It is not enough to condemn culture. Nor is it sufficient merely to critique culture or to copy culture. Most of the time, we just consume culture. But the only way to change culture is to create culture. Andy Crouch unleashes a stirring manifesto calling Christians to be culture makers. For too long, Christians have had an insufficient view of culture and have waged misguided “culture wars.” But we must reclaim the cultural mandate to be the creative cultivators that God designed us to be. Culture is what we make of the world, both in creating cultural artifacts as well as in making sense of the world around us. By making chairs and omelets, languages and laws, we participate in the good work of culture making. Crouch unpacks the complexities of how culture works and gives us tools for cultivating and creating culture. He navigates the dynamics of cultural change and probes the role and efficacy of our various cultural gestures and postures. Keen biblical exposition demonstrates that creating culture is central to the whole scriptural narrative, the ministry of Jesus and the call to the church. He guards against naive assumptions about “changing the world,” but points us to hopeful examples from church history and contemporary society of how culture is made and shaped. Ultimately, our culture making is done in partnership with God’s own making and transforming of culture. A model of his premise, this landmark book is sure to be a rallying cry for a new generation of culturally creative Christians. Discover your calling and join the culture makers. ~ Product Description
I know I’m late to the party, but I’ve finally gotten a chance to begin reading Dawkins’ celebrated best-seller, The God Delusion. It’s been a very engaging read so far and I’m hoping to post a number of reflections here as I stumble across provocative passages. In the first chapter, Dawkins aims to embolden beleaguered atheists who have been cowed into silence by societal and familial pressures. I second his call to transparency, to being our authentic selves in the public square. However, along the way, he paints a picture of the plight of atheists in the Western world, and in America in particular, that to me seems off. He suggests that, “the status of atheists in America today is on a par with that of homosexuals fifty years ago.” And, it is only “slightly exaggerating” to say that “making fun of religion is as risky as burning a flag in an American Legion Hall”. Dawkins makes some good observations about the very real prejudices that atheists do face, but this second claim is absurd. I know Dawkins is a Brit, looking in from afar, but has he ever: 1) Watched The Simpsons, The Family Guy, or The Daily Show; 2) Read The Onion, a college newspaper, or a big city’s “independent” paper; 3) Hung out in the Humanities department of any major American university; 4) Opened a Bible in West Hollywood or Manhattan?1 Ironically, many Christians also complain that it is they who are persecuted and prevailed upon to keep their beliefs in the closet. And the truth is, they’re both right.
Grounded in Christian principles, this accessible and engaging book offers an informed and fascinating approach to popular culture. William D. Romanowski provides affectionate yet astute analysis of familiar, well-loved movies and television characters from Indiana Jones to Homer Simpson, and he speaks with historical depth and expertise on films from Casablanca to Crash and music from Bruce Springsteen to U2. Romanowski’s confessional approach affirms a role for popular culture in faithful living. Practical, analytical approaches to content, meaning, and artistic style offer the tools to participate responsibly and imaginatively in popular cultural activities. An engaging read, this new edition introduces students and thoughtful readers to popular culture — one of the most influential forces in contemporary society.
Two of the worlds great contemporary thinkers — theologian and churchman Joseph Ratzinger, now Pope Benedict XVI, and Jürgen Habermas, philosopher and Neo-Marxist social critic — discuss and debate aspects of secularization, and the role of reason and religion in a free society. These insightful essays are the result of a remarkable dialogue between the two men, sponsored by the Catholic Academy of Bavaria, a little over a year before Joseph Ratzinger was elected pope. Jürgen Habermas has surprised many observers with his call for “the secular society to acquire a new understanding of religious convictions”, as Florian Schuller, director of the Catholic Academy of Bavaria, describes it his foreword. Habermas discusses whether secular reason provides sufficient grounds for a democratic constitutional state. Joseph Ratzinger/Benedict XVI argues for the necessity of certain moral principles for maintaining a free state, and for the importance of genuine reason and authentic religion, rather than what he calls “pathologies of reason and religion”, in order to uphold the states moral foundations. Both men insist that proponents of secular reason and religious conviction should learn from each other, even as they differ over the particular ways that mutual learning should occur. ~ Product Description
Readers of Dark’s book Everyday Apocalypse know that this high school English teacher is a passionate, articulate, absurdly well-read interpreter of popular culture. But even the forewarned may be astonished by this latest effort. Dark’s skill at probing the spiritual resonances of American culture — in forms high and low, from Nathaniel Hawthorne and Herman Melville to Bob Dylan and David Lynch — is matched by his uncanny ability to select telling moments from America’s common story. Whether it’s Elvis taking a shotgun to his television sets, Dylan confessing a sense of common humanity with Lee Harvey Oswald or George Washington treating British prisoners of war with unprecedented civility, Dark excavates a series of witnesses who speak prophetically to what he sees as our media-saturated overconfidence in our own righteousness. Moreover, he offers a convincing and unsettling account of the gospel itself — the “Jewish Christian” story of forgiveness and human dignity that, Dark argues, has animated America’s ideals even as it has continually critiqued America’s practices. Dark’s Southern heritage is evident in his literary allusions (the subtitle echoes Flannery O’Connor) and in his affection for egalitarian conversation. Nearly every page has something to make readers pause, laugh, think or pray; perhaps most amazing is Dark’s skill at burying layers of meaning for the reader to discover. It’s hard to imagine a better tonic for our age than this unblinkingly honest exercise in faithful patriotism. ~ Publishers Weekly
The myth of a covenant, we are told, is simply no longer believable. From Thomas Hobbes in the seventeenth century through John Rawls in the twentieth, it was replaced by the myth of the social contract. I expect people counted the myth of the social contract more believable because it was a myth of their own creation. It was a fiction pure and simple, but it had the attraction of being our fiction. According to this story, human beings emerged from a “state of nature” in order to constitute society. Or, in the case of John Rawls, they are behind a pre-social “veil of ignorance” making deals with one another according to their calculated self-interest and thus bringing “society,” with its key idea of justice, into being. No matter how sophisticated, or at least complicated, theories of social contract may be, they are as thoroughly made up as nursery tales. In fact, there are not and never have been human beings apart from societies. The individual person does not emerge from isolation into society but from society. Some societies are called primitive and some are called advanced, but society is the constant in the human story. The “state of nature” and “veil of ignorance” are fables; nobody has ever encountered, nor can we even plausibly hypothesize, persons apart from society.
Oxford professor, philosopher, and historian of ideas, the late Sir Isaiah Berlin (1909-97) was also one of the finest English essayists in the 20th century. This retrospective collection of 17 of his best essays surveys his entire career as a thinker, including his work in political philosophy and the philosophy of history, his thoughts on the Enlightenment, Vico, and Machiavelli, and his passion for Russian literature. Reprinted are such seminal essays as "Two Concepts Liberty" and "The Hedgehog and the Fox," as well as his reflections on Winston Churchill and Franklin Roosevelt. Edited by scholars Hardy and Hausheer, who also provides an introduction, and with a foreword by Noel Annan, this book also includes a helpful bibliography. A fitting epitaph for a man passionately and eloquently devoted to ideas. ~ Library Journal
To be a citizen is, literally, to be “of the city” — the very fractiousness that makes a city means that a “civic sense” is going to be not a monument, but a river which is constantly carving out new channels, overflowing its banks, absorbing new tributaries and branching out into deltas. It is a spirit that pervades urban life at its best, which creates a sense of openness and possibity, and importantly a sense of the possibility of creating a community of choice — the hall mark of the city is that one may find, whatever ones interests and ideas, at least some small number of people who share them to an intensity that you may gather together as a group to advance them. The great urban flowerings of the past — for example Pharonic Thebes, Classical Athens, Hellenistic Alexandria, Moghul Dehli, Augustinian Rome, Renaissance Florence, Elizabethan London, Romantic Paris, Fin de la Siecle Vienna, Weimar Berlin, Modern New York – shows what it is capable of producing in its hey dey. The imperfection of civic life is, to me, part of the dynamic energy which makes it exciting. Utopian ideals are for idyllic rural colonies in the hills, where serenity reigns and there is a quiet exclusivity. Urbanity is the profane orgy of human excitement wrapped in the fine control of a sacred sense of polity.
The problem has not been expecting too little of politics, but far too much. True conservatism brings a natural skepticism to the reforming possibilities of politics. It sees as its first job the long-term cultivation of character, culture, and community. It views politics as “downstream” from culture, more reflecting it than shaping it. Conservatism avoids excessively politicizing religion or religionizing politics because genuine religious faith stirs allegiances that transcend nation and ideology. The Scriptures would counsel even more skepticism about both the possibilities of politics and the form in which it should be practiced.
And Christians should remember that the culture war is not going to be like Desert Storm, in which victory and defeat were settled in a matter of days. It will be more like the Thirty Years War. Or the Hundred Years War. If Christian are serious about waging a war for the culture, they must not be discouraged by single defeats or unrealistically elated by single victories. They must be in it for the long haul.
Actually, Christian have made inroads into many culture-making professions, but they are often too timid and too eager to be liked to be waging a war. Christian colleges have the potential to be a powerful resource for the church in the intellectual battles against unbelief. And yet, Christian academicians are often so eager to seem intellectually respectable to their non-Christian peers that they capitulate at the first sign of blood. Instead of entering into intellectual combat by trying to refute the untruths of today’s intellectual establishment, many evangelical theologians are busy trying to find a way to make them compatible with a revised version of Christianity.
Once the existence of knowable truth in religion and ethics is denied, authority (the right to be believed and obeyed) give way to power (the ability to force compliance), reason gives way to rhetoric, the speech writer is replaced by the makeup man, and spirited but civil debate in the culture wars is replaced by politically correct special-interest groups who have nothing left but political coercion to enforce their views on others. While the Christian faith clearly teaches that believers are to be involved as good citizens in the state, nevertheless, it is obvious why so many secularists are addicted to politics today because political power is a surrogate for a Higher Power.
It’s tough to be devout and kitschy at the same time, but Colleen McDannell strikes that delicate balance with admirable poise in Material Christianity: Religion and Popular Culture in America. Her book is an argument that “American Christians … want to see, hear, and touch God. It is not enough for Christians to go to church, lead a righteous life, and hope for an eventual place in heaven.” This argument is amply defended by smart essays about family Bibles, gravestone design, and Lourdes Water, as well as hundreds of illustrations of vestments, churches, portraits of Jesus, rapture T-shirts, and backyard statues of Our Lady. Where Material Christianity gets really interesting, however, is in its assertion that “Christian material culture does not simply reflect an existing reality. Experiencing the physical dimension of religion helps bring about religious values, norms, behaviors, and attitudes.” For example, the warmth and intimacy of Warner Sallman’s painting “Head of Christ,” which hung in almost every Protestant Sunday School classroom in America until the 1960s, was probably every bit as influential as any given phrase from the Sermon on the Mount in determining the personal nature of Protestants’ relationships with Jesus. Material Christianity covers a lot of ground — from Mormonism to fundamentalism — and every chapter is as theologically wise as it as aesthetically astute. ~ Amazon.com
Rock music has become a plague of messages about sexual promiscuity, bisexuality, incest, sado-masochism, satanism, drug use, alcohol abuse and constantly, misogyny. The lyrics regarding these things are celebratory, encouraging or at least desensitizing. By making these subjects the common currency of popular entertainment, the lyrics drain the subjects of their power to shock – their power to make people blush. The concern is less that children will emulate the frenzied behavior described in porn rock than that they will succumb to the lassitude of the demoralized – literally, the de-moralized.
Habits of the Heart is required reading for anyone who wants to understand how religion contributes to and detracts from America’s common good. Describes the social significance of faiths ranging from "Sheilaism" (practiced by a California nurse named Sheila) to conservative Christianity. It’s thoroughly readable, theologically respectful, and academically irreproachable. ~ Michael Joseph Gross • First published in 1985, Habits of the Heart continues to be one of the most discussed interpretations of modern American society, a quest for a democratic community that draws on our diverse civic and religious traditions. In a new preface the authors relate the arguments of the book both to the current realities of American society and to the growing debate about the country’s future. With this new edition one of the most influential books of recent times takes on a new immediacy.
Where was the conviction that to wage war against inequality is the church’s responsibility and not a political ideology? Where were those farsighted believers who could offer a voice of reason and hope to the task? Where was the manpower and funding to carry out this visible love of Christ? Why do we always settle for hindsight instead of foresight, reproducing instead of originating, getting on the bandwagon instead of leading the charge? Because a spirit of anti-intellectualism keeps us uninformed we can only attack and not contribute.
Instead of renouncing the world in order that we may dominate it … what we ought to do is to dominate the world in order that we may be able to renounce it. Not to seek poverty and submission, but to seek wealth in order that we may use it to increase human consciousness, and to seek power for the same end. ¶ It is curious that monks and anarchists should be at enmity with each other, when fundamentally they both profess the same ethic and are related by close ties of kinship. Anarchism tend to become a kind of atheistic monachism and a religious, rather than an ethical enconomico-social, doctrine. The one party starts from the assumption that man is naturally evil, born in original sin, and that it is through grace that he becomes good, if indeed he ever does become good; and the other from the assumption that man is naturally good and is subsequently perverted by society. And these two theories really amount to the same thing, for in both the individual is opposed to society, as if the individual had preceded society and therefore were destined to survive it. And both ethics are ethics of the cloister.
As I pass through my incarnations in every age and race,
I make my proper prostrations to the Gods of the Market Place.
Peering through reverent fingers I watch them flourish and fall,
And the Gods of the Copybook Headings, I notice, outlast them all.
We were living in trees when they met us. They showed us each in turn
That Water would certainly wet us, as Fire would certainly burn:
But we found them lacking in Uplift, Vision and Breadth of Mind,
So we left them to teach the Gorillas while we followed the March of Mankind.
We moved as the Spirit listed. They never altered their pace,
Being neither cloud nor wind-borne like the Gods of the Market Place,
But they always caught up with our progress, and presently word would come
That a tribe had been wiped off its icefield, or the lights had gone out in Rome.
With the Hopes that our World is built on they were utterly out of touch,
They denied that the Moon was Stilton; they denied she was even Dutch;
They denied that Wishes were Horses; they denied that a Pig had Wings;
So we worshipped the Gods of the Market Who promised these beautiful things.
When the Cambrian measures were forming, They promised perpetual peace.
They swore, if we gave them our weapons, that the wars of the tribes would cease.
But when we disarmed They sold us and delivered us bound to our foe,
And the Gods of the Copybook Headings said: “Stick to the Devil you know.”
On the first Feminian Sandstones we were promised the Fuller Life
(Which started by loving our neighbour and ended by loving his wife)
Till our women had no more children and the men lost reason and faith,
And the Gods of the Copybook Headings said: “The Wages of Sin is Death.”
In the Carboniferous Epoch we were promised abundance for all,
By robbing selected Peter to pay for collective Paul;
But, though we had plenty of money, there was nothing our money could buy,
And the Gods of the Copybook Headings said: “If you don’t work you die.”
Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew
And the hearts of the meanest were humbled and began to believe it was true
That All is not Gold that Glitters, and Two and Two make Four
And the Gods of the Copybook Headings limped up to explain it once more.
As it will be in the future, it was at the birth of Man
There are only four things certain since Social Progress began.
That the Dog returns to his Vomit and the Sow returns to her Mire,
And the burnt Fool’s bandaged finger goes wabbling back to the Fire;
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins,
As surely as Water will wet us, as surely as Fire will burn,
The Gods of the Copybook Headings with terror and slaughter return!
According to Wikipedia …
“The Gods of the Copybook Headings” is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several “ferocious post-war eruptions” of Kipling’s souring sentiment concerning the state of Anglo-European society. It was first published in the Sunday Pictorial of London on 26 October 1919; in America, it was published as “The Gods of the Copybook Maxims” in Harper’s Magazine in January 1920.
In the poem, Kipling’s narrator counterposes the “Gods” of the title, who embody “age-old, unfashionable wisdom”, against “the Gods of the Market-Place”, who represent the “habits of wishful thinking” into which society had fallen in the early 20th century.
The “copybook headings” to which the title refers were proverbs or maxims, often drawn from sermons and scripture extolling virtue and wisdom, that were printed at the top of the pages of copybooks, special notebooks used by 19th-century British schoolchildren. The students had to copy the maxims repeatedly, by hand, down the page. The exercise was thought to serve simultaneously as a form of moral education and penmanship practice.
Tradition means giving a vote to most obscure of all classes, our ancestors. It is the democracy of the dead. Tradition refuses to submit to the small and arrogant oligarchy of those who merely happen to be walking about. All democrats object to men being disqualified by the accident of birth; tradition objects to their being disqualified by the accident of death. Democracy tells us not to neglect a good man’s opinion, even if he is our groom; tradition asks us not to neglect a good man’s opinion, even if he is our father.
The sexual impulse in all its degrees and nuances plays not only on the stage and in novels, but also in the real world, where, next to the love of life, it shows itself the strongest and most powerful of motives, constantly lays claim to half the powers and thoughts of the younger portion of mankind, to the ultimate goal of almost all human efforts, interrupts the most serious occupations every hour, sometimes embarrasses for a while even the greatest minds, does not hesitate to intrude with its trash, interfering with the negotiations of statesmen and the investigations of men of learning, knows how to slip its love letters and locks of hair even into ministerial portfolios and philosophical manuscripts, and no less devises daily the most entangled and the worst actions, destroys the most valuable relationships, breaks the firmest bonds, demands the sacrifice sometimes of life or health, sometimes of wealth, rank, and happiness, nay, robs those who are otherwise honest of all conscience, makes those who have hitherto been faithful, traitors; accordingly on the whole, appears as a malevolent demon that strives to pervert, confuse and overthrow everything; — then one will be forced to cry, Wherefore all this noise? Wherefore the straining and storming, the anxiety and want? It is merely a question of every Hans finding his Goethe. Why should such a trifle play so important a part, and constantly introduce disturbance and confusion into the well-regulated life of man?
[Editor: Schopenahauer goes on to answer his own question — why all the straining and storming? — saying that sex is what determines each successive generation, and that is of the highest consequence.]
It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in, — glittering like the morning-star, full of life, and splendor, and joy. Oh! what a revolution! and what an heart must I have, to contemplate without emotion that elevation and that fall! Little did I dream that, when she added titles of veneration to those of enthusiastic, distant, respectful love, that she should ever be obliged to carry the sharp antidote against disgrace concealed in that bosom; little did I dream that I should have lived to see such disasters fallen upon her in a nation of gallant men, in a nation of men of honour and of cavaliers. I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult. — But the age of chivalry is gone. — That of sophisters, economists, and calculators, has succeeded; and the glory of Europe is extinguished for ever. Never, never more, shall we behold that generous loyalty to rank and sex, that proud submission, that dignified obedience, that subordination of the heart, which kept alive, even in servitude itself, the spirit of an exalted freedom. The unbought grace of life, the cheap defence of nations, the nurse of manly sentiment and heroic enterprize is gone! It is gone, that sensibility of principle, that chastity of honour, which felt a stain like a wound, which inspired courage whilst it mitigated ferocity, which ennobled whatever it touched, and under which vice itself lost half its evil, by losing all its grossness.
No quality of human nature is more remarkable, both in itself and in its consequences, than that propensity we have to sympathize with others, and to receive by communication their inclinations and sentiments, however different from, or even contrary to our own. This is not only conspicuous in children, who implicitly embrace every opinion propos’d to them; but also in men of the greatest judgment and understanding, who find it very difficult to follow their own reason or inclination, in opposition to that of their friends and daily companions. To this principle we ought to ascribe the great uniformity we may observe in the humours and turn of thinking of those of the same nation; and ’tis much more probable, that this resemblance arises from sympathy, than from any influence of the soil and climate, which, tho’ they continue invariably the same, are not able to preserve the character of a nation the same for a century together. A good-natur’d man finds himself in an instant of the same humour with his company; and even the proudest and most surly take a tincture from their countrymen and acquaintance. A chearful countenance infuses a sensible complacency and serenity into my mind; as an angry or sorrowful one throws a sudden dump upon me. Hatred, resentment, esteem, love, courage, mirth and melancholy; all these passions I feel more from communication than from my own natural temper and disposition. So remarkable a phaenomenon merits our attention, and must be trac’d up to its first principles.
When a country obtains great power,
it becomes like the sea:
all streams run downward into it.
The more powerful it grows,
the greater the need for humility.
Humility means trusting the Tao,
thus never needing to be defensive.
A great nation is like a great man:
When he makes a mistake, he realizes it.
Having realized it, he admits it.
Having admitted it, he corrects it.
He considers those who point out his faults
as his most benevolent teachers.
He thinks of his enemy
as the shadow that he himself casts.
If a nation is centered in the Tao,
if it nourishes its own people
and doesn’t meddle in the affairs of others,
it will be a light to all nations in the world.