Steven Pinker on the Soul
The supposedly immaterial soul, we now know, can be bisected with a knife, altered by chemicals, started or stopped by electricity, and extinguished by a sharp blow or by insufficent oxygen.
The supposedly immaterial soul, we now know, can be bisected with a knife, altered by chemicals, started or stopped by electricity, and extinguished by a sharp blow or by insufficent oxygen.
You came to this book assuming that the basic units of human cognition are states such as thoughts, beliefs, perceptions, desires, and preferences. That assumption is natural enough: it is built into the vocabulary of every natural language. And each state is typically identified by way of a specific sentence in one’s natural language: one has the belief that P, or the desire that Q, for example, where P and Q are sentences. Human cognition is thus commonsensically portrayed as a dance of sentential or propositional states, with the basic unit of computation being the inference from several such states to some further sentential state. ¶ These assumptions are central elements in our standard conception of human cognitive activity, a conception often called “folk psychology” to acknowledge it as the common property of folks generally. Their universality notwithstanding, these bedrock assumptions are probably mistaken.
We can never assert that, in principle, an event resists naturalistic explanation. A perfectly substantiated, anomalous event, rather than providing evidence for the supernatural, merely calls into question our understanding of particular natural laws. In the modern era, this position fairly accurately represents the educated response to novelty. Rather than invoke the supernatural, we can always adjust our knowledge of the natural in extreme cases. In the modern age in actual inquiry, we never reach the point where we throw up our hands and appeal to divine intervention to explain a localized event like an extraordinary experience.
Is not the desire of the everlasting hills that they be saved from their everlastingness, that something new happen, that the everlasting cycle of human cruelty, of man’s inhumanity to man, be brought to an end?
Crucifixion demands entombment. And entombment generates drama. Who is hiding in the cupboard of French farce? Who is behind the screen on Blind Date? What is the bran tub, or the cracker, or the long awaited letter when it drops in the letter-box? Open the box! The drama of entombment is there literally in the stage illusionist’s repertoire. It might have died with Harry Houdini, but it hasn’t. I saw it only the other day on television: the comedian Freddie Star, bound and shackled and then submerged in a fish tank. Curtains drawn round the tank. Lights dimmed. A roll of drums, the lights flash, and then the lights go up and the curtains are drawn back to discover… an empty fish tank. And a few minutes later, Freddie is discovered somewhere else, damp but unharmed and smiling, the Starr reborn. … I come back to death, ‘nothing more terrible, nothing more true’. We go to Shakespeare’s tragedies, go to sit in the dark in our boxes at the theatre, to confront what ‘we can’t escape’. And Shakespeare shows us the mutilated bodies in a stage spectacle. And he portrays death as final, ‘the sure extinction that we travel to and shall be lost in always’. But the ritual of theatre-going won’t allow it to rest there. We are obliged to remain incarcerated while another stage-spectacle is enacted, the resurrection before our eyes of the actors who are dead. The curtain call. It is a cheat. Like death. Something I know I can’t escape, yet can’t accept. Tirez le rideau.
But who, in that case, can be watching this pixilated show? The answer is straightforward: no one. There is no distinct "self" in there, beyond the brain as a whole. On the other hand, almost every part of the brain is being "watched" by some other part of the brain, often by several other parts at once.
Despite the occasional references to natural law and science both here and in the final chapter which might suggest otherwise, I intend my use of “natural” to entail (1) no commitments to a physicalistic ontology; (2) no valorization of the specific methods, vocabularies, presuppositions, or conclusions peculiar to natural science; (3) no view about the reducibility of the mental to the physical; (4) no position on the ontological status of logic or mathematics; and (5) no denial of the possibility of moral knowledge. Beliefs, values, and logical truths, for example, count as natural and folk psychological explanations, therefore, are natural explanations. The concept of the natural, in the sense I use it, has virtually no content except as the definitional correlative to the supernatural, taken here as a transcendent order of reality (and causation) distinct from the mundane order presupposed alike by the natural scientist and the rest of us in our quotidian affairs.
Originally published in 1979, The Darwinian Revolution was the first comprehensive and readable synthesis of the history of evolutionary thought. Though the years since have seen an enormous flowering of research on Darwin and other nineteenth-century scientists concerned with evolution, as well as the larger social and cultural responses to their work, The Darwinian Revolution remains remarkably current and stimulating. For this edition Michael Ruse has written a new afterword that takes into account the research published since his book’s first appearance. "It is difficult to believe that yet another book on Darwin and the Darwinian Revolution could add anything new or contain any surprises. Ruse’s book is an exception on all counts. Darwin scholars and the general reader alike can learn from it." ~ David L. Hull, Nature
Ancients and moderns alike have constructed arguments and assessed theories on the basis of common sense and intuitive judgments. Yet, despite the important role intuitions play in philosophy, there has been little reflection on fundamental questions concerning the sort of data intuitions provide, how they are supposed to lead us to the truth, and why we should treat them as important. In addition, recent psychological research seems to pose serious challenges to traditional intuition-driven philosophical inquiry. Rethinking Intuition brings together a distinguished group of philosophers and psychologists to discuss these important issues. Students and scholars in both fields will find this book to be of great value. ~ Book Description
The last thirty years have witnessed a major revival in the philosophical, theological, scientific, and popular literature of the traditional design argument for theism. Probably the most convincing and widely discussed of these arguments is based on the so-called “fine-tuning” of the cosmos, which refers the fact that the parameters of physics and the initial conditions of the universe are balanced on a razor’s edge for life to occur. For example, calculations by Brandon Carter indicate that if the force of gravity had been stronger or weaker by one part in 1040, then life-sustaining stars could not exist (Davies, 1984, p. 242); similarly, calculations indicate that if the strong nuclear force, the force that binds protons and neutrons together in an atom, had been stronger or weaker by as little as 5%, life would be impossible. ( Barrow and Tipler, p. 322.) As the eminent Princeton physicist Freeman Dyson notes, “There are many . . . lucky accidents in physics. Without such accidents, water could not exist as liquid, chains of carbon atoms could not form complex organic molecules, and hydrogen atoms could not form breakable bridges between molecules” (1979, p. 251) — in short, life as we know it would be impossible.