When we have for some few frantic centuries tortured ourselves to save minkind, it will then be “time enough” to discuss whether they can possibly be saved. When, in the case of infant mortality, for example, we have exhausted ourselves with the earth-shaking efforts required to save the life of every individual baby, it will then be time enough to consider whether every individual baby would not have been happier dead. We are to remove mountains and bring the millenium, because then we can have a quiet moment to discuss whether the millenium is at all desirable. Here we have the low-water mark of the impotence of the sad reformer. And here we have the reason of the the paradoxical triumph of the happy one. His triumph is a religious triumph; it rests upon his perpetual assertion of the value of the human soul and of human daily life. It rests upon his assertion that human life is enjoyable because it is human. And he will never admit, like so many compassionate pessimists, that human life ever ceases to be human. He does not merely pity the lowness of men; he feels an insult to their elevation. Brute pity should be given only to the brutes. Cruelty to animals is cruelty and a vile thing; but cruelty to a man is not tyranny, it is rebellion, for man is loyal. Now, the practical weakness of the vast mass of modern pity for the poor and the oppressed is precisely that it is merely pity; the pity is pitiful, but not respectful. Men feel that the cruelty to the poor is a kind of cruelty to animals. They never feel that it is injustice to equals; nay, it is treachery to comrades. This dark, scientific pity, this brutal pity, has an elemental sincerity of its own; but it is entirely useless for all ends of social reform. Democracy swept Europe with the sabre when it was founded upon the Rights of Man. It has done literally nothing at all since it has been founded only upon the wrongs of man. Or, more strictly speaking, its recent failures have been due to its not admitting the existence of any rights or wrongs, or indeed of any humanity. Evolution (the sinister enemy of revolution) does not especially deny the existence of God; what it does deny is the existence of man. And all the despair about the poor, and the cold and repugnant pity for them, has been largely due to the vague sense that they have literally relapsed into the state of the lower animals.
Much of our modern difficulty, in religion and other things, arises merely from this, that we confuse the word “indefinable” with the word “vague.” If some one speaks of a spiritual fact as “indefinable” we promptly picture something misty, a cloud with indeterminate edges. But this is an error even in common-place logic. The thing that cannot be defined is the first thing; the primary fact. It is our arms and legs, our pots and pans, that are indefinable. The indefinable is the indisputable. The man next door is indefinable, because he is too actual to be defined. And there are some to whom spiritual things have the same fierce and practical proximity; some to whom God is too actual to be defined.
One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.
Each day I go to my studio full of joy; in the evening when obliged to stop because of darkness I can scarcely wait for the morning to come… My work is not only a pleasure, it has become a necessity. No matter how many other things I have in my life, if I cannot give myself to my dear painting I am miserable.
One has to seek Beauty and Truth, Sir! As I always say to my pupils, you have to work to the finish. There’s only one kind of painting. It is the painting that presents the eye with perfection, the kind of beautiful and impeccable enamel you find in Veronese and Titian.
Jesus is a king because his business is to bear witness to the truth. What truth? All truth; all verity of relation thoughout the universe — first of all, that his father is good, perfectly good; and that the crown and joy of life is to desire and do the will of the eternal source of will, and of all life. He deals thus the death-blow to the power of hell. For the one principle of Hell is “I am my own. I am my own king and my own subject. I am the centre from which go out my thoughts; I am the object and end of my thoughts; back upon me as the alpha and omega of life, my thoughts return. My own glory is, and ought to be, my chief care; my ambition, to gather regards of men to the one centre, myself. My pleasure is my pleasure. My kingdom is — as many as I can bring to acknowledge my greatness over them. My judgment is the faultless rule of things. My right is — what I desire. The more I am all in all to myself, the greater I am. The less I acknowledge debt or obligation to another; the more I close my eyes to the fact that I did not make myself; the more self-sufficing I feel or imagine myself — the greater I am.” …
That Man is the product of causes which had no prevision of the end they were achieving; that his origin, his growth, his hopes and fears, his loves and his beliefs, are but the outcome of accidental collocations of atoms; that no fire, no heroism, no intensity of thought and feeling, can preserve an individual life beyond the grave; that all the labors of the ages, all the devotion, all the inspiration, all the noonday brightness of human genius, are destined to extinction in the vast death of the solar system, and that the whole temple of Man’s achievement must inevitably be buried beneath the debris of a universe in ruins — all these things, if not quite beyond dispute, are yet so nearly certain, that no philosophy which rejects them can hope to stand. Only within the scaffolding of these truths, only on the firm foundation of unyielding despair, can the soul’s habitation henceforth be safely built.
On this famous passage, Douglas Groothius remarks:
Russell could be a masterful writer. In a celebrated passage in his essay, “A Free Man’s Worship,” he waxes eloquent on the predicament of humanity in the modern age. In an expansive but beautiful sentence, Russell poetically limns the lineaments of his atheistic creed.
Douglas Groothius, Bertrand Russel, in Christian Research Journal.
Related by Captain Gilbert J. Greene, "New Stories about Lincoln and Lee (Incidents Never Before Printed)" in The New Education, Vol. XVI No. 1 (1903), p. 16. Editor's Note: It's not clear whether this attribution is any more than second-hand hagiography. Cf. Psalm 19:1
As we walked on the country road out of Springfield, he turned his eyes to the heavens full of stars, and told me their names and their distance from us and the swiftness of their motion. He said the ancients used to arrange them so as to make monsters, serpents, animals of one kind or another out of them; but said he: “I never behold them that I do not feel that I am looking in the face of God. I can see how it might be possible for a man to look down upon the earth and be an atheist, but I cannot conceive how he could look up in the heavens and say there is no God.”
When Principia Ethica appeared, in 1903, it became something of a sacred text for the Cambridge-educated elite who formed the core of the Bloomsbury Group. In a letter of October 11, 1903, Strachey confesses to Moore that he is “carried away” by Principia, which inaugurates, for him, “the beginning of the Age of Reason.” Moore’s critique of convention, his caustic dismissal of his philosophical predecessors, and the relentless rigor of his method promised a revolution in morality commensurate with the modernist transformation of art and literature. Principia Ethica shifted the study of ethics away from normative questions to issues of “metaethics,” the study of ethical concepts.