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Day after day, millions of Americans who frequent pews see ghosts when they pick up their newspapers or turn on television news. They read stories that are important to their lives, yet they seem to catch fleeting glimpses of other characters or other plots between the lines. There seem to be other ideas or influences hiding there. One minute they are there. The next they are gone. There are ghosts in there, hiding in the ink and the pixels. Something is missing in the basic facts or perhaps most of the key facts are there, yet some are twisted. Perhaps there are sins of omission, rather than commission.
Tales from the Perilous Realm (Houghton-Mifflin Harcourt: 2008), pp. 314-5.
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The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords. In that realm a man may, perhaps, count himself fortunate to have wandered, but its very richness and strangeness tie the tongue of a traveller who would report them. And while he is there it is dangerous for him to ask too many question, lest the gates should be shut and the keys be lost.
"The Empty Universe" in Present Concerns, W. Hopper, ed. (Harcourt Brace: 1986), pp. 81-2.
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The process whereby man has come to know the universe is from one point of view extremely complicated; from another it is alarmingly simple. We can observe a single one-way progression. At the outset, the universe appears packed with will, intelligence, life, and positive qualities; every tree is a nymph and every planet a god. Man himself is akin to the gods. The advance gradually empties this rich and genial universe, first of its gods, then of it colours, smells, sounds and tastes, finally of solidity itself as solidity was originally imagined. As these items are taken from the world, they are transferred to the subjective side of the account: classified as our sensations, thoughts, images or emotions. The Subject becomes gorged, inflated, at the expense of the Object. But the matter does not rest there. The same method which has emptied the world now proceeds to empty ourselves. The masters of the method soon announce that we were just mistaken (and mistaken in much the same way) when we attributed "souls" or "selves" or "minds" to human organisms, as when we attributed Dryads to the trees. Animism, apparently, begins at home. We, who have personified all other things, turn out to be ourselves mere personifications. Man is indeed akin to the gods, that is, he is no less phantasmal than they. Just as the Dryad is a "ghost," an abbreviated symbol for certain verifiable facts about his behaviour: a symbol mistaken for a thing. And just as we have been broken of our bad habit of personifying tees, so we must now be broken of our habit of personifying men; a reform already effected in the political field. There never was a Subjective account into which we could transfer the items which the Subject had lost. There is no "consciousness" to contain, as images or private experiences, all the lost gods, colours, and concepts. Consciousness is "not the sort of noun that can be used that way."
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As a postmodern multicultural narrative, Avatar suffers the
condemnation of its own accusations. It’s attack on Western
civilization and elevation of primitivism through the journey of the
hero, is by its own multicultural standards, a “white savior” racist
myth. It reinforces imperialist notions of scientifically ignorant
primitives being saved from superior forces by a white man who is
anointed above them (remember Jake’s transfiguration?), condescends to
be one of them, and redeems them through his superior technological and
cultural transcendence. As one political writer concluded: “The ethnic
Na’vi, the film suggests, need the white man to save them because, as a
less developed race, they lack the intelligence and fortitude to
overcome their adversaries by themselves.”
How do we judge whether an action is morally right or wrong? If an action is wrong, what reason does that give us not to do it? Why should we give such reasons priority over our other concerns and values? In this book, T. M. Scanlon offers new answers to these questions, as they apply to the central part of morality that concerns what we owe to each other. According to his contractualist view, thinking about right and wrong is thinking about what we do in terms that could be justified to others and that they could not reasonably reject. He shows how the special authority of conclusions about right and wrong arises from the value of being related to others in this way, and he shows how familiar moral ideas such as fairness and responsibility can be understood through their role in this process of mutual justification and criticism. Scanlon bases his contractualism on a broader account of reasons, value, and individual well-being that challenges standard views about these crucial notions. He argues that desires do not provide us with reasons, that states of affairs are not the primary bearers of value, and that well-being is not as important for rational decision-making as it is commonly held to be. Scanlon is a pluralist about both moral and non-moral values. He argues that, taking this plurality of values into account, contractualism allows for most of the variability in moral requirements that relativists have claimed, while still accounting for the full force of our judgments of right and wrong. ~ Product Description
I am invited to ask the sufficient questions in regard to details but also in regard to the existence of man. I am invited to ask, the sufficient question and then believe him and bow before him metaphysically in knowing that I exist because he made man, and bow before him morally as needing his provision for me in the substitutionary, propitiatory death of Christ.
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Searle stridently rejects current physicalist orthodoxies in the philosophy of mind, but instead of considering dualism, he offers his own monistic solution, "biological naturalism." More than anything else, he argues, it is the neglect of consciousness that results in so much barrenness and sterility in psychology, the philosophy of mind, and cognitive science: there can be no study of mind that leaves out consciousness.
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Cambridge University Press is, of course, a very highly regarded imprint offering a multitude of seminal works in philosophy, science, etc. Many titles are now available as eBooks. In its own words: "This year C.U.P. celebrate 425 years of continuous publishing, a year that
also marks the 475th anniversary of King Henry VIII’s grant to
Cambridge University Press of ‘Letters Patent’ allowing us to print
‘all manner of books’. 2009 also sees the 800th anniversary of the
University of Cambridge, providing an occasion for us to join in
celebrating our respective foundations by commemorating the books,
people, ideas and achievements that have emerged from this shared
history and which continue to inspire and transform the world."
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This is a personal list of films begging to be autopsied, films with such a surfeit of philosophical grist that nothing less than peeling them back to the marrow would do them justice. You may consider it this mortician's to-do-list if I ever find the time and discipline to dedicate my best efforts to laying them bare.