Heaven in Stone and Glass
Robert Barron (Crossroad: Oct 1, 2000), 192 pages.Barron’s mission is much the same as John Drury’s in Painting the Word: to open a window on the symbolism of Christian art. Whereas Drury aimed to enrich appreciation of paintings, Barron unveils the symbolism of those triumphs of the art of Christendom, the Gothic cathedrals. Exemplifying primarily from Notre-Dame de Paris and Chartres, he discusses 14 features of a cathedral, including space, light, and orientation (e.g., the verticality of every major line in the building), as well as tangible features, such as the rose windows and the labyrinth on the floor at Chartres. Besides what a feature symbolizes — for instance, the cathedral’s interior space represents the womb of Our Lady, a place of safety and comfort — Barron explains the doctrinal rationale and implications of the feature’s significance. He does the latter so literately and congenially that the little book makes fine devotional as well as informational reading. ~ Ray Olson
Table of Contents
-
- Illustrations 8
- Introduction: A Cathedral Must Be Read 11
- 1. Notre-Dame 15
- 2. Light and Darkness 21
- 3. Rose Windows 29
- 4. Cruciformity 39
- 5. Cosmic Consciousness 47
- 6. The Last Judgment 55
- 7. Our Jewish Origins 63
- 8. The Crypt 71
- 9. Verticality 79
- 10. Gargoyles 87
- 11. The Labyrinth 95
- 12. Sacred Geometry 103
- 13. Virtues and Vices 111
- 14. The Heavenly Liturgy 119
- 15. Concluding Meditation 127