This volume gathers eleven new and three previously unpublished essays that take on questions of epistemic justification, responsibility, and virtue. It contains the best recent work in this area by major figures such as Ernest Sosa, Robert Audi, Alvin Goldman, and Susan Haak.Topics in this book include: 1. Whether we have voluntary control over what we believe. 2. Whether the issue of voluntary control is relevant to epistemic justification. 3. And the relationship between issues 1 and 2 to the analysis of knowledge. ~ Product Description
Although I’m an atheist who believes only in great nature, I recognize the spiritual richness and grandeur of the Roman Catholicism in which I was raised. And I despise anyone who insults the sustaining values and symbol system of so many millions of people of different races around the world. An authentically avant-garde artist today would show his or her daring by treating religion sympathetically. Anti-religious sneers are a hallmark of perpetual adolescents. When will artists climb out of the postmodernist ditch and accept their high mission to address a general audience? An art of chic coteries, whether in rococo aristocratic France or in drearily ironic, nervously posturing New York, ends up in a mental mousehole.
To sum up our discussion to this point, unless we have an independent moral basis for law, it is hard to see why we have any general duty to obey it; and unless we recognize the priority of a universal moral law, we have no firm basis for justifying our acts of civil disobedience against “unjust laws.” Both the validity of law and morally motivated disobedience of unjust laws are annulled in favor of a power struggle.
Any position in which claims about Jesus or the resurrection are removed from the realm of historical reality and placed in a subjective realm of personal belief or some realm that is immune to human scrutiny does Jesus and the resurrection no service and no justice. It is a ploy of desperation to suggest that the Christian faith would be little affected if Jesus was not actually raised from the dead in space and time. A person who gives up on the historical foundations of our faith has in fact given up on the possibility of any real continuity between his or her own faith and that of a Peter, Paul, James, John, Mary Magdalene, or Priscilla. The first Christian community had a strong interest in historical reality, especially the historical reality of Jesus and his resurrection, because they believed their faith, for better or for worse, was grounded in it.
Naturalists passively watched as realist versions of theism, most influenced by Plantinga’s writings, began to sweep through the philosophical community, until today perhaps one-quarter or one-third of philosophy professors are theists, with most being orthodox Christians. Although many theists do not work in the area of the philosophy of religion, so many of them do work in this area that there are now over five philosophy journals devoted to theism or the philosophy of religion, such as Faith and Philosophy, Religious Studies, International Journal of the Philosophy of Religion, Sophia, Philosophia Christi, etc. Philosophia Christi began in the late 1990s and already is overflowing with submissions from leading philosophers. If each naturalist who does not specialize in the philosophy of religion (i.e., over ninety-nine percent of naturalists) were locked in a room with theists who do specialize in the philosophy of religion, and if the ensuing debates were refereed by a naturalist who had a specialization in the philosophy of religion, the naturalist referee could at most hope the outcome would be that ‘no definite conclusion can be drawn regarding the rationality of faith,’ although I expect the most probable outcome is that the naturalist, wanting to be a fair and objective referee, would have to conclude that the theists definitely had the upperhand in every single argument or debate. God is not “dead” in academia; he returned to life in the late 1960s and is now alive and well in his last academic stronghold, philosophy departments.
A hand waving dismissal of theism, such as is manifested in the following passage from Searle’s The Rediscovery of the Mind, has been like trying to halt a tidal wave with a hand-held sieve. Searle responds to about one-third of contemporary philosophers with [a] brush-off… Searle does not have an area of specialization in the philosophy of religion and, if he did, he might, in the face of the erudite brilliance of theistic philosophizing today, say something more similar to the non-theist Richard Gale (who does have an area of specialization in the philosophy of religion), whose conclusion of a 422 page book criticizing contemporary philosophical arguments for God’s existence (as well as dealing with other matters in the philosophy of religion), reads ‘no definite conclusion can be drawn regarding the rationality of faith.’
Although the arts have played a significant role in both world history and Christian history, the contemporary church has often shunned them in favor of a more intellectual approach to theology. Beholding the Glory argues the necessity of renewing an engagement between theology and the arts. Specifically focusing on the incarnation, the book shows how the arts have an indispensable role to play in disclosing God’s wisdom. With an introduction by the editor, the book consists of eight essays written by practicing artists (a sculptor, poet, dancer, and musician), theologians, and professors-all well-versed in the relationship between imagination and theology. Beholding the Glory demonstrates the indispensable role the arts play in disclosing God’s wisdom to us. Writing from different Christian traditions, practicing artists, theologians, and professors-all well-versed in the relationship between imagination and theology-focus on the incarnation and draw out a wealth of meaning in the belief that God entered our world as one of us.
Nielsen (philosophy, U. of Calgary) presents a defense of naturalism as the most reasonable way to view humans place in the world. His naturalism is an atheistic and humanistic philosophy, but it is not a scientific or value-free one. He articulates a naturalistic explanation of the functions of religion and argues that truly understanding religion necessitates disbelief. He argues that a consistent atheism does not "rob life of its significance or make social and political commitment arbitrary." After explaining the theory he explains arguments for and against the theory as propounded by various other philosophers, most notably the work of Wittgenstein, which he believes to be the most serious philosophical challenge to secular naturalism. ~ Product Description
How can art enhance and enrich the Christian faith? What is the basis for a relationship between the church and visual imagery? Can the art world and the Protestant church be reconciled? Is art idolatry and vanity, or can it be used to strengthen the church? Grounded in historical and biblical research, William Dyrness offers students and scholars an intriguing, substantive look into the relationship between the church and the world of art. Faith and art were not always discordant. According to Dyrness, Israel understood imagery and beauty as reflections of God’s perfect order; likewise, early Christians used art to teach and inspire. However, the Protestant church abandoned visual arts and imagery during the Reformation in favor of the written word and has only recently begun to reexamine art’s role in Christianity and worship. Dyrness affirms this renewal and argues that art, if reflecting the order and wholeness of the world God created, can and should play an important role in modern Christianity.