Nielsen (philosophy, U. of Calgary) presents a defense of naturalism as the most reasonable way to view humans place in the world. His naturalism is an atheistic and humanistic philosophy, but it is not a scientific or value-free one. He articulates a naturalistic explanation of the functions of religion and argues that truly understanding religion necessitates disbelief. He argues that a consistent atheism does not "rob life of its significance or make social and political commitment arbitrary." After explaining the theory he explains arguments for and against the theory as propounded by various other philosophers, most notably the work of Wittgenstein, which he believes to be the most serious philosophical challenge to secular naturalism. ~ Product Description
Although the arts have played a significant role in both world history and Christian history, the contemporary church has often shunned them in favor of a more intellectual approach to theology. Beholding the Glory argues the necessity of renewing an engagement between theology and the arts. Specifically focusing on the incarnation, the book shows how the arts have an indispensable role to play in disclosing God’s wisdom. With an introduction by the editor, the book consists of eight essays written by practicing artists (a sculptor, poet, dancer, and musician), theologians, and professors-all well-versed in the relationship between imagination and theology. Beholding the Glory demonstrates the indispensable role the arts play in disclosing God’s wisdom to us. Writing from different Christian traditions, practicing artists, theologians, and professors-all well-versed in the relationship between imagination and theology-focus on the incarnation and draw out a wealth of meaning in the belief that God entered our world as one of us.
How can art enhance and enrich the Christian faith? What is the basis for a relationship between the church and visual imagery? Can the art world and the Protestant church be reconciled? Is art idolatry and vanity, or can it be used to strengthen the church? Grounded in historical and biblical research, William Dyrness offers students and scholars an intriguing, substantive look into the relationship between the church and the world of art. Faith and art were not always discordant. According to Dyrness, Israel understood imagery and beauty as reflections of God’s perfect order; likewise, early Christians used art to teach and inspire. However, the Protestant church abandoned visual arts and imagery during the Reformation in favor of the written word and has only recently begun to reexamine art’s role in Christianity and worship. Dyrness affirms this renewal and argues that art, if reflecting the order and wholeness of the world God created, can and should play an important role in modern Christianity.
What if the most important word is the one in the middle? We often think of doubt as the opposite of faith, but could it actually strengthen our relationship with God? According to John Ortberg, best-selling author and pastor, the very nature of faith requires the presence of uncertainty. In this refreshingly candid look at a life of faith, he traces the line between belief and unbelief: less a dividing line between hostile camps than a razor’s edge that runs through every soul. His findings point us toward the relief of being totally honest. Questions can expand our understanding, uncertainty can lead to trust, and honest faith can produce outrageous hope. Written from Ortberg’s own struggle with faith and doubt, this book will challenge, comfort, and inspire you with the truth that God wants all of us — including our doubts.
The larger project of which this volume forms part is an attempt to craft a coherent doctrine of divine eternity and God’s relationship to time. Central to this project is the integration of the concerns of theology with the concept of time in relativity theory. Unfortunately, theologians and philosophers of religion do not in general understand Einstein’s theories, whereas physicists and philosophers of science, under the influence of verificationism, have largely focused philosophical reflection on spatiotemporal concepts given by physics. There is thus a paucity of integrative literature dealing with God and relativity theory. The collapse of positivism and the rejuvenation of metaphysics have led to a renewed scrutiny of the metaphysical foundations of relativity theory and the concept(s) time found therein. This volume provides an accessible and philosophically informed examination of the concept of time in relativity, the ultimate aim being the achievement of a tenable theological synthesis. ~ Product Description
This vital study offers a new interpretation of Hume’s famous “Of Miracles,” which notoriously argues against the possibility of miracles. By situating Hume’s popular argument in the context of the eighteenth-century debate on miracles, Earman shows Hume’s argument to be largely unoriginal and chiefly without merit where it is original. Yet Earman constructively conceives how progress can be made on the issues that Hume’s essay so provocatively posed about the ability of eyewitness testimony to establish the credibility of marvelous and miraculous events.
Craig and Moreland present a rigorous analysis and critique of the major varieties of contemporary philosophical naturalism and advocate that it should be abandoned in light of the serious difficulties raised against it. The contributors draw on a wide range of topics including: epistemology, philosophy of science, value theory to basic analytic ontology, philosophy of mind and agency, and natural theology. “This book provides a good introduction to work by some contemporary American theistic philosophers of religion. Moreover, it gives clear expression to the recent resurgence in polemical Christian philosophy of religion in American academic philosophy.” ~ Australian Journal of Philosophy
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The author retraces the reasoning of proponents of evolution from Darwin to the present to show what he sees as their empirically false, and frequently faked conclusions. He contends that these conclusions are presented to the public so many times and in so many ways that they become irrefutable "icons." The information conveyed by these icons is never questioned and is in fact promoted with tax dollars in many contexts. Wells is a postdoctoral biologist (with Ph.D.s from both Yale and the U. of California at Berkeley) who is currently affiliated with the Discovery Institute, Seattle, Washington) ~ Book News, Inc.
When confronted by horrendous evil, even the most pious believer may question not only life’s worth but also God’s power and goodness. A distinguished philosopher and a practicing minister, Marilyn McCord Adams has written a highly original work on a fundamental dilemma of Christian thought — how to reconcile faith in God with the evils that afflict human beings. Adams argues that much of the discussion in analytic philosophy of religion over the last forty years has offered too narrow an understanding of the problem. The ground rules accepted for the discussion have usually led philosophers to avert their gaze from the worst “horrendous” evils and their devastating impact on human lives. They have agreed to debate the issue on the basis of religion-neutral values, and have focused on morals, an approach that — Adams claims — is inadequate for formulating and solving the problem of horrendous evils. She emphasizes instead the fruitfulness of other evaluative categories such as purity and defilement, honor and shame, and aesthetics. If redirected, philosophical reflection on evil can, Adams’s book demonstrates, provide a valuable approach not only to theories of God and evil but also to pastoral care. ~ Publisher’s Description
Barron’s mission is much the same as John Drury’s in Painting the Word: to open a window on the symbolism of Christian art. Whereas Drury aimed to enrich appreciation of paintings, Barron unveils the symbolism of those triumphs of the art of Christendom, the Gothic cathedrals. Exemplifying primarily from Notre-Dame de Paris and Chartres, he discusses 14 features of a cathedral, including space, light, and orientation (e.g., the verticality of every major line in the building), as well as tangible features, such as the rose windows and the labyrinth on the floor at Chartres. Besides what a feature symbolizes — for instance, the cathedral’s interior space represents the womb of Our Lady, a place of safety and comfort — Barron explains the doctrinal rationale and implications of the feature’s significance. He does the latter so literately and congenially that the little book makes fine devotional as well as informational reading. ~ Ray Olson
