Search Results for: papers/490937

Logical Operators

Go A logical operator joins two propositions to form a new, complex, proposition. (If you have not read about propositions, you should do so now. Follow the Next links until you return to this page.) The truth value of the new proposition is determined by the truth values of the two propositions being joined and by the operator that joins them.
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C.S. Lewis on Being Naked Before God

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In the twinkling of an eye, in a time too small to be measured, and in any place, all that seems to divide us from God can flee away, vanish, leaving us naked before Him, like the first man, like the only man, as if nothing but He and I existed. And since that contact cannot be avoided for long, and since it means either bliss or horror, the business of life is to learn to like it. That is the first and great commandment.

The Liberty Bell on Liberty

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Proclaim Liberty Throughout All the Land Unto All the Inhabitants thereof.

C.S. Lewis on Scrutinizing Christianity

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Others may protest that intellecutal discussion can neither build Christianity nor destroy it. They may feel that religion is too sacred to be thus bandied to and fro in public debate, too sacred to be talked of — almost, perhaps, too sacred for anything to be done with it at all. Clearly, the Christian members of the Society (Oxford Socratic Club) think differently. They know that intellectual assent is not faith, but they do not believe that religion is only ‘what a man does with his solitude’. Or if it is, then they care nothing for ‘religion’ and all for Christianity. Christianity is not merely what a man does with his solitude. It is not even what God does with His solitude. It tells of God descending into the coarse publicity of history and there enacting what can — and must — be talked about.

Albert Camus on the Suffering Child

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They had already seen children die — for many months now death had shown no favoritism — but they had never yet watched a child’s agony minute by minute, as they had now been doing since daybreak. Needless to say, the pain inflicted on these innocent victims had always seemed to them to be what in fact it was: an abominable thing. But hitherto they had felt its abomination in, so to speak, an abstract way; they had never had to witness over so long a period the death throes of an innocent child. In the small face, rigid as a mask of grayish clay, slowly the lips parted and from them rose a long, incessant scream, hardly varying with his respiration, and filling the ward with a fierce, indignant protest, so little childish that it seemed like a collective voice issuing from all the sufferers there. Paneloux gazed down at the small mouth, fouled with the sores of the plague and pouring out the angry death-cry that has sounded through the ages of mankind. He sank on his knees, and all present found it natural to hear him in a voice hoarse but clearly audible across that nameless, never ending wail: “My God, spare this child!” But the wail continued without cease.

C.S. Lewis on Ethics and Christianity

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Christianity claims to give an account of facts — to tell you what the real universe is like. Its account of the universe may be true, or it may not, and once the question is really before you, then your natural inquisitivenes must make you want to answer. If Christianity is untrue, then no honest man will want to believe it, however helpful it might be: if it is true, every honest man will want to believe it, even if it gives him no help at all. As soon as we have realized this, we realise something else. If Christianity should happen to be true, then it is quite impossible that those who know this truth and those who don’t should be equally well-equipped for leading a good life. Knowledge of the facts must make a difference to one’s actions.

William Henry Channing on the Crucifixion

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To view the crucifixion of Christ aright, as an objective fact of the world’s history, we should regard it as an act of the race, considered as an individual. Alas, for poor humanity! It had gone so far astray from its Creator, that it could not recognise Him even when He came to its every affection and faculty, in the human form of tenderest sympathy, of kindest, most patient instruction, of long suffering even unto death. The very light that was in it was darkness; for in the name of God it was, that it blasphemed and laid murderous hands on the perfect manifestation of the Divine in human life. Such was the crucifixion in the world’s history. And in the history of every individual, is there not precisely the same crucifixion of Christ? Is it not universal experience, that, by reason of the darkness that is in us while we are realising our own individuality, we reject, and misconceive, blaspheme, and attempt to destroy some principle which would lead us into life? He who is not conscious of some degree of this, has not lived to know himself.

C.S. Lewis on a Universe With No Exit

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There was one way in which the world, as … rationalism taught me to see it, gratified my wishes. It might be grim and deadly but at least it was free from the Christian God. Some people (not all) will find it hard to understand why this seemed to me such an overwhelming advantage… I was, as you may remember, one whose negative demands were more violent than his positive, far more eager to escape pain than to achieve happiness, and feeling it something of an outrage that I had been created without my own permission. To such a craven the materialist’s universe had the enormous attraction that it offered you limited liabilities. No strictly infinite disaster could overtake you in it. Death ended all. And if ever finite disaster proved greater than one wished to bear suicide would always be possible. The horror of the Christian universe was that it had no door marked Exit.

The Wisdom to Doubt

Go The Wisdom to Doubt is a major contribution to the contemporary literature on the epistemology of religious belief. Continuing the inquiry begun in his previous book, Prolegomena to a Philosophy of Religion, J. L. Schellenberg here argues that given our limitations and especially our immaturity as a species, there is no reasonable choice but to withhold judgment about the existence of an ultimate salvific reality. Schellenberg defends this conclusion against arguments from religious experience and naturalistic arguments that might seem to make either religious belief or religious disbelief preferable to his skeptical stance. In so doing, he canvasses virtually all of the important recent work on the epistemology of religion. Of particular interest is his call for at least skepticism about theism, the most common religious claim among philosophers. The Wisdom to Doubt expands the author's well-known hiddenness argument against theism and situates it within a larger atheistic argument, itself made to serve the purposes of his broader skeptical case. That case need not, on Schellenberg's view, lead to a dead end but rather functions as a gateway to important new insights about intellectual tasks and religious possibilities. ~ Product Description

The War of Art

Go Drawing on his many years' experience as a writer, Pressfield (The Legend of Bagger Vance) presents his first nonfiction work, which aims to inspire other writers, artists, musicians, or anyone else attempting to channel his or her creative energies. The focus is on combating resistance and living the destiny that Pressfield believes is gifted to each person by an all-powerful deity. While certainly of great value to frustrated writers struggling with writer's block, Pressfield's highly personal philosophy, soundly rooted in his own significant life challenges, has merit for anyone frustrated in fulfilling his or her life purpose. Successful photographer Ulrich (photography chair, Art Inst. of Boston; coeditor, The Visualization Manual) explores the creative impulse and presents an approach to developing creativity that, like Pressfield's, will be relevant to artists and others. He identifies and explains seven distinct stages of the creative process: discovery and encounter, passion and commitment, crisis and creative frustration, retreat and withdrawal, epiphany and insight, discipline and completion, and responsibility and release. He also develops his view of the three principles of the creative impulse, which include creative courage, being in the right place at the right time, and deepening connections with others. Rooted in Eastern philosophy, Ulrich's fully developed treatise nicely updates the solid works of Brewster Ghiselin (The Creative Process), Rollo May (The Courage To Create), and Julia Cameron (The Artist's Way). It also supplements Pressfield's inspirational thoughts on overcoming resistance through introspective questions and practical exercises that further elaborate the creative process. Both books are recommended for public libraries needing additional works on creativity. ~ Dale Farris