This volume brings together for the first time more than two dozen of Daphne PataiOs incisive and at times satirical essays dealing with the academic and intellectual orthodoxies of our time. Patai draws on her years of experience in an increasingly bizarre academic world, where a stifling politicization threatens genuine teaching and learning. Addressing the rise of feminist dogma, the domination of politics over knowledge, the shoddy thinking and moralizing that hide behind identity politics, and the degradation of scholarship, her essays offer a resounding defense of liberal values. Patai takes aim at the unctuous and also dangerous posturing that has brought us restrictive speech codes, harassment policies, and a vigilante atmosphere, while suppressing plain speaking about crucial issues. But these trenchant essays are not limited to academic life, for the ideas and practices popularized there have spread far beyond campus borders. Included are two new pieces written especially for this volume, one on the
From the beginning it has been commonplace to present the theory of evolution by random mutation and natural selection as an alternative to intentional design as an explanation of the functional organization of living organisms. The evidence for the theory is supposed to be evidence for the absence of purpose in the causation of the development of life-forms on this planet. It is not just the theory that life evolved over billions of years, and that all species are descended from a common ancestor. Its defining element is the claim that all this happened as the result of the appearance of random and purposeless mutations in the genetic material followed by natural selection due to the resulting heritable variations in reproductive fitness. It displaces design by proposing an alternative. ¶ No one suggests that the theory is not science, even though the historical process it describes cannot be directly observed, but must be inferred from currently available data. It is therefore puzzling that the denial of this inference, i.e., the claim that the evidence offered for the theory does not support the kind of explanation it proposes, and that the purposive alternative has not been displaced, should be dismissed as not science. The contention seems to be that, although science can demonstrate the falsehood of the design hypothesis, no evidence against that demonstration can be regarded as scientific support for the hypothesis. Only the falsehood, and not the truth, of ID can count as a scientific claim. Something about the nature of the conclusion, that it involves the purposes of a supernatural being, rules it out as science.
The political urge to defend science education against the threats of religious orthodoxy, understandable though it is, has resulted in a counterorthodoxy, supported by bad arguments, and a tendency to overstate the legitimate scientific claims of evolutionary theory. Skeptics about the theory are seen as so dangerous, and so disreputably motivated, that they must be denied any shred of legitimate interest. Most importantly, the campaign of the scientific establishment to rule out intelligent design as beyond discussion because it is not science results in the avoidance of significant questions about the relation between evolutionary theory and religious belief, questions that must be faced in order to understand the theory and evaluate the scientific evidence for it.
Three questions motivate this book’s account of evidence for the existence of God. First, if God’s existence is hidden, why suppose He exists at all? Second, if God exists, why is He hidden, particularly if God seeks to communicate with people? Third, what are the implications of divine hiddenness for philosophy, theology, and religion’s supposed knowledge of God? This book answers these questions on the basis of a new account of evidence and knowledge of divine reality that challenges skepticism about God’s existence. The central thesis is that we should expect evidence of divine reality to be purposively available to humans, that is, available only in a manner suitable to divine purposes in self-revelation. This lesson generates a seismic shift in our understanding of evidence and knowledge of divine reality. The result is a needed reorienting of religious epistemology to accommodate the character and purposes of an authoritative, perfectly loving God. An interview with Moser is available on the Evangelical Philosophical Society blog.
Militant atheism is on the rise. Richard Dawkins, Sam Harris, Daniel Dennett, and Christopher Hitchens have dominated bestseller lists with books denigrating religious belief as dangerous foolishness. And these authors are merely the leading edge of a far larger movement – one that now includes much of the scientific community. “The attack on traditional religious thought,” writes David Berlinski in The Devil’s Delusion, “marks the consolidation in our time of science as the single system of belief in which rational men and women might place their faith, and if not their faith, then certainly their devotion.” A secular Jew, Berlinski nonetheless delivers a biting defense of religious thought. An acclaimed author who has spent his career writing about mathematics and the sciences, he turns the scientific community’s cherished skepticism back on itself, daring to ask and answer some rather embarrassing questions. ~ Product Description
What did C. S. Lewis think about truth, goodness and beauty? Fifteen essays explore three major philosophical themes from the writings of Lewis: Truth, Goodness and Beauty. This volume provides a comprehensive overview of Lewis’s philosophical reflections on arguments for Christianity, the character of God, theodicy, moral goodness, heaven and hell, a theory of literature, and the place of the imagination. Contributors include Victor Reppert, Dave Horner, Peter Kreeft, Russell Howell, and Michael Peterson. “There are three things that will never die: truth, goodness, and beauty. These are the three things we all need, and need absolutely. Our minds want not only some truth and some falsehood, but all truth, without limit. Our wills want not only some good and some evil, but all good, without limit. Our desires, imaginations, feelings or hearts want not just some beauty and some ugliness, but all beauty, without limit.” ~ Peter Kreeft, chp. 1
Restating what all people intuit and what this means in moral, specifically bioethical, discourse is the raison d’être for this volume. J. Daryl Charles argues that a traditional metaphysics of natural law lies at the heart of the present reconstructive project, and that a revival in natural-law thinking is of the highest priority for the Christian community as we contend in, rather than abdicate, the public square. Nowhere is this more on display than in the realm of bioethics, where the most basic moral questions — human personhood, human rights versus responsibilities, the reality of moral evil, the basis of civil society — are being debated. With his timely application of natural-law thinking to the field of bioethics, Charles seeks to breathe new life back into this key debate. ~ Product Description
In this engaging narrative, James Choung weaves a tale of a search for a Christianity worth believing in. Disillusioned believer Caleb and hostile skeptic Anna wrestle with the plausibility of the Christian story in a world of pain and suffering. They ask each other tough questions about what Jesus really came to do and what Christianity is supposed to be about. Along the way, they have some surprising realizations that real Christianity is far bigger than anything they ever heard in church. And the conversion that comes is not one that either of them expects. Join Caleb and Anna on their spiritual journeys as they probe Christianity from inside and out. Get past the old cliches and simplistic formulas. And discover a new way of understanding and presenting the Christian faith that really matters in a broken world. ~ Product Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ’s execution is the symbol of God’s victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God’s wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression — sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption inempirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
And what a beautiful mess this is ¶ It’s like picking up trash in dresses ¶ Through timeless words, and priceless pictures ¶ We’ll fly like birds, not of this earth ¶ And times they turn, and hearts disfigure ¶ But that’s no concern when we’re wounded together ¶ And we tore our dresses, and stained our shirts ¶ But it’s nice today, oh the wait was so worth it.