears, even if he were able to do it. These Turks took a pleasure in torturing children, too; cutting the unborn child from the mother’s womb, and tossing babies up in the air and catching them on the points of their bayonets before their mother’s eyes. Doing it before the mother’s eyes was what gave zest to the amusement. Here is another scene that I thought very interesting. Imagine a trembling mother with her baby in her arms, a circle of invading Turks around her. They’ve planned a diversion; they pet the baby, laugh to make it laugh. They succeed, the baby laughs. At that moment a Turk points a pistol four inches from the baby’s face. The baby laughs with glee, holds out his little hand to the pistol, and he pulls the trigger in the baby’s face and blows out its brains. Artistic, wasn’t it? By the way, Turks are particularly fond of sweet things they say.

Fyodor Dostoevsky (as Ivan) on Evil Undone

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It’s not that I don’t accept God, you must understand, it’s the world created by Him I don’t and cannot accept. Let me make it plain. I believe like a child that suffering will be healed and made up for, that all the humiliating absurdity of human contradictions will vanish like a pitiful mirage, like the despicable fabrication of the impotent and infinitely small Euclidian mind of man, that in the world’s finale, at the moment of eternal harmony, something so precious will come to pass that it will suffice for all hearts, for the comforting of all resentments, for the atonement of all the crimes of humanity, of all the blood they’ve shed; that it will make it not only posible to forgive but to justify all that has happened with men — but though all that may come to pass, I don’t accept it. I won’t accept it.

Michael Ferrebee Sadler on The Word

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In the beginning was the Word, and the Word was with God, and the Word was God." "All things were made by Him." "The Word was made flesh." Now what is a word or λδγος? As understood by St. John and the men of his time, it is thought embodied in language. It is that which is in us set forth in that medium of articulates sounds which God has given to us, in order that we may make our very selves known to our fellows. The most true and fitting words give us the most exact conception of the heart and soul of him whose words they are; and so the Personal and Eternal Word is the setting forth, so to speak, of the hidden intellect, love, and goodness of God, so that His creatures may be able to apprehend Him, Whom neither man nor angel hath seen or can see. So that the Word, being perfect, is the perfect utterance, or showing forth, or manifestation of all that is in God.

Michael Ferrebee Sadler on Incarnation and Humility

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If the Incarnation of the Eternal Son, as it is set forth in the Scriptures, be a truth of God — if the Divine Person Who had glory with the Father, having taken upon Him the nature of His creature, really condescended to go through the humiliation and pain and distress which is written of Him, it stands to reason that the loving humility and abnegation of self displayed in such endurance, must be the chief feature in the character of the God-man, which we must in our degree possess, if, in the words of the Holy Ghost, Christ is to be " formed in us."

Vincent van Gogh on Jesus

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Jesus Christ is the Master who can comfort and Strengthen a man, a laborer and working man whose life is hard — because he is the Great Man of Sorrows who knows our ills, who was called a carpenter’s son, though he was the Son of God, who worked for thirty years, in a carpenter’s shop to fulfill God’s will. And God wills that in imitation of Christ man should live humble and go through life not reaching for the sky, but adapting himself to the earth below, learning from the Gospel to be meek and simple of heart.

W.K. Clifford on Insufficient Evidence

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We may believe what goes beyond our experience, only when it is inferred from that experience by the assumption that what we do not know is like what we know. ¶ We may believe the statement of another person, when there is a reasonable ground for supposing that he knows the matter of which he speaks, and that he is speaking the truth so far as he knows it. ¶ It is wrong in all cases to believe on insufficient evidence; and where it is presumption to doubt and to investigate, there it is worse than presumption to believe.

Fyodor Dostoevsky on Eden

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Oh, everything was just as it is with us, except that everything seemed to be bathed in the radiance of some public festival and of some great and holy triumph attained at last. The green emerald see lapped the shore and kissed it with manifest, visible, almost conscious love. Tall, beautiful trees stood in all the glory of their green luxuriant foliage, and their innumerable leaves (I am sure of that) welcomed me with their soft, tender rustle and seemed to utter sweet words of love. The lush green grass blazed with bright and fragrant flowers. Birds were flying in flocks through the air and, without being afraid of me, alighted on my shoulders and hands and joyfully beat against me with their sweet fluttering wings. And at last I saw and came to know the people of this blessed earth. They came to me themselves. They surrounded me. They kissed me. Children of the sun, children of their sun — oh, how beautiful they were! Never on our earth had I beheld such beauty in man. Only perhaps in our children during the very first years of their life could one have found a remote, though faint, reflection of this beauty. The eyes of these happy people shone with a bright luster. It was an earth unstained by the Fall, inhabited by people who had not sinned and who lived in the same paradise as that in which, according to the legends of mankind, our first parents lived before they sinned. These people, laughing happily, thronged round me and overwhelmed me with their caresses; they took me home with them, and each of them was anxious to set my mind at peace.

Fyodor Dostoevsky on Nostalgic Yearning

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I often told them that I had had a presentiment of it years ago and that all that joy and glory had been perceived by me while I was still on our earth as a nostalgic yearning, bordering at times on unendurably poignant sorrow; that I had had a presentiment of them all and of their glory in the dreams of my heart and in the reveries of my soul; that often on our earth I could not look at the setting sun without tears…. That there always was a sharp pang of anguish in my hatred of the men of our earth; why could I not hate them without loving them too? why could I not forgive them? And in my love for them, too, there was a sharp pang of anguish: Why could I not love them without hating them?

Fyodor Dostoevsky on Love and Suffering

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But are such repetitions possible in the universe? Can that be nature’s law? And if that is an earth there, is it the same earth as ours? Just the same poor, unhappy, but dear, dear earth, and beloved forever and ever? Arousing like our earth the same poignant love for herself even in the most ungrateful of her children? I kept crying, deeply moved by an uncontrollable, rapturous love for the dear old earth I had left behind… Suddenly a strange feeling of some great and sacred jealousy blazed up in my heart. “How is such a repetition possible and why? I love, I can only love the earth I’ve left behind, stained with my blood when, ungrateful wretch that I am, I extinguished my life by shooting myself through the heart. But never, never have I ceased to love that earth, and even on the night I parted from it I loved it perhaps more poignantly than ever. Is there suffering on this new earth? On our earth we can truly love only with suffering and through suffering! We know not how to love otherwise. We know no other love. I want suffering in order to love. I want and thirst this very minute to kiss, with tears streaming down my cheeks, the one and only earth I have left behind. I don’t want, I won’t accept life on any other!

Vincent van Gogh on the Journey

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Did I ever tell you about a picture by Boughton, “The Pilgrim’s Progress”? It is toward evening. A sandy path leads over the hills to a mountain, on the top of which is the Holy City, lit by the red sun setting behind the gray evening clouds. On the road is a pilgrim who wants to go to the city; he is already tired and asks a woman in black, who is standing by the road and whose name is “Sorrowful yet always Rejoicing”: “Does the road go uphill all the way?” “Yes, to the very end.” “And will the journey take all day long?” “Yes, from morn till night my friend.” Truly, it is not a picture, but an inspiration.