Search Results for: papers/490937

Basil Mitchell on the Theatre of Irrevocable Choices

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I looked at the Gita and was deeply moved, as who could fail to be, but I was not convinced. When it came to the point I found myself quite unable to believe that what happened in the world as the result of my actions was not of ultimate importance. To be sure it mattered little what I, as a single individual, did as the German tanks rolled into France, but what thousands like me did might make a crucial difference to the course of human history. At that moment I discovered myself to be profoundly occidental. ¶ I do not suppose that even now I can render fully explicit what lay behind that conviction, but it had, I believe, something to do with the Christian pattern of Creation and Redemption and a consequent vision of the world as the theatre of irrevocable choices.

Sources of the Self

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The sources to which Taylor refers are the moral ideals, ideas, and understandings that have dominated in various historical eras. Taylor’s basic premise is rather simple, “we are only our selves insofar as we move in a certain space of questions, as we seek and find an orientation to the good (p. 34).” His purpose is not to specify the good, that is, he does not seek to set normative definitions or qualifications. His purpose is to show that self-definition requires a framework in which to be understood. The historical course of his narrative begins with the classical perspective. In this view, self was dependent on a vision of the True or the Ideal. The hierarchical nature of reality presupposed in classical thought meant that self-definition was subservient to the whole. Traditional Christian thought embraced the classical perspective and the preference for self-definition by externals. Obviously, this short sketch of classical thought seems to be absurdly irrelevant in our contemporary world. Self is definitely not defined in relation to externals, but by an extreme interiority, complete rejection of hierarchical schemes, and the assumption that reality is defined empirically rather than conceptually. This book traces the transformation of the classical perspective through history in each of these areas: the movement toward inwardness, the affirmation of ordinary life, and the voice of nature. ~ Peter A. Kindle at Amazon.com

Justice Anthony Kennedy on Liberty and Defining Meaning

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Our law affords constitutional protection to personal decisions relating to marriage, procreation, contraception, family relationships, child rearing, and education. Our cases recognize “the right of the individual, married or single, to be free from unwarranted governmental intrusion into matters so fundamentally affecting a person as the decision whether to bear or beget a child.” Our precedents “have respected the private realm of family life which the state cannot enter.” These matters, involving the most intimate and personal choices a person may make in a lifetime, choices central to personal dignity and autonomy, are central to the liberty protected by the Fourteenth Amendment. At the heart of liberty is the right to define one’s own concept of existence, of meaning, of the universe, and of the mystery of human life. Beliefs about these matters could not define the attributes of personhood were they formed under compulsion by the State.

Charles S. Pierce on Science

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We believe the proposition we are ready to act upon. Full belief is willingness to act upon the proposition in vital crises, opinion is willingness to act upon it in relatively insignificant affairs. But pure science has nothing at all to do with action. The propositions it accepts, it merely writes in the list of premises it proposes to use… Belief is the willingness to risk a great deal upon a proposition. But this belief is no concern of science, which has nothing at stake on any temporal venture, but in pursuit of eternal verities, not semblance to truth, and looks upon this pursuit, not as the work of one man’s life, but as that of generation after generation indefinitely… The only end of science, as such, is to learn the lesson that the universe has to teach it. In Induction it simply surrenders itself to the force of facts. But it finds that this is not enough. It is driven in desperation to call upon it inward sympathy with nature… and nature is something great, and beautiful, and sacred, and eternal and real, the object of its worship and its aspiration.

Knowledge of God

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In this essay I shall explore the possibilities for knowledge of God that are opened up by recent developments in epistemology that go under the title externalism; more specifically, I shall be concerned with the version of externalism known as reliabilism. I shall set this up with a consideration of how those possibilities look from a more internalist epistemological stance. I shall be working from within the Christian tradition, though I take my remarks to have a wider bearing.

The Justification of Theism

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Why believe that there is a God at all? My answer is that to suppose that there is a God explains why there is a world at all; why there are the scientific laws there are; why animals and then human beings have evolved; why humans have the opportunity to mould their characters and those of their fellow humans for good or ill and to change the environment in which we live; why we have the well-authenticated account of Christ’s life, death and resurrection; why throughout the centuries men have had the apparent experience of being in touch with and guided by God; and so much else. In fact, the hypothesis of the existence of God makes sense of the whole of our experience, and it does so better than any other explanation which can be put forward, and that is the grounds for believing it to be true. This paper seeks to justify this answer; it presents in summary arguments given in more detailed form in my book The Existence of God,1 and seeks to rebut criticisms of those arguments given in J.L. Mackie’s book The Miracle of Theism.2

The Power of Images

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Analyzing images and aesthetic treatises, Freedberg (art history, Columbia) sets out historical and anthropological evidence for human responses, ranging from religious to sexual ones, that recur through
the centuries. He gives particular attention to the increasing association of art and religious behavior in the Middle Ages and Renaissance. "This learned and heavy volume should be placed on the shelves of every art historical library." ~ E. H. Gombrich, New York Review of Books. "This is an engaged and passionate work by a writer with powerful convictions
about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition." ~ Arthur C. Danto

Quentin Smith on Existing for No Reason At All

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[This world] exists nonnecessarily, improbably, and causelessly. It exists for absolutely no reason at all. It is inexplicably and stunningly actual … The impact of this captivated realization upon me is overwhelming. I am completely stunned. I take a few dazed steps in the dark meadow, and fall among the flowers. I lie stupefied, whirling without comprehension in this world through numberless worlds other than this one.

Albert Camus on Suicide and Absurdity

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In a sense, and as in melodrama, killing yourself amounts to confessing. It is confessing that life is too much for you or that you do not understand it. Let’s not go too far in such analogies, however, but rather return to everyday words. It is merely confessing that that “is not worth the trouble.” Living, naturally, is never easy. You continue making the gestures commanded by existence for many reasons, the first of which is habit. Dying voluntarily implies that you have recognized, even instinctively, the ridiculous character of that habit, the absence of any profound reason for living, the insane character of that daily agitation, and the uselessness of suffering. ¶ What, then, is that incalculable feeling that deprives the mind of the sleep necessary to life? A world that can be explained even with bad reasons is a familiar world. But, on the other hand, in a universe suddenly divested of illusions and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land. This divorce between man and his life, the actor and his setting, is properly the feeling of absurdity.

The Morality of Suicide: Issues and Options

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On December 2, 1982, 62-year-old Barney Clark became the first human to receive a permanent artificial heart. In addition he was given a key that could be used to turn off his compressor, if he wanted to die. One of the physicians, Dr. Willem Kolff, justified the key by stating that if Clark suffered and felt that life was not enjoyable or worth enduring anymore, he had the right to end his life. Clark never used the key. He died 15 weeks after the operation. This case illustrates the growing importance of ethical reflection regarding suicide. Today it is the 10th leading cause of death in the general population, and the suicide rate is on the rise in groups ranging from teenagers to the elderly. The purpose of this article is to clarify important issues and options involved in the ethical aspects of suicide. It is crucial that pastors and other Christian leaders understand how these issues are being argued, apart from reference to the biblical text. This will enable the Christian community to argue in a pluralistic culture for positions consistent with the Bible and to understand how others are framing the debate. This article focuses on three issues: the definition of suicide, the moral justifiability of suicide, and moral problems involved in paternalist state intervention to prevent people coercively from committing suicide.