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Kathleen Powers Erickson on Van Gogh’s in the End

At Eternity's Gate: The Spiritual Vision of Vincent Van Gogh (Grand Rapids, MI: Eerdmans, 1998), xv.

[On Van Gogh] He could not have made it more clear: to the end, he was wrestling with the profound themes of faith, even to the point of revisiting classic paintings with biblical themes and giving new expression to them. Yes, he was tormented in those late years when he was portraying those biblical events and persons. But he was tormented in ways that helped him to see, and not to lapse into nostalgia or second-rate reproduction. Goethe liked to speak of the artist’s ability to see — schauen — really to see.