The Ages of Faith, which are praised by our neo-scholastics, were the time when the clergy had things all their own way. Daily life was full of miracles wrought by saints and wizardry perpetrated by devils and necromancers. Many thousands of witches were burnt at the stake. Men’s sins were punished by pestilence and famine, by earthquake, flood, and fire. And yet, strange to say, they were even more sinful than they are now-a-days.
In his survey of the history of thought with respect to miracles, Craig traces the demise of the plausability of such supernatural events amongst biblical scholars, expressed first in naturalistic explanations for biblical events and ultimately in the repudiation of the reliability of the biblical texts. Craig addresses the influence of Bahrdt, Paulus, Schleiermacher, Strauss, and Bultmann before turning to their intellectual forebears, the thinking of Spinoza and Hume and the backdrop of Newton’s mechanistic universe. Craig offers a response to each of these principal thinkers in turn, concluding that “the presupposition of the impossibility of miracles should play no role in determining the historicity of an event”, even an allegedly supernatural one. In so doing, he challenges the notion that natural law must preclude miracles and provides a patient response to each of the principal objections. Craig’s lengthy article is a worthwhile read both for its summary history of biblical scholarship and for its recommendation for appropriate criteria in the study of history. ~ Nate
In recent years, scholars arguing against a conservative understanding of biblical inerrancy have appealed to a wide range of issues. It has been argued, for example, that belief in inerrancy should be abandoned or redefined because inerrancy is not taught by the Bible and it was not the view of many leaders in the history of the church. Others argue that the concept of inerrancy is not adequate to capture the nature of the Bible as revelation. As important as these and related issues are, one suspects that Donald Dayton put his finger on the central reason why some scholars feel a need to abandon or redefine inerrancy: “For many, the old intellectual paradigms [including inerrancy] are dead, and the search is on in neglected traditions and new sources for more adequate models of biblical authority.” Simply put, many no longer think that it is rational to believe that inerrancy is true. What are we to make of this objection?
In recent times, the bulk of eminent physicists and a number of eminent biologists have made pronouncements stating that recent advances in science have disproved the older materialism, and have tended to reestablish the truths of religion. The statements of the scientists have as a rule been somewhat tentative and indefinite, but the theologians have seized upon them and extended them, while the newspapers in turn have reported the more sensational accounts of the theologians, so that the general public has derived the impression that physics confirms practically the whole of the Book of Genesis. I do not myself think that the moral to be drawn from modern science is at all what the general public has thus been led to suppose. In the first
place, the men of science have not said nearly as much as they are thought to have said, and in the second place what they have said in the way of support for traditional religious beliefs has been said by them not in their cautious, scientific capacity, but rather in their capacity of good citizens, anxious to defend virtue and property.
Paleontology is now looking at what is actually finds, not what it is told that it is supposed to find. As is now well known, most fossil species appear instantaneously in the fossil record, persist for some millions of years virtually unchanged, only to disappear abruptly — the “punctuated equilibrium” pattern of Eldredge and Gould.
Why should we expend our mental energy in convincing ourselves that we aren’t thinkers, that our thoughts aren’t really about anything, noumenal or phenomenal, that there is no sense in which any thought is right or wrong (including the thought that no thought is right or wrong) beyond being the verdict of the moment, and so on? This is a self-refuting enterprise if there ever was one! Let us recognize that one of our fundamental self-conceptualizations … is that we are thinkers, and that as thinkers we are committed to there being some kind of truth, some kind of correctness which is substantial…. That means that there is no eliminating the normative.
Paul Vitz, a professor of psychology at NYU, proposes a provocative thesis: atheistic inclinations or commitments are often rooted in the so-called “freudian psyche”, that subconscious sum of our memories, fears, impressions, and deep seated dispositions formed early in our lives, particularly in relation to our fathers. While psychological grounds for belief are usually used to undercut the rationality of theism, here Vitz runs the argument the other way in a fascinating summary of psychological factors tied to atheistic belief. And by way of example, he considers the possible psychological motivations of the father of psychoanalysis, Freud himself. Turns out atheists have daddy issues as well. Vitz’s argument here was a prelude to his later work, Faith of the Fatherless: The Psychology of Atheism.
This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety.
Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes when am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals-sounds that say listen to this, it is important.
So write with a combination of short, medium, and long sentences. Create a sound that pleases the reader’s ear. Don’t just write words. Write music.
Darwin offered strong, if grudging, praise and took Mivart far more seriously than any other critic…Mivart gathered, and illustrated with admirable art and force” (Darwin’s words), all objections to the theory of natural selection — “a formidable array” (Darwin’s words again). Yet one particular theme, urged with special attention by Mivart, stood out as the centerpiece of his criticism. It remains today the primary stumbling block among thoughtful and friendly scrutinizers of Darwinism. No other criticism seems so troubling, so obviously and evidently “right” (against a Darwinian claim that seems intuitively paradoxical and improbable). Mivart awarded this criticism a separate chapter in his book, right after the introduction. He also gave it a name, remembered ever since. He called it “The Incompetency of ‘Natural Selection’ to account for the Incipient Stages of Useful Structures.” If this phrase sounds like a mouthful, consider the easy translation: we can readily understand how complex and full developed structures work and owe their maintenance and preservation to natural selection — a wing, an eye, the resemblance of a bittern to a branch or of an insect to a stick or dead leaf. But how do you get from nothing to such an elaborate something if evolution must proceed through a long sequence of intermediate stages, each favored by natural selection? You can’t fly with 2% of a wing or gain much protection from an iota’s similarity with a potentially concealing piece of vegetation. How, in other words, can natural selection explain these incipient stages of structures that can only be used (as we now observe them) in much more elaborated form?”
Rock music has become a plague of messages about sexual promiscuity, bisexuality, incest, sado-masochism, satanism, drug use, alcohol abuse and constantly, misogyny. The lyrics regarding these things are celebratory, encouraging or at least desensitizing. By making these subjects the common currency of popular entertainment, the lyrics drain the subjects of their power to shock – their power to make people blush. The concern is less that children will emulate the frenzied behavior described in porn rock than that they will succumb to the lassitude of the demoralized – literally, the de-moralized.