Ethical concepts are, or purport to be, normative. They make claims on us: they command, oblige, recommend, or guide. But where does their authority over us come from? Christine Korsgaard identifies and examines four accounts of the source of normativity that have been advocated by modern moral philosophers — voluntarism, realism, reflective endorsement, and the appeal to autonomy — and shows how Kant’s autonomy-based account emerges as a synthesis of the other three. Her discussion is followed by commentary from G.A. Cohen, Raymond Geuss, Thomas Nagel, and Bernard Williams, and a reply by Korsgaard. ~ Product Description
Denying the existence and emergence of morality and ethics, Naturalism, a growing worldview, proves inadequate in explaining human nature and its qualities. Having examined the myth of evolution and scientism in Part 1, Moreland explores the jeopardy of the absence of ethics in this second part of a four-part series.
Psychotherapists since Freud, in Doherty’s biting assessment, have overemphasized individual self-fulfillment while paying insufficient attention to the patient’s moral values, accountability and family and community responsibilities. The psychologist-director of the University of Minnesota’s marriage and family therapy program, Doherty draws on his own clinical practice in this important critique. Going against the prevailing wisdom, he proposes that therapists should consciously influence clients to change their behavior in light of the moral issues involved. Among the illustrative case histories are a recently divorced father who is considering abandoning his children; a depressed, anorexic, suicidal young man who needs emotional distance from his controlling, intrusive mother; and a couple coping with the strain of caring for their developmentally delayed, four-year-old daughter. Included are guidelines for those seeking a morally sensitive therapist. ~ Publishers Weekly
Scientific Naturalism is a worldview that is powerfully influencing our culture today. So much so that even believers in one and the same God struggle with conflicting views. J.P. Moreland begins the first of his four part series with a clear examination of its belief system and the role theistic evolution plays to perpetuate its ends. Here are parts II, III, IV.
It’s tough to be devout and kitschy at the same time, but Colleen McDannell strikes that delicate balance with admirable poise in Material Christianity: Religion and Popular Culture in America. Her book is an argument that “American Christians … want to see, hear, and touch God. It is not enough for Christians to go to church, lead a righteous life, and hope for an eventual place in heaven.” This argument is amply defended by smart essays about family Bibles, gravestone design, and Lourdes Water, as well as hundreds of illustrations of vestments, churches, portraits of Jesus, rapture T-shirts, and backyard statues of Our Lady. Where Material Christianity gets really interesting, however, is in its assertion that “Christian material culture does not simply reflect an existing reality. Experiencing the physical dimension of religion helps bring about religious values, norms, behaviors, and attitudes.” For example, the warmth and intimacy of Warner Sallman’s painting “Head of Christ,” which hung in almost every Protestant Sunday School classroom in America until the 1960s, was probably every bit as influential as any given phrase from the Sermon on the Mount in determining the personal nature of Protestants’ relationships with Jesus. Material Christianity covers a lot of ground — from Mormonism to fundamentalism — and every chapter is as theologically wise as it as aesthetically astute. ~ Amazon.com
Mel Gibson’s Braveheart won five academy awards, including Best Picture and Best Director. Most people would assume that Gibson’s character, William Wallace, about whom the movie was named, was the movie’s central character. Was he?
The probabilistic teleological argument exploits the idea that it is extremely improbable that the laws of the universe should be so balanced as to permit the development of life unless we adopt the hypothesis that these laws were fixed by a creator who desired the development of life. The argument, however, faces the same kind of objection as the one we brought against the cosmological argument in the previous chapter: it takes a certain concept out of a context in which it is obviously applicable, and applies it to a context in which that concept is not applicable. In the case of the cosmological argument, the crucial concept is that of causation; in the case of the teleological argument, it is statistical probability. Neither argument carries conviction because we can plausibly deny that the concept in question can be extended to cover extraordinary contexts.
I’d never seen anybody drink except the bums down in Portland. But once you saw the bums you never forgot. They had eyes like mustard, mayonnaise and ketchup all stirred together; the skin of their faces was like Soap Mahoney’s hands; their teeth were bashed in or caramel-colored, if they had any, and their mouths dribbled tobacco or blood at the corners; they wore pieces of dead people’s old suits, wore greasy overcoats that flapped like mangled wings, wore sores instead of socks on their ankles; and after they’d drink a while they’d just sit or lie down right on the sidewalk, letting real people walk over them while they argued with people who weren’t even there. Once, while we were walking over some, Peter said to Everett that the bums had to listen to a whole sermon just to get a bowl of free soup at the Harbor Light Mission. Everett spat and said no wonder they stayed drunk. Then mama scared the hell out of us, and out of some bum too, by hauling off and slapping Everet so hard he almost fell down on a fat old Indian passed out against the wall there. Yet it was Everett who instantly said, “I’m sorry.” Because he knew, we all knew, that she didn’t hit him for any weird religious reason, or for spitting on sidewalks, or even out of nervousness at having to step around bums. She hit him because her father was a drunk. A mean one too. Died before any of us ever met him, but Mama still has dreams about him. And even dead he was the reason why drinking terrified her.
‘But if oxen (and horses) and lions…. could draw with hands and create works of art like those made by men, horses would draw pictures of gods like horses, and oxen of gods like oxen. … Aethiopians have gods with snub noses and black hair, Thracians have gods with grey eyes and red hair.’ Like many later critics of anthropomorphism, Xenophanes evidently did not question the gods themselves but only their human attributes. Later Western writers think the Greek gods especially anthropomorphic, but gods in many other religions are equally so.
But there is barely beginning to emerge a new generation of creationists with legitimate and relevant credentials who are undertaking to actually do some of the painstaking, detailed drudgery that underlies any genuinely live scientific program. This emergence has begun to produce a separation in the creationist movement — an upper and lower tier, so to speak. I think that what ultimately separates the two tiers is different levels of respect for accuracy and completeness of detail, and different levels of awareness that a theory’s looking good in vague and general form is an enormously unreliable predictor of whether in the long run the theory will be disemboweled by recalcitrant technical details. That appreciation is something that typically comes only with a legitimate scientific education, which some of the creationist popularizers and many in their audiences lack…The newly emerging upper tier of the creationist movement, however, seems to have little patience with the vague popularized treatments and is, again, undertaking to do the meticulous detail work that a genuinely scientific creationism requires. As yet, this upper tier is not associated with any particular organization.