Brennan Manning on Being a Ragamuffin
Perhaps the real dichotomy in the Christian community today is not between conservatives and liberals or creationist and evolutionists but between the awake and the asleep. The Christian ragamuffin acknowledges with MacBeth: “Life is but a poor player that struts and frets his hour upon the stage, and then is heard no more.” Just as a smart man knows he is stupid, so the awake Christian knows he/she is a ragamuffin. Although truth is not always humility, humility is always truth: the blunt acknowledgment that I owe my life, being, and salvation to Another. This fundamental act lies at the core of our response to grace. The beauty of the ragamuffin gospel lies in the insight it offers into Jesus: the essential tenderness of his heart, his way of looking at the world, his mode of relating to you and me.
Brennan Manning on the Indignity of Jesus’ Death
But the answer seems too easy, too glib. Yes, God saved us because he loved us. But he is God. He has infinite imagination. Couldn’t he have dreamed up a different redemption? Couldn’t he have saved us with a pang of hunger, a word of forgiveness, a single drop of blood? And if he had to die, then for God’s sake — for Christ’s sake — couldn’t he have died in bed, died with dignity? Why was he condemned like a criminal? Why was his back flayed with whips? Why was his head crowned with thorns? Why was he nailed to wood and allowed to die in frightful, lonely agony? Why was the last breath drawn in bloody disgrace, while the world for which he lay dying egged on his executioners with savage fury like some kind of gang rape by uncivilized brutes in Central Park? Why did they have to take the very best? One thing we know — we don’t comprehend the love of Jesus Christ. Oh, we see a movie and resonate to what a young man and woman will endure for romantic love. We know that when the chips are down, if we love wildly enough we’ll fling life and caution to the winds for the one we love. But when it comes to God’s love in the broken, blood-drenched body of Jesus Christ, we get antsy and start to talk about theology, divine justice, God’s wrath, and the heresy of universalism.
Brennan Manning on Singing to Grace
The gospel of grace calls us to sing of the everyday mystery of intimacy with God instead of always seeking for miracles or visions. It calls us to sing of the spiritual roots of such commonplace experiences as a class, forgiving each other after we have hurt each other, standing together in the bad weather of life, of surprise and sexuality, and the radiance of existence. Of such is the kingdom of heaven, and of such homely mysteries is genuine religion made. The conversion from mistrust to trust is a confident quest seeking the spiritual meaning of human existence. Grace abounds and walks around the edges of our everyday experience.
William Dembski on the Origin of Life
Dawkins, to explain LIFE apart from a designer, not only gives himself all the time Darwin ever wanted, but also helps himself to all the conceivable planets there might be in the observable universe (note that these are planets he must posit, since no planets outside our solar system have been observed, nor is there currently any compelling theory of planetary formation which guarantees that the observable universe is populated with planets). Thus Barrow and Tipler, in order to justify their various anthropic principles, not only give themselves all the time and planets that Dawkins ever wanted, but also help themselves to a generous serving of universes (universes which are per definition causally inaccessible to us).
Steven Weinberg on Life as Tragedy or Farce
It is almost irresistible for humans to believe that we have some special relation to the universe, that human life is not just a more or less farcical outcome of a chain of accidents reaching back to the first three minutes, but that we were somehow built in from the beginning. As I write this I happen to be in an airplane at 30,000 feet, flying over Wyoming en route home from San Francisco to Boston. Below, the earth looks very soft and comfortable — fluffy clouds here and there, snow turning pink as the sun sets, roads stretching straight across the country from one town to another. It is very hard to realize that this all is just a tiny part of an overwhelmingly hostile universe. It is even harder to realize that this present universe has evolved from an unspeakably unfamiliar early condition, and faces a future extinction of endless cold or intolerable heat. The more the universe seems comprehensible, the more it also seems pointless. … The effort to understand the universe is one of the very few things that lifts human life a little above the level of farce, and gives it some of the grace of tragedy.
Alister McGrath on Orpheus’ Approach
If the world seems attractive, the Christian must ensure that God, as its creator, is seen to be even more attractive. The world reflects the attractiveness of its creator, as the moon reflects the light of the sun. ¶ Two incidents from classical Greek mythology suggest themselves here. Homer introduces us to the Sirens, a group of women whose singing was so seductive that they caused sailors to crash their vessels through inattention to their duties. When Ulysses was attempting to sail his ship past the Sirens, he prevented the Sirens from causing any difficulties by the simple expedient of blocking his sailors’ ears so that they could not hear the captivating Siren song. Orpheus, on the other hand, was a skilled lyre player. His method of dealing with this kind of threat was rather indifferent. He played his lyre, the music of which proved so enchanting and fascinating that its beauty totally outweighed anything else.
The Euthanasia Debate: Understanding the Issues
In June of 1990, Dr. Jack Kevorkian, a 63-year-old retired pathologist, was charged with first-degree murder after he helped an Oregon woman with Alzheimer’s disease commit suicide in June 1990. The charge was dismissed in December 1990. (Michigan has no law against suicide.) In October of 1991, Marjorie Wantz used a suicide machine devised by Kevorkian to take her own life. Kevorkian also assisted Sherry Miller in an act of suicide by pulling a mask over her face so she would inhale carbon monoxide from a tank. Miller’s veins were too delicate for a needle involved in Kevorkian’s suicide machine. The police found both bodies in a cabin 40 miles north of Detroit. Miller was incapacitated by multiple sclerosis and Wantz suffered from a painful pelvic condition. Neither condition was life threatening.
Arno Penzias on the Delicate Balance for Life
Astronomy leads us to a unique event, a universe which was created out of nothing, one with the very delicate balance needed to provide exactly the conditions required to permit life, and one which has an underlying (one might say ‘supernatural’) plan. Thus, the observations of modern science seem to lead to the same conclusions as centuries-old intuition.
Orson Welles on Art and Constraints
The enemy of art is the absence of limitations.