Ruse, a well-known evolutionary historian and philosopher, defends Darwin from all comers, whether religious critics; those who, like Gertrude Himmelfarb, have accused Darwin of being a second-rate scientist; or postmodernist critics who say science is a social construction and not objective truth. Ruse (Can a Darwinian Be a Christian?) expounds on why he accepts evolution as fact. Though he doesn’t buy the argument that all science is merely a social construct, he acknowledges that Darwinism holds a mirror up to the times and reflects contemporary thinking, and he looks at the forms Darwinism has taken in philosophy, literature and popular culture. Some readers may think that Ruse, who freely and frequently admits that he isn’t a Christian, doesn’t quite provide a level playing field on which to confront some of his intellectual opponents, in particular the Christian philosopher Alvin Plantinga and the atheist scientist Richard Dawkins. Still, Ruse’s agnosticism keeps him from being doctrinaire ("Perhaps there is a God on the other side… I do not know"). Some readers will struggle with Ruse’s occasional philosophic density. Nevertheless, this should interest fans of the philosophy of science and readers caught up in the contemporary debate about evolution.
Arguing about Metaethics collects together some of the most exciting contemporary work in metaethics in one handy volume. In it, many of the most influential philosophers in the field discuss key questions in metaethics: Do moral properties exist? If they do, how do they fit into the world as science conceives it? If they don’t exist, then how should we understand moral thought and language? What is the relation between moral judgement and motivation? As well as these questions, this volume discusses a wide range of issues including moral objectivity, truth and moral judgements, moral psychology, thick evaluative concepts and moral relativism. The editors provide lucid introductions to each of the eleven themed sections in which they show how the debate lies and outline the arguments of the papers. Arguing about Metaethics is an ideal resource text for students at upper undergraduate or postgraduate level.
Perhaps everything we think, feel, and do is determined, and humans — like stones or clouds — are slaves to the laws of nature. Would that be a terrible state? Philosophers who take the incompatibilist position think so, arguing that a deterministic world would be one without moral responsibility and perhaps without true love, meaningful art, and real rationality. But compatibilists and semicompatibilists argue that determinism need not worry us. As long as our actions stem, in an appropriate way, from us, or respond in some way to reasons, our actions are meaningful and can be judged on their moral (or other) merit. In this highly original work, Nomy Arpaly argues that a deterministic world does not preclude moral responsibility, rationality, and love — in short, meaningful lives — but that there would still be something lamentable about a deterministic world. A person may respond well to reasons, and her actions may faithfully reflect her true self or values, but she may still feel that she is not free. Arpaly argues that compatibilists and semicompatibilists are wrong to dismiss this feeling — for which there are no philosophical consolations — as philosophically irrelevant. On the way to this bittersweet conclusion, Arpaly sets forth surprising theories about acting for reasons, the widely accepted idea that "ought implies can," moral blame, and more.
In Pascal’s Fire, Keith Ward reflects on the relationship between faith and the findings of modern science, treating topics such as — among others — chance and necessity, quantum physics and the mechanistic universe, the evolution of order in the universe, leading to life and ultimately to self-awareness and responsibility, the origin and future of the cosmos etc. The existence of an ultimate mind who chose to create a rationally intelligible universe which functions through laws that can be expressed in mathematical terms, but who also freely intervenes in the context of an otherwise autonomous progress of self-organisation of the universe, for which it was originally set up and by which it reaches goals of intrinsic value, are presented — and, in my view, convincingly so — as a rational and coherent explanation for the universe. In other words, the observation of the universe suggests such a mind. The argument progresses to show that this ultimate mind can also be viewed as personal, loving and compassionate, though in a way far beyond anthropomorphic projections. A purely scientific approach, however, is blind to the personal side of God, Ward argues — this is where personal experience, feeling and intuition come in, and may legitimately be taken seriously. All in all, Keith Ward’s holistic approach, integrating faith and reason in his intellectual quest, is inspiring and reminded me of the "two wings" of faith and reason by which man strives toward the truth, of which John Paul II wrote. ~ Xiangmao at Amazon.com
Inheriting the mantle of revolutionary biologist from Darwin, Watson, and Crick, Richard Dawkins forced an enormous change in the way we see ourselves and the world with the publication of The Selfish Gene. Suppose, instead of thinking about organisms using genes to reproduce themselves, as we had since Mendel’s work was rediscovered, we turn it around and imagine that "our" genes build and maintain us in order to make more genes. That simple reversal seems to answer many puzzlers which had stumped scientists for years, and we haven’t thought of evolution in the same way since. Why are there miles and miles of "unused" DNA within each of our bodies? Why should a bee give up its own chance to reproduce to help raise her sisters and brothers? With a prophet’s clarity, Dawkins told us the answers from the perspective of molecules competing for limited space and resources to produce more of their own kind. Drawing fascinating examples from every field of biology, he paved the way for a serious re-evaluation of evolution. He also introduced the concept of self-reproducing ideas, or memes, which (seemingly) use humans exclusively for their propagation. If we are puppets, he says, at least we can try to understand our strings. ~ Rob Lightner of Amazon.com
Recounting the biblical stories through visual images was the most prestigious form of commission for a Renaissance artist. In this book, Jules Lubbock examines some of the most famous of these pictorial narratives by artists of the caliber of Giovanni Pisano, Duccio, Giotto, Ghiberti, Brunelleschi, Donatello and Masaccio. He explains how these artists portrayed the major biblical events, such as: the Sacrifice of Isaac, the Annunciation, the Feast of Herod and the Trial and Passion of Jesus, so as to be easily recognizable and, at the same time, to capture our attention and imagination for long enough to enable us to search for deeper meanings. He provides evidence showing that the Church favoured the production of images that lent themselves to being read and interpreted in this way, and he describes the works themselves to demonstrate how the pleasurable activity of deciphering these meanings can work in practice. This fascinating book is richly illustrated, and many of it’s photographs have been specially taken to show how the paintings and relief sculptures appear in the settings, for which they were originally designed. Seen from these viewpoints, they become more readily intelligible. Likewise, the starting point and the originality of Lubbock’s interpretations lies in his accepting that these works of art were primarily designed to help people to reflect upon the ethical and religious significance of the biblical stories. The early Renaissance artists developed their highly innovative techniques to further these objectives, not as ends in themselves. Thus, the book aims to appeal to students, scholars and the general public, who are interested in Renaissance art and to those with a religious interest in biblical imagery. ~ Publisher’s Description
From the worldwide sensation The Da Vinci Code to the national best-seller Misquoting Jesus, popular culture is being bombarded with radical skepticism about the uniqueness of Jesus and the reliability of the New Testament. Reinventing Jesus cuts through the rhetoric of extreme doubt to reveal the profound credibility of historic Christianity. Meticulously researched yet eminently readable, this book invites a wide audience to take a firsthand look at the primary evidence for Christianity’s origins. Reinventing Jesus shows believers that it’s okay to think hard about Christianity, and shows hard thinkers that it’s okay to believe. ~ Publisher’s Description
A small book on a big topic is a dangerous proposition. It may show disrespect for its subject by bragging that it can be read in a short time, such as Kant in 90 minutes. (Kant in 90 minutes is not Kant at all.) On the other hand, a short book can thoughtfully introduce a profound subject worthy of further consideration; it may be a primer. Art for God’s Sake is a worthy primer; it addresses the relationship of Christian faith and art in the hope of helping Christians “recover the arts.” Philip Graham Ryken, Pastor of Tenth Presbyterian Church in Philadelphia and the author of several previous books, including Written in Stone (an insightful study of the Decalogue), has in sixty-four pages outlined a biblical view of art’s place in God’s world. Ryken is moved by the plight of the Christian artist whose calling and work is misunderstood or rejected by the church. He realizes that Christians may be suspicious of art because of their concern for idolatry and their repulsion toward much of contemporary art, which has abandoned the ideal of beauty and revels in the bizarre, the transgressive, and the outright ugly. Ryken also laments that Christians too often reduce art to utilitarian and evangelistic purposes that fail to honor art as art. Further, Christians often laud art that does not take the brokenness of life east of Eden seriously. Quite frequently, Christian art is little more than pious kitsch, which he aptly describes as “tacky artwork of poor quality that appeals to low tastes”. ~ Douglas Groothuis
In Good and Real, Gary Drescher examines a series of provocative paradoxes about consciousness, choice, ethics, quantum mechanics, and other topics, in an effort to reconcile a purely mechanical view of the universe with key aspects of our subjective impressions of our own existence. Many scientists suspect that the universe can ultimately be described by a simple (perhaps even deterministic) formalism; all that is real unfolds mechanically according to that formalism. But how, then, is it possible for us to be conscious, or to make genuine choices? And how can there be an ethical dimension to such choices? Drescher sketches computational models of consciousness, choice, and subjunctive reasoning—what would happen if this or that were to occur?—to show how such phenomena are compatible with a mechanical, even deterministic universe. Analyses of Newcomb’s Problem (a paradox about choice) and the Prisoner’s Dilemma (a paradox about self-interest vs. altruism, arguably reducible to Newcomb’s Problem) help bring the problems and proposed solutions into focus. Regarding quantum mechanics, Drescher builds on Everett’s relative-state formulation—but presenting a simplified formalism, accessible to laypersons—to argue that, contrary to some popular impressions, quantum mechanics is compatible with an objective, deterministic physical reality, and that there is no special connection between quantum phenomena and consciousness. In each of several disparate but intertwined topics ranging from physics to ethics, Drescher argues that a missing technical linchpin can make the quest for objectivity seem impossible, until the elusive technical fix is at hand. ~ Product Description
The New Dictionary of Christian Apologetics is a must-have resource for professors and students, pastors and laypersons — in short, for any Christian who wishes to understand or develop a rational explanation of the Christian faith in the context of today’s complex and ever-changing world. Packed with hundreds of articles that cover the key topics, historic figures and contemporary global issues relating to the study and practice of Christian apologetics, this handy one-volume resource will make an invaluable addition to any Christian library. Editors Gavin McGrath and W. C. Campbell-Jack, with consulting editor C. Stephen Evans, have divided the dictionary into two parts: Part one offers a series of introductory essays that set the framework for the dictionary. These essays examine the practice and importance of Christian apologetics in light of theological, historical and cultural concerns. Part two builds on these essays to present numerous alphabetized articles on individuals, ideas, movements and disciplines that are vital to a rational explanation of the Christian faith. Both essays and articles are written by leading Christian philosophers and theologians. Together, they form an indispensable resource for Christians living in today’s pluralistic age.
