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Os Guinness on the Crucifixion as Comedy

The dynamics of the cross of Jesus are closer to those of comedy than tragedy. Both tragedy and comedy turn on the deep contradiction and discrepancies between the world as it is and the world as we humans wish that it would be — in other words, on present aspects of the world that are incongruous or ludicrous, and that defy the best pretensions of humanity. But whereas tragedy only reminds us of the iron bars of the prison of reality from which not one of us can ever escape, comedy shows a way to break out. In comedy, the pratfall and the setback are not the end, and in the Christian faith even death, the ultimate setback, is not the end. Because of the cross and the resurrection there is always a way out. Which means of course that when the contradictions are subverted and reality is turned right way up, the outcome can be gratitude, joy and hope, rather than pity and fear. Needless to say, the dynamic of the resurrection and a God who cannot be buried for long is the dynamic of a child’s jack-in-the-box writ large in golden cosmic letters.

 


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