Francis J. Beckwith, Gregory Koukl (Baker Books: Sep 1, 1998)
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When you keep in mind the purpose of this book — a practical guide to arm Moral Objectivists against three types of Moral Relativism (cultural/descriptive, socially prescriptive, and individual/ethical relativism) — it does a pretty good job. Not everyone does Philosophy, yet who doesn't encounter relativist arguments in almost every facet of life. Dealing mainly with Moral Relativism (only touching on Epistemological and Ontological Relativism), Beckwith and Koukl's book helps to make sense of what's really at issue, using concrete examples and crisp refutations. ~ Arthur Williamson
Alan M. Dershowitz (Warner: Mar 1, 2000), 288 pages.
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Dershowitz turns to 10 stories from Genesis to demonstrate how the Bible provides a basis for contemporary ideas about justice and injustice. The narratives deal with Adam and Eve, Cain and Abel, Abraham, Lot, Jacob, Dina, Tamar and Joseph. Dershowitz includes a translation of each story, recounts some theological commentaries and offers his own interpretations. He acknowledges the failings of the biblical characters, pointing out that they were guilty of deception, lust, crime, incest, revenge and murder. Their problematic actions highlighted the need for the laws that appear later in the Torah, starting with Exodus and the Ten Commandments. The book concludes with four chapters on "The Genesis of Justice in the Injustice of Genesis." Dershowitz argues that the "bad actions" depicted in Genesis gave rise to the "common law of justice." He addresses the question of theodicy, claiming that the belief in the hereafter solves the problem of why evil exists on earth. Finally, he asserts that the stories he has examined explain the need for judicial codes. The book makes an important contribution by clearly validating this claim, although Dershowitz disregards the stories' significance as a basis for moral and ethical development. ~ Publishers Weekly
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The Revealer is a daily review of religion in the news and the news about religion. We're not so much nonpartisan as polypartisan — interested in all sides, disdainful of dualistic arguments, and enamored of free speech as a first principle. We publish and link to work by people of all persuasions, religious, political, sexual, and critical. The Revealer was conceived by Jay Rosen of New York University's Department of Journalism, and created by journalist Jeff Sharlet and staff. We begin with three basic premises: 1. Belief matters, whether or not you believe. Politics, pop culture, high art, NASCAR — everything in this world is infused with concerns about the next. As journalists, as scholars, and as ordinary folks, we cannot afford to ignore the role of religious belief in shaping our lives. 2. The press all too frequently fails to acknowledge religion, categorizing it as either innocuous spirituality or dangerous fanaticism, when more often it's both and inbetween and just plain other. 3. We deserve and need better coverage of religion: sharper thinking; deeper history; thicker description; basic theology; real storytelling.
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The Wisdom to Doubt is a major contribution to the contemporary literature on the epistemology of religious belief. Continuing the inquiry begun in his previous book, Prolegomena to a Philosophy of
Religion, J. L. Schellenberg here argues that given our limitations and especially our immaturity as a species, there is no reasonable choice but to withhold judgment about the existence of an ultimate salvific reality. Schellenberg defends this conclusion against arguments from religious experience and naturalistic arguments that might seem to make either religious belief or religious disbelief preferable to his skeptical stance. In so doing, he canvasses virtually all of the important recent work on the epistemology of religion. Of particular interest is his call for at least skepticism about theism, the most common religious claim among philosophers. The Wisdom to Doubt expands the author's well-known hiddenness argument against theism and situates it within a larger atheistic argument, itself made to serve the purposes of his broader skeptical case. That case need not, on Schellenberg's view, lead to a dead end but rather functions as a gateway to important new insights
about intellectual tasks and religious possibilities. ~ Product Description
Steven Pressfield (Grand Central: Apr 1, 2003), 192 pages.
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Drawing on his many years' experience as a writer, Pressfield (The Legend of Bagger Vance) presents his first nonfiction work, which aims to inspire other writers, artists, musicians, or anyone else attempting to channel his or her creative energies. The focus is on combating resistance and living the destiny that Pressfield believes is gifted to each person by an all-powerful deity. While certainly of great value to frustrated writers struggling with writer's block, Pressfield's highly personal philosophy, soundly rooted in his own significant life challenges, has merit for anyone frustrated in fulfilling his or her life purpose. Successful photographer Ulrich (photography chair, Art Inst. of Boston; coeditor, The Visualization Manual) explores the creative impulse and presents an approach to developing creativity that, like Pressfield's, will be relevant to artists and others. He identifies and explains seven distinct stages of the creative process: discovery and encounter, passion and commitment, crisis and creative frustration, retreat and withdrawal, epiphany and insight, discipline and completion, and responsibility and release. He also develops his view of the three principles of the creative impulse, which include creative courage, being in the right place at the right time, and deepening connections with others. Rooted in Eastern philosophy, Ulrich's fully developed treatise nicely updates the solid works of Brewster Ghiselin (The Creative Process), Rollo May (The Courage To Create), and Julia Cameron (The Artist's Way). It also supplements Pressfield's inspirational thoughts on overcoming resistance through introspective questions and practical exercises that further elaborate the creative process. Both books are recommended for public libraries needing additional works on creativity. ~ Dale Farris
"Mind and Illusion" in Minds and Persons, Anthony O'Hear, ed. (Cambridge University Press: 2003), p. 251.
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Much of the contemporary debate in the philosophy of mind is concerned with the clash between certain strongly held intuitions and what science tells us about the mind and its relation to the world. What science tells us about the mind points strongly towards some version or other of physicalism. The intuitions, in one way or another, suggest that there is something seriously incomplete about any purely physical story about the mind. For our purposes here, we can be vague about the detail and think broadly of physicalism as the view that the mind is a purely physical part of a purely physical world. Exactly how to delineate the physical will not be crucial: anything of a kind that plays a central role in physics, chemistry, biology, neuroscience and the like, along with the a priori associated functional and relational properties count as far as we are concerned. Most contemporary philosophers given a choice between going with science and going with intuitions, go with science. Although I once dissented from the majority, I have capitulated and now see the interesting issue as being where the arguments from the intuitions against physicalism — the arguments that seem so compelling — go wrong. For some time, I have thought that the case for physicalism is sufficiently strong that we can be confident that the arguments from the intuitions go wrong somewhere, but where is somewhere?
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In a culture that is increasingly indifferent and ignorant of Christianity, it is not only important for Christians to understand what we believe but why. We must see it necessary to reclaim the importance of the intellectual life, not only to safeguard the witness of the New Zealand church but also its health and identity. Without diminishing a passion for lives that demonstrate radical love and conformity to the Gospel, we must yet take seriously the biblical call to always be ready to give a reason for the hope that is in us (1 Peter 3:15) and to thoroughly refute secular arguments that are raised against it (2 Corinthians 10:5).
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With charming wit and a devastatingly sharp intellect, the Christian philosopher Keith Ward systematically eviscerates Richard Dawkins' anti-religious arguments from The God Delusion. By the end, he reveals most of them to be either logically short-sighted or intellectually dishonest. Like Ward, I believe that the debate between theism & atheism is far from over, and that there are compelling arguments to be made on both sides. In this short, readable book, Ward doesn't really try to finish off the dispute with any unassailable conclusion (despite the book's title, which is a direct rebuttal of one of Dawkins' chapter headings). Rather, he does an excellent job of raising the discourse out of the dumbed down muddle it's fallen into lately, where the ill-informed & the close-minded on both sides hog the spotlight & posture arrogantly at each other. Recommended for those who prefer a well-reasoned debate based on facts & logic to impassioned polemics & simplistic conclusions. ~ Brett Roe at Amazon.com
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If this is, as Chesterton called it, a "slovenly autobiography," then we need more slobs in the world. This quirky, slender book describes how Chesterton came to view orthodox Catholic Christianity as the way to satisfy his personal emotional needs in a way that would also allow him to live happily in society. Chesterton argues that people in western society need a life of "practical romance, the combination of something that is strange with something that is secure. We need so to view the world as to combine an idea of wonder and an idea of welcome." Drawing on such figures as Fra Angelico, George Bernard Shaw, and St. Paul to make his points, Chesterton argues that submission to ecclesiastical authority is the way to achieve a good and balanced life. The whole book is written in a style that is as majestic and down-to-earth as C.S. Lewis at his best. The final chapter, called "Authority and the Adventurer," is especially persuasive. It's hard to imagine a reader who will not close the book believing, at least for the moment, that the Church will make you free. ~ Michael Joseph Gross