Search Results for: papers/490937

Miguel de Unamuno on Man at the Center

Go

Yes, yes, I see it all! — an enormous social activity, a mighty civilization, a profuseness of science, of art, of industry, of morality, and afterwards, when we have filled the world with industrial marvels, with great factories, with roads, museums, and libraries, we shall fall exhausted at the foot of it all, and it will subsist — for whom? Was man made for science or was science made for man? ¶ “Why!” the reader will exclaim again, “we are coming back to what the Catechism says: ‘Q. For whom did God create the world? A. For man.'” Well, why not? — so ought the man who is a man to reply. The ant, if it took account of these matters and were a person, would reply “For the ant,” and it would reply rightly. The world is made for consciousness, for each consciousness.

Miguel de Unamuno on Himself and His Work

Go

Need is that I bring to a conclusion, for the present at any rate, these essays that threaten to become like a tale that has no ending. They have gone straight from my hands to the press in the form of a kind of improvization upon notes collected during a number of years, and in writing each essay I have not had before me any of those that preceded it. And thus they will go forth full of inward contradictions — apparent contradictions, at any rate — like life and like me myself.

Miguel de Unamuno on Practical Knowledge

Go

All knowledge has an ultimate object. Knowledge for the sake of knowledge is, say what you will, nothing but a dismal begging of the question. We learn something either for an immediate practical end, or in order to complete the rest of our knowledge. Even the knowledge that appears to us to be most theoretical — that is to say, of least immediate application to the non-intellectual necessities of life — answers to a necessity which is no less real because it is intellectual, to a reason of economy in thinking, to a principle of unity and continuity of consciousness. But just as a scientific fact has its finality in the rest of knowledge, so the philosophy that we would make our own has also its extrinsic object — it refers to our whole destiny, to our attitude in face of life and the universe. And the most tragic problem of philosophy is to reconcile intellectual necessities with the necessities of the heart and the will. For it is on this rock that every philosophy that pretends to resolve the eternal and tragic contradiction, the basis of our existence, breaks to pieces.

Miguel de Unamuno on Renouncing Versus Engaging

Go

Instead of renouncing the world in order that we may dominate it … what we ought to do is to dominate the world in order that we may be able to renounce it. Not to seek poverty and submission, but to seek wealth in order that we may use it to increase human consciousness, and to seek power for the same end. ¶ It is curious that monks and anarchists should be at enmity with each other, when fundamentally they both profess the same ethic and are related by close ties of kinship. Anarchism tend to become a kind of atheistic monachism and a religious, rather than an ethical enconomico-social, doctrine. The one party starts from the assumption that man is naturally evil, born in original sin, and that it is through grace that he becomes good, if indeed he ever does become good; and the other from the assumption that man is naturally good and is subsequently perverted by society. And these two theories really amount to the same thing, for in both the individual is opposed to society, as if the individual had preceded society and therefore were destined to survive it. And both ethics are ethics of the cloister.

Miguel de Unamuno on Spaniards, Catholics, and Tragedy

Go

What I call the tragic sense of life in men and peoples is at any rate our tragic sense of life, that of Spaniards and the Spanish people, as it is reflected in my consciousness, which is a Spanish consciousness, made in Spain. And this tragic sense of life is essentially the Catholic sense of it, for Catholicism, and above all popular Catholicism, is tragic. The people abhors comedy. When Pilate — the type of the refined gentleman, the superior person, the esthete, the rationalist if you like — proposes to give the people comedy and mockingly present Christ to them saying, “Behold the man!” the people mutinies and shouts “Crucify him! Crucify him!” The people does not want comedy but tragedy. And that which Dante, the great Catholic, called the Divine Comedy, is the most tragical tragedy that has ever been written.

Miguel de Unamuno on Guilt and Conscience

Go

The fact that society is guilty aggravates the guilt of each one, and he is most guilty who most is sensible of the guilt. Christ, the innocent, since he best knew the intensity of guilt, was in a certain sense the most guilty. In him the culpability, together with the divinity, of humanity arrived at the consciousness of itself. Many are wont to be amused when they read how, because of the most trifling faults, faults at which a man of the world would merely smile, the greatest saints counted themselves the greatest sinners. But the intensity of the fault is not measured by the external act, but by the consciousness of it, and an act for which the conscience of one man suffers acutely makes scarcely any impression on the conscience of another. And in a saint, conscience may be developed so fully and to such a degree of sensitiveness that the slightest sin may cause him more remorse than his crime causes the greatest criminal. And sin rests upon our consciousness of it, it is in him who judges and in so far as he judges. When a man commits a vicious act believing in good faith that he is doing a virtuous action, we cannot hold him morally guilty, while on the other hand that man is guilty who commits an act which he believes to be wrong, even though in itself the act is indifferent or perhaps beneficent. The act passes away, the intention remans, and the evil of the act is that it corrupts the intention, that in knowingly doing wrong a man is predisposed to go on doing it, that it blurs the conscience. And doing evil is not the same being evil. Evil blurs the conscience, and not only the moral conscience, but the general, psychical consciousness. And everything that exalts and expands conscious is good, while that which depresses and diminishes it is evil.

Miguel de Unamuno on an Ethic of Doubt

Go

Several times in the devious course of these essays I have defined, in spite of my horror of definitions, my own position with regard to the problem that I have been examining; but I know there will always be some dissatisfied reader, educated in some dogmatism or other, who will say: “This man comes to no conclusion, he vacillates — now he seems to affirm one thing and then its contrary — he is full of contradictions — I can’t label him. What is he?” Just this — one who affirms contraries, a man of contradiction and strife, as Jeremiah said of himself; one who says one thing with his heart and the contrary with his head, and for whom this conflict is the very stuff of life. And that is as clear as the water that flows from the melted snow upon the mountain tops.

Miguel de Unamuno on Vanity and Immortality

Go

A rabid mania for originality is rife in the modern intellectual world and characterizes all individual effort. We would rather err with genius than hit the mark with the crowd… This violent struggle for the perpetuation of our name extends backwards into the past, just as it aspires to conquer the future; we contend with the dead because we, the living, are obscured beneath their shadow. We are jealous of the geniuses of former times, whose names, standing out like the landmarks of history, rescue the ages from oblivion. The heaven of fame is not very large, and the more there are who enter it the less is the share of each. The great names of the past rob us of our place in it; the space which they fill in the popular memory they usurp from us who aspire to occupy it. And so we rise up in revolt against them, and hence the bitterness with which all those who seek after fame in the world of letters judge those who have already attained it and are in enjoyment of it.

Miguel de Unamuno on Nietzsche and Immortality

Go

There you have that “thief of energies,” as he [Nietzsche] so obtusely called Christ who sought to wed nihilism with the struggle for existence, and he talks to you about courage. His heart craved the eternal All while his head convinced him of nothingness, and, desperate and mad to defend himself from himself, he cursed that which he most loved. Because he could not be Christ, he blasphemed against Christ. Bursting with his own self, he wished himself unending and dreamed his theory of eternal recurrence, a sorry counterfeit of immortality, and, full of pity for himself, he abominated all pity. And there are some who say that his is the philosophy of strong men! No, it is not. My health and my strength urge me to perpetuate myself. His is the doctrine of weaklings who aspire to be strong, but not of the strong who are strong. Only the feeble resign themselves to final death and substitute some other desire for the longing for personal immortality. In the strong the zeal for perpetuity overrides the doubt of realizing it, and their superabundance of life overflows upon the other side of death.

Miguel de Unamuno on Mortal Man

Go

I am a man; no other man do I deem a stranger. For to me the adjective humanus is no less suspect than its abstract substantive humanitas, humanity. Neither “the human” nor “humanity,” neither the simple adjective nor the substantivized adjective, but the concrete substantive — man. The man of flesh and bone; the man who is born, suffers, and dies — above all, who dies; the man who eats and drinks and plays and sleeps and thinks and wills; the man who is seen and heard; the brother, the real brother.