The Liberty Bell on Liberty
Proclaim Liberty Throughout All the Land Unto All the Inhabitants thereof.
C.S. Lewis on Scrutinizing Christianity
Others may protest that intellecutal discussion can neither build Christianity nor destroy it. They may feel that religion is too sacred to be thus bandied to and fro in public debate, too sacred to be talked of — almost, perhaps, too sacred for anything to be done with it at all. Clearly, the Christian members of the Society (Oxford Socratic Club) think differently. They know that intellectual assent is not faith, but they do not believe that religion is only ‘what a man does with his solitude’. Or if it is, then they care nothing for ‘religion’ and all for Christianity. Christianity is not merely what a man does with his solitude. It is not even what God does with His solitude. It tells of God descending into the coarse publicity of history and there enacting what can — and must — be talked about.
Albert Camus on the Suffering Child
They had already seen children die — for many months now death had shown no favoritism — but they had never yet watched a child’s agony minute by minute, as they had now been doing since daybreak. Needless to say, the pain inflicted on these innocent victims had always seemed to them to be what in fact it was: an abominable thing. But hitherto they had felt its abomination in, so to speak, an abstract way; they had never had to witness over so long a period the death throes of an innocent child. In the small face, rigid as a mask of grayish clay, slowly the lips parted and from them rose a long, incessant scream, hardly varying with his respiration, and filling the ward with a fierce, indignant protest, so little childish that it seemed like a collective voice issuing from all the sufferers there. Paneloux gazed down at the small mouth, fouled with the sores of the plague and pouring out the angry death-cry that has sounded through the ages of mankind. He sank on his knees, and all present found it natural to hear him in a voice hoarse but clearly audible across that nameless, never ending wail: “My God, spare this child!” But the wail continued without cease.
C.S. Lewis on Ethics and Christianity
Christianity claims to give an account of facts — to tell you what the real universe is like. Its account of the universe may be true, or it may not, and once the question is really before you, then your natural inquisitivenes must make you want to answer. If Christianity is untrue, then no honest man will want to believe it, however helpful it might be: if it is true, every honest man will want to believe it, even if it gives him no help at all. As soon as we have realized this, we realise something else. If Christianity should happen to be true, then it is quite impossible that those who know this truth and those who don’t should be equally well-equipped for leading a good life. Knowledge of the facts must make a difference to one’s actions.
William Henry Channing on the Crucifixion
To view the crucifixion of Christ aright, as an objective fact of the world’s history, we should regard it as an act of the race, considered as an individual. Alas, for poor humanity! It had gone so far astray from its Creator, that it could not recognise Him even when He came to its every affection and faculty, in the human form of tenderest sympathy, of kindest, most patient instruction, of long suffering even unto death. The very light that was in it was darkness; for in the name of God it was, that it blasphemed and laid murderous hands on the perfect manifestation of the Divine in human life. Such was the crucifixion in the world’s history. And in the history of every individual, is there not precisely the same crucifixion of Christ? Is it not universal experience, that, by reason of the darkness that is in us while we are realising our own individuality, we reject, and misconceive, blaspheme, and attempt to destroy some principle which would lead us into life? He who is not conscious of some degree of this, has not lived to know himself.
C.S. Lewis on a Universe With No Exit
There was one way in which the world, as … rationalism taught me to see it, gratified my wishes. It might be grim and deadly but at least it was free from the Christian God. Some people (not all) will find it hard to understand why this seemed to me such an overwhelming advantage… I was, as you may remember, one whose negative demands were more violent than his positive, far more eager to escape pain than to achieve happiness, and feeling it something of an outrage that I had been created without my own permission. To such a craven the materialist’s universe had the enormous attraction that it offered you limited liabilities. No strictly infinite disaster could overtake you in it. Death ended all. And if ever finite disaster proved greater than one wished to bear suicide would always be possible. The horror of the Christian universe was that it had no door marked Exit.
Art in Action
This book advances an argument rooted in Christian narrative but driven largely by a philosophical engine that privileges rigorous analytic logic and careful scientific scrutiny. I see this as both the book’s great strength and weakness. Wolterstorff spends an overwhelming majority of the book developing exacting analysis on what he rightly considers the narrowness of contemporary Western notions regarding the arts, with frequent discussions of analytic/scientific evidence regarding the arts and the nature of perception. Unfortunately, this privileging of analytic/scientific discourses significantly undermines the development of a prophetic, coherent narrative that distills a broader, more compelling Christian view of the arts in our lives. I make this criticism partly because Wolterstorff himself claims that this volume is meant to be the more accessible work of a set of philosophical reflections he has written on the arts. Those whose philosophical leanings run in the pragmatic/poststructuralist direction, or those whose theological narratives are indebted more to a Christ-story rather than a creation-story (Wolterstorff relies primarily on the latter), will find that the arguments of this book occasionally seem to miss the mark. Nevertheless, they will also find a cogent analysis and critique of contemporary Western notions of the arts as well as the messy birth of a Christian perspective for the arts. ~ D. Clemens