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Dr. Trevor on the Certain Mind

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But in double-truth as in most other forms of mental eccentricity we must take some notice of ‘the personal equation,’ by which I mean the special differences and idiosyncrasies that exist between one man and another in respect of intellectual conformation. There are intellects, e.g. so intensely, I might say morbidly, synthetic, that they insist on acquiring demonstrated certitude at whatever cost. This type of mind must needs set itself to evolve unity from multiplicity, harmony from dissonance, light from a juxtaposition of shadows, without considering how far its self-imposed task is feasible or how far it is in agreement with the constitution of the universe. In the determination to acquire undoubted conviction, no labour is spared and no expense regarded. Subordinate convictions are ruthlessly thrust aside, objections are ignored, disingenuous methods resorted to, in order to obtain and definitively pronounce on certitude… [Dr. Newman’s] processes are irregular, inconsistent, self-contradictory, of impossible application to any other subject than that of mystical dogmatism. His conclusions, on the other hand, are brilliantly clear, vivid, unmistakable. His mental evolution stands forth like a mountain whose summit is lit up by a warm glow of sunshine, while the sides and base are enshrouded in darkness. Minds of this class appear to me dominated by a sort of religious or spiritual ambition which is just as selfish, audacious, unscrupulous, and unpitying as any other kind of ambition. A man who overturns all reasoning processes, who makes a chaos of human methods, who stultifies the lessons of history for the purpose of boasting a light which to his neighbours is only a deceptive ignis fatuus, is not unlike Napoleon, who forced his way through cruelty and bloodshed to attain a crown. Such men forget that the infallibility, the unity, and harmony they have achieved so recklessly suggest to the more cautious spectator division and dissonance. They forget that their shield has two sides, and if certainty is emblazoned on one, doubt is conspicuously legible on the other, and that the real Skepticism of their methods, the profound distrust of human reason which marks them, is only dimly veiled by the vaunted infallibility of their conclusions.

Fyodor Dostoevsky (as Ivan) on Justice and Forgiveness

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There was in those days a general of aristocratic connections, the owner of great estates, one of those men — somewhat exceptional, I believe, even then — who, retiring from the service into a life of leisure, are convinced that they’ve earned absolute power over the lives of their subjects. There were such men then. So our general, settled on his property of two thousand souls, lives in pomp, and domineers over his poor neighbours as though they were dependents and buffoons. He has kennels of hundreds of hounds and nearly a hundred dog-boys — all mounted, and in uniform. One day a serf-boy, a little child of eight, threw a stone in play and hurt the paw of the general’s favourite hound. ‘Why is my favourite dog lame?’ He is told that the boy threw a stone that hurt the dog’s paw. ‘So you did it.’ The general looked the child up and down. ‘Take him.’ He was taken — taken from his mother and kept shut up all night. Early that morning the general comes out on horseback, with the hounds, his dependents, dog-boys, and huntsmen, all mounted around him in full hunting parade. The servants are summoned for their edification, and in front of them all stands the mother of the child. The child is brought from the lock-up. It’s a gloomy, cold, foggy, autumn day, a capital day for hunting. The general orders the child to be undressed; the child is stripped naked. He shivers, numb with terror, not daring to cry…. ‘Make him run,’ commands the general. ‘Run! run!’ shout the dog-boys. The boy runs…. ‘At him!’ yells the general, and he sets the whole pack of hounds on the child. The hounds catch him, and tear him to pieces before his mother’s eyes!… I believe the general was afterwards declared incapable of administering his estates. Well — what did he deserve? To be shot? To be shot for the satisfaction of our moral feelings? Speak, Alyosha!

Vincent van Gogh on Love

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I think that everything which is really good and beautiful — of inner moral, spiritual and sublime beauty in men and their works — comes from God, and that which is bad and wrong in men and in their works is not of God, and God does not approve of it. But I always think that the best way to know God is to love many things. Love a friend, a wife, something — whatever you like — you will be on the way to knowing more about Him.

Vincent van Gogh on Marrying To Protect

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Last winter I met a pregnant woman [Sien], deserted by the man whose child she carried. A pregnant woman who had to walk the streets in winter, had to earn her bread, you understand how. I took this woman for a model, and have worked with her all winter. I could not pay her the full wages of a model, but that did not prevent my paying her rent, and thank God, so far I have been able to protect her and her child from hunger and cold by sharing my own bread with her. It seems to me that every man worth a straw would have done the same in such a case. What I did was so simple and natural that I thought I could keep it to myself. Posing was very difficult for her, but she has learned; I have made progress in my drawing because I had a good model. The woman is now attached to me like a tame dove. For my part, I can only marry once, and how can I do better than marry her? It is the only way to help her; otherwise misery would force her back into her old ways which end in a precipice.

Fyodor Dostoevsky (as Ivan Karamazov) on Creative Evil

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A Bulgarian I met lately in Moscow,” Ivan went on, seeming not to hear his brother’s words, “told me about the crimes committed by Turks and Circassians in all parts of Bulgaria through fear of a general rising of the Slavs. They burn villages, murder, outrage women and children, they nail their prisoners by the ears to the fences, leave them so till morning, and in the morning they hang them — all sorts of things you can’t imagine. People talk sometimes of bestial cruelty, but that’s a great injustice and insult to the beasts; a beast can never be so cruel as a man, so artistically cruel. The tiger only tears and gnaws, that’s all he can do. He would never think of nailing people by the ears, even if he were able to do it. These Turks took a pleasure in torturing children, too; cutting the unborn child from the mother’s womb, and tossing babies up in the air and catching them on the points of their bayonets before their mother’s eyes. Doing it before the mother’s eyes was what gave zest to the amusement. Here is another scene that I thought very interesting. Imagine a trembling mother with her baby in her arms, a circle of invading Turks around her. They’ve planned a diversion; they pet the baby, laugh to make it laugh. They succeed, the baby laughs. At that moment a Turk points a pistol four inches from the baby’s face. The baby laughs with glee, holds out his little hand to the pistol, and he pulls the trigger in the baby’s face and blows out its brains. Artistic, wasn’t it? By the way, Turks are particularly fond of sweet things they say.

Fyodor Dostoevsky (as Ivan) on Evil Undone

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It’s not that I don’t accept God, you must understand, it’s the world created by Him I don’t and cannot accept. Let me make it plain. I believe like a child that suffering will be healed and made up for, that all the humiliating absurdity of human contradictions will vanish like a pitiful mirage, like the despicable fabrication of the impotent and infinitely small Euclidian mind of man, that in the world’s finale, at the moment of eternal harmony, something so precious will come to pass that it will suffice for all hearts, for the comforting of all resentments, for the atonement of all the crimes of humanity, of all the blood they’ve shed; that it will make it not only posible to forgive but to justify all that has happened with men — but though all that may come to pass, I don’t accept it. I won’t accept it.

Michael Ferrebee Sadler on The Word

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In the beginning was the Word, and the Word was with God, and the Word was God." "All things were made by Him." "The Word was made flesh." Now what is a word or λδγος? As understood by St. John and the men of his time, it is thought embodied in language. It is that which is in us set forth in that medium of articulates sounds which God has given to us, in order that we may make our very selves known to our fellows. The most true and fitting words give us the most exact conception of the heart and soul of him whose words they are; and so the Personal and Eternal Word is the setting forth, so to speak, of the hidden intellect, love, and goodness of God, so that His creatures may be able to apprehend Him, Whom neither man nor angel hath seen or can see. So that the Word, being perfect, is the perfect utterance, or showing forth, or manifestation of all that is in God.

Michael Ferrebee Sadler on Incarnation and Humility

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If the Incarnation of the Eternal Son, as it is set forth in the Scriptures, be a truth of God — if the Divine Person Who had glory with the Father, having taken upon Him the nature of His creature, really condescended to go through the humiliation and pain and distress which is written of Him, it stands to reason that the loving humility and abnegation of self displayed in such endurance, must be the chief feature in the character of the God-man, which we must in our degree possess, if, in the words of the Holy Ghost, Christ is to be " formed in us."

Vincent van Gogh on Jesus

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Jesus Christ is the Master who can comfort and Strengthen a man, a laborer and working man whose life is hard — because he is the Great Man of Sorrows who knows our ills, who was called a carpenter’s son, though he was the Son of God, who worked for thirty years, in a carpenter’s shop to fulfill God’s will. And God wills that in imitation of Christ man should live humble and go through life not reaching for the sky, but adapting himself to the earth below, learning from the Gospel to be meek and simple of heart.

W.K. Clifford on Insufficient Evidence

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We may believe what goes beyond our experience, only when it is inferred from that experience by the assumption that what we do not know is like what we know. ¶ We may believe the statement of another person, when there is a reasonable ground for supposing that he knows the matter of which he speaks, and that he is speaking the truth so far as he knows it. ¶ It is wrong in all cases to believe on insufficient evidence; and where it is presumption to doubt and to investigate, there it is worse than presumption to believe.