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The Boob Tube for Brooders
Recently a number of philosophically arresting moments have managed to insert themselves into the television landscape. True to form, Ronald D. Moore and company continue to address contemporary political, philosophical, and religious questions in the alternate world of Caprica, territory he brilliantly charted in his groundbreaking Battlestar Galactica. If the pilot is any indication, Caprica promises to explore even more pointedly themes of religious and ethnic tolerance, terrorism, technology, and the nature of the soul. ABC’s FlashForward, clearly aimed at continuing the legacy of Lost and retaining its audience, has somewhat disappointed so far, but has nonetheless woven several provocative existential questions into its narrative, including one powerful Sartrean moment in particular. On the comedic front, NBC’s Community had the temerity to devote an episode to whether humanity is intrinsically good or evil, and did so superbly. I’ll admit to being prone to vegging in front of the tube even when the viewing is less cerebral, but a couple of these moments had me off the couch cheering for the writers.
The Adjustment Bureau
Into the ever-expanding catalog1 of films predicated on our anxiety about the extent of our free will, enter The Adjustment Bureau, perhaps the most cerebral and ambivalent of the lot. The film envisions a world in which human action is directed, though not quite determined, by a confluence of chance, free will, and the nearly ubiquitous superintendency of “The Chairman”, a quasi-religious, mysterious power that influences human actions through the intervention of a minion of “clerks” who alter circumstances (and occasionally thought patterns) in order to keep the course of human events in line with “The Plan”. This is not, as some have supposed, a film about human pawns and a grandmaster who determines their fate. Rather, The Adjustment Bureau explores how the course of human events might be guided or “nudged” by such a master when the chess pieces themselves are free agents pursuing their own ends. As it turns out, this decidedly more difficult endeavor requires constant “caretaking” or “meddling”. The film itself remains surprisingly ambivalent toward this state of affairs and offers a provocative and nuanced picture of human agency, of our wills as simultaneously malleable and free. Indeed, the various kinds of interventions in The Adjustment Bureau provide a backdrop for considering just what should and should not be considered a violation of the will. Finally, though it wisely avoids any explicit religious references, the film portrays a world that bears a striking resemblance to a particular theological proposal regarding the relationship between God’s sovereignty and human free will, namely open theism.
Roger Penrose On The Grand Design
With all the hand-wringing about whether Stephen Hawking’s The Grand Design changes anything — whether “philosophy is dead” and whether M-theory promises to explain the appearance of our universe in strictly physical terms — Sir Roger Penrose speaks. Because of his stature and relationship to Hawking, he is one of the most interesting commentators, and he is none too impressed. On the September 25th broadcast of Unbelievable?, Alister McGrath is carrying on in his exceedingly unctuous way when, with wonderful British politeness, Penrose interrupts: “I think it’s actually stronger than that. What is referred to as M-theory isn’t even a theory. It’s a collection of ideas, hopes, aspirations. … I think the book is a bit misleading in that respect. It gives you the impression that here is this new theory which is going to explain everything. It’s nothing of the sort. … I think the book suffers rather more strongly than many. It’s not an uncommon thing in popular descriptions of science to latch on to some idea, particularly things to do with string theory, which have absolutely no support from observation. They’re just nice ideas that people have tried to explore.”
Our Inescapable Pluralism
The Decade of Atheism?
Radio talk show host Hugh Hewitt concluded 2009 by broadcasting a debate about God between polemicists Michael Shermer and Gregory Koukl, thereby bidding adieu to what he called “The Decade of the New Atheists”. It was indeed a remarkable cultural phenomenon how four atheologians in particular rose to prominence by selling scads of books: Sam Harris with The End of Faith (2004), Christopher Hitchens with god is not Great (2007), Daniel Dennet with Breaking the Spell (2006), and, of course, Richard Dawkins with The God Delusion (2006). But just as noteworthy, perhaps, is the cavalcade of able critics who rose to these challenges to Christian theism. As with the cottage industry of criticism that accompanied Dan Brown’s and then Ron Howard’s The Davinci Code, these broadsides served as provocation for countless apologists. Of course, none of them were remotely as successful as their atheistic rivals in terms of sales. One wonders whether they will slip into oblivion just as Hume survives in philosophy readers, while most of his contemporaneous critics do not. Whatever happens, the swift and mostly scholarly response to this one decade’s worth of the perennial barrage on Christian theism leaves it an open question whether, in the final analysis, it was the atheists or their counterparts who owned the aughts. Consider the following list an opportunity to judge this contest of ideas for yourself.
The Captain of My Soul
Central to the plot of Clint Eastwood’s Invictus is William Ernest Henley’s short poem of the same name. Though the role of the poem suffers some historical revisionism in the film, its role in the life of Nelson Mandela is worth consideration. The film recounts the remarkable story of Mandela’s efforts at national reconciliation through his embrace of the South African rugby team, which at the time remained a symbol of Apartheid’s ethnic segregation. In 1996, when I returned for the first time to South Africa, my childhood home, some old friends shared with me how meaningful it was when Mandela appeared at Ellis Park donning the Springbok green and gold. I’m gratified that this remarkable story of reconciliation has made it to the screen, especially while Morgan Freeman is still with us. He was born to play Mandela. During Mandela’s long internment on Robben Island, Henley’s poem adorned a wall of his cell, a constant reminder that though his freedom had been taken from him, he remained “the captain of his soul“. The words of this poem, and their significance to Mandela, underscore a central point of contention in the debate about human free will. It seems to me that one problem with some arguments for compatibilism, the idea that determinism and human responsibility are compatible, is the conflating of freedom and free will. Mandela’s story is a powerful reminder that there is freedom beyond freedom. That is, it matters whether we are captains or merely observers of our souls.
Calling upon Henley’s poem as a powerful expression of our sense of having free will, here I consider one particular line of argument: that to be free in the sense relevant to moral responsibility is just to be free from external constraint. This view, classical compatibilism, continues to assert itself in spite of so obviously missing the target.1
How to Criticize Religion
Christopher Hitchens’ god is not Great is an expression of the profoundest moral outrage at the transgressions of religious people. As such, Hitchens follows in a long and honorable tradition. Indeed, in his life and teaching, Jesus also was a consummate critic of corrupted religion. In particular, it was the religious authorities of his time and place — the pharisees — that he most roundly denounced. His criticisms were many, but included charges of hypocrisy, pride, legalism, and unkindness. Like Hitchens, a consistent theme in Jesus’ criticism is how inhumane their religious strictures had become. For example, in one of a number of confrontations over Sabbath observance, Jesus reminds the pharisees that the Sabbath was instituted for the sake of humankind, not vice-versa. Furthermore, the letters of early church leaders follow Jesus’ precedent in confronting the failings of his earliest followers. And they all stood in a long line of prophetic voices that, according to the biblical record, were called by God to correct the recurring degeneration of Hebrew, and then Christian, religion. Finally, today you can browse the bookshelves of any Christian bookstore to find volume after volume lamenting this or that shortcoming of the Church. Clearly religion can be corrupt, even poisonous, and it is hardly exempt from criticism. But though Hitchens is in good company in his indictment of religious transgressions, god is not Great is something of a missed opportunity. Because his rhetoric evinces such a profound contempt for people of faith, Hitchens fails to speak persuasively to the very people he thinks need saving. If intended merely as a call to arms for his compatriots, god is not Great is a tour de force. But if he hopes to deconvert the converted, to liberate those captive to religion, another course is needed. If that is the aim, here’s how to criticize religion.
Slothful Induction and Ad Hoc Escapism
One Less God
An increasingly popular rhetorical meme in debates about God, it seems, is the idea that the theist is really on the same trajectory as the atheist. After all, the theist has also rejected every god, save one. It was perhaps Stephen Henry Roberts who revived this charge: “I contend that we are both atheists. I just believe in one fewer god than you do. When you understand why you dismiss all the other possible gods, you will understand why I dismiss yours.” Richard Dawkins echoes: “We are all atheists about most of the gods that humanity has believed in. Some of us just go one god further.” Or, in Christopher Hitchens’ words: “Everyone in this room is an atheist. Everyone can name a god in which they do not believe.” Interestingly, the charge dates back to at least AD 155, when devotees of the Roman pantheon of gods leveled a similar accusation. At the trial of Polycarp, the Martyrdom of Polycarp records that the crowd yelled: “This is the teacher of atheism, the father of the Christians, the enemy of our gods, who teaches so many to turn from the worship of the gods and not to sacrifice.”1