A hand waving dismissal of theism, such as is manifested in the following passage from Searle’s The Rediscovery of the Mind, has been like trying to halt a tidal wave with a hand-held sieve. Searle responds to about one-third of contemporary philosophers with [a] brush-off… Searle does not have an area of specialization in the philosophy of religion and, if he did, he might, in the face of the erudite brilliance of theistic philosophizing today, say something more similar to the non-theist Richard Gale (who does have an area of specialization in the philosophy of religion), whose conclusion of a 422 page book criticizing contemporary philosophical arguments for God’s existence (as well as dealing with other matters in the philosophy of religion), reads ‘no definite conclusion can be drawn regarding the rationality of faith.’
How can art enhance and enrich the Christian faith? What is the basis for a relationship between the church and visual imagery? Can the art world and the Protestant church be reconciled? Is art idolatry and vanity, or can it be used to strengthen the church? Grounded in historical and biblical research, William Dyrness offers students and scholars an intriguing, substantive look into the relationship between the church and the world of art. Faith and art were not always discordant. According to Dyrness, Israel understood imagery and beauty as reflections of God’s perfect order; likewise, early Christians used art to teach and inspire. However, the Protestant church abandoned visual arts and imagery during the Reformation in favor of the written word and has only recently begun to reexamine art’s role in Christianity and worship. Dyrness affirms this renewal and argues that art, if reflecting the order and wholeness of the world God created, can and should play an important role in modern Christianity.
Although the arts have played a significant role in both world history and Christian history, the contemporary church has often shunned them in favor of a more intellectual approach to theology. Beholding the Glory argues the necessity of renewing an engagement between theology and the arts. Specifically focusing on the incarnation, the book shows how the arts have an indispensable role to play in disclosing God’s wisdom. With an introduction by the editor, the book consists of eight essays written by practicing artists (a sculptor, poet, dancer, and musician), theologians, and professors-all well-versed in the relationship between imagination and theology. Beholding the Glory demonstrates the indispensable role the arts play in disclosing God’s wisdom to us. Writing from different Christian traditions, practicing artists, theologians, and professors-all well-versed in the relationship between imagination and theology-focus on the incarnation and draw out a wealth of meaning in the belief that God entered our world as one of us.
Nielsen (philosophy, U. of Calgary) presents a defense of naturalism as the most reasonable way to view humans place in the world. His naturalism is an atheistic and humanistic philosophy, but it is not a scientific or value-free one. He articulates a naturalistic explanation of the functions of religion and argues that truly understanding religion necessitates disbelief. He argues that a consistent atheism does not "rob life of its significance or make social and political commitment arbitrary." After explaining the theory he explains arguments for and against the theory as propounded by various other philosophers, most notably the work of Wittgenstein, which he believes to be the most serious philosophical challenge to secular naturalism. ~ Product Description
What if the most important word is the one in the middle? We often think of doubt as the opposite of faith, but could it actually strengthen our relationship with God? According to John Ortberg, best-selling author and pastor, the very nature of faith requires the presence of uncertainty. In this refreshingly candid look at a life of faith, he traces the line between belief and unbelief: less a dividing line between hostile camps than a razor’s edge that runs through every soul. His findings point us toward the relief of being totally honest. Questions can expand our understanding, uncertainty can lead to trust, and honest faith can produce outrageous hope. Written from Ortberg’s own struggle with faith and doubt, this book will challenge, comfort, and inspire you with the truth that God wants all of us — including our doubts.
Today, with hectic, work-centered lives, busy social calendars, and precious little free time, people feel obligated yet resentful while gathering with kin during the holidays. Granted, a nice seder or Christmas dinner isn’t in itself so unpleasant. If one could just arrive, shovel down the food as quickly as possible, then bolt for the door, such occasions would be tolerable. The problem is that for all denominations these feasts have been institutionalized in American culture; they’re compulsory, a sign of good citizenship and family values. This enforced proximity with blood relations naturally builds to a breaking point. There’s only so much you can hear about your batty aunt’s goiter. There are only so many times you can coo over the new baby or suffer small children poking action figures into your eyes. And don’t let’s start with your mother about when you’re finally going to get married! As breakfast drags on to brunch drags on to dinner, surrounded by family members, there’s this mounting revulsion that you share their same receding hairlines, their same tendency toward cellulite, their same horsy, nasal laughs, their very same DNA. That’s usually the trigger that sets you fleeing in fear and disgust.
All my reporting life I have thrown small pebbles into a very large pond, and have no way of knowing whether any pebble caused the slightest ripple. I don’t need to worry about that. My responsibility was the effort. I belong to a global fellowship, men and women, concerned with the welfare of the planet, and its least protected inhabitants. I plan to spend the rest of my years applauding that fellowship and cheering from the sidelines. Good for you. … Never give up.
I have spent the past decade in just about every conceivable war zone. I have made my living bearing witness to the most horrific events of the end of the 20th century. Because CNN is seen all over the world, I’ve become globally identified as a harbinger of war and disaster. Wherever I go, people say jokingly — or maybe not so jokingly — that they shudder when they see me: “Oh, my God. Amanpour is coming. Is something bad going to happen to us?” U.S. soldiers, with whom I now have more than a passing acquaintance, joke that they track my movements to predict where they will be deployed. And I have calculated that I have spent more time at the front than most normal military units. … And then there’s the nightmare of what we see: in Rwanda, piles of bodies being lifted by bulldozers after a genocide and dumped into mass graves — and the toughest of soldiers, supervising this, in tears. In Bosnia, little children being shot in the head. In Somalia and Ethiopia, the walking skeletons heralding those terrible famines. I remember once doing a live shot from a so-called famine camp in Somalia, in which I showed a man, told his story, and explained how ill he was. I suddenly realized that he was dying at that very moment. And I didn’t know what to do — I didn’t know how to move the camera away, how not to sully what was happening in real life. These images and these sounds will never leave me.