One must be careful not to fall back on opaque black — on deliberate wrong — and even more one has to avoid the white of a whitewashed wall, which means hypocrisy and everlasting Pharisaism. I must tell you that with evangelists it is the same as with artists. There is an old academic school, often detestable, tyrannical, the accumulation of horrors, men who wear a cuirass, a steel armor of prejudices and conventions; Their God is like the God of Shakespeare’s drunken Falstaff, le dedans dune eglise [the inside of a church].